Yon Tanpèt Pafè

In the wall mural of global incompetence that is our Crisis Era, Haiti has become the most lurid corner, a hallucinatory labyrinth worthy of Hieronymus Bosch; not so much the canary in the mine as a collapsed side tunnel whose maimed and trapped victims are within earshot and line-of-sight of First World institutional leaders already fumbling with a dozen groundwater leaks and toxic gas buildups in the main shafts.

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Another Visit to the Quadrangle

My daughter and I with Wee Jamie had cause to visit Fort Sam Houston this week, to pick up some prescription refills and make a run through the commissary – but before we did, we went by the historic old Quadrangle, so that my grandson could pester the deer and the peacocks and admire the enormous koi goldfish in the little landscaped fishpond. Yes, the historic limestone Quadrangle, the original structure and oldest building at Fort Sam houses a kind of petting zoo in the courtyard in the middle of three block-long ranges of buildings. That is, it would be a petting zoo if the current herd of nine deer were slightly more tame.

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Floating in the Trope-Sphere

Towards the end of the Vietnam war, and for at least another decade after it ended, there was a trope/cliché which always could be depended on in movies and television; the whacked out, dysfunctional and traumatized veteran; sometimes a victim, often the guilty party, but always and reliably whacked-out. Even news media got into the act, now and again, interviewing theatrically dysfunctional, traumatized veterans, who – on cue – related how they had supped full on the horrors of the war in southeast Asia. This was so pervasive that for-real veterans for years were advised to leave periods of military service off resumes when job-hunting, and to never, never, ever advertise any connection to military service, be it with a ring, a gimme ballcap, a tee shirt, or an OD green field jacket … unless, of course, they were in the war protest movement.

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Say Goodbye to Hollywood

Last week, in a discussion thread on a story about plans to revamp Hollywood Boulevard and make it attractive to tourists, against an apparently overwhelming tide of homelessness, addiction and petty crime, someone posted a link to this Billy Joel song. For some curious reason it struck me, since I have been saying goodbye to Hollywood – the physical place, and the entertainment concept – over the last couple of decades.

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Distant Storm

Out of the blue in the week before Christmas, my daughter asked me if I had any idea of how the Japanese attack on Pearl Harbor, early in December, 1941, generally affected the Christmas mood that year. Of course, she knows that I wouldn’t have any personal memories of that period (as I wasn’t even born until 15 years after that event) but I grew up pretty well marinated in memories and memoirs of World War 2 – even more so when I sat down to write a novel set in that time period. Yes, the Christmas of 1941 was a nerve-wracking time for more than just Americans, even if a war in Europe had been going on for more than two years. In the Far East, countries and colonies were falling like ninepins to imperial Japanese invasion and occupation all through the first months of 1942. I have gathered so from memoirs; and also from my own memories of the lead-up to Christmas, 1990 and the buildup when operations began before the first Gulf War (the last year that we were in Spain) and how mothers and fathers put on a brave face for small children. They did their best then, as we did that year, to have an absolutely normal, reassuring Christmas, with presents and Santa, carols and a nice meal. In 1941 and for three subsequent years, parents had to explain the sudden absence of older brothers and cousins, younger uncles and fathers, and the necessity of blackouts. Probably later, they had to put a brave face on depressing headlines in the newspaper that yet another island, town or province had been attacked, and might soon surrender – just as I and other parents stationed at European bases had to explain Desert Shield; new concertina around the base perimeter, a flightline full to bursting with parked transport aircraft, the long hours that military parents and spouse volunteers were all working.

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