A Thumbnail History of the American Fighter Drop Tank 1923-2000

The flying services of the American military pioneered the use of fighter drop tanks, but there is no one place where you can go to get a historical ‘thumbnail sketch’ of their introduction and history of use.  This blog post is my attempt to answer that need.

Drop tanks have been around over 90 years in American aviation, but their history prior to the 1942–1945 Combined Bomber Offensive is very obscure for a lot of reasons. The biggest historically American manufacturer of drop tanks Sargent Fletcher only reaches back to its 1940 founding. (It was bought by a British company in 1994.) So the recorded American aircraft drop tank history looks as follows:

Sargent Fletcher drop tank history from 1940 to 2000
Sargent Fletcher drop tank history from 1940 to 2000

The problem with the history above is that the first operational use of drop tanks pre-dated the founding of Sargent Fletcher by almost 18 years.

On March 5, 1923 the 1st Pursuit Group of the US Army Air Service flew their Boeing MB-3As Pursuit planes with 37 gallon centerline drop tanks and achieved a radius of action of 400 miles!

Boeing built and Thomas-Morse designed MB-3 assigned to Billy Mitchell, at Selfridge Field, Michigan, Source: Wikipedia.
Boeing built and Thomas-Morse designed MB-3 assigned to Billy Mitchell, at Selfridge Field, Michigan, Source: Wikipedia.

 

See article link and text:

Selfridge ANGB: Home of the Drop Tank

https://www.127wg.ang.af.mil/News/Article-Display/Article/865880/selfridge-angb-home-of-the-drop-tank/

Read more

Education Part IV

There have been some interesting places to bring the discussion that came up in the comments, and I am impatient to get to them. But I think I will stay with my original plan for now. After this there are a few additional quick-hitters to spur thought, but no more extended essay.

Here are the weaknesses of those purported advantages:

Better teachers: Just because women in general had unacknowledged talents and some of them went into teaching does not mean those particular women were good teachers. Let’s go back just a bit further in history, to the late 19th and early 20th C and pick up the flow of who was heading up classrooms. My great-grandmother taught at a one-room school in Londonderry. She started at 17. Alert readers will suddenly remember Anne of Green Gables, the “Little House” books, and others of the era, and how young teachers might be. Moving forward in time, schools began to require that teachers had a highschool diploma, later a certificate from a Normal School (two-year teaching academy, later increased to four-year), then a Teacher’s Collge, and only quite far along, a Bachelor’s Degrees. Those with the earlier credentials were grandfathered – er, grandmothered – in. I had at least two teachers with a Normal School certificate only, even in my day. So whatever natural abilities they may have had, the majority of teachers did not have so much training – and there was not a lot of continuing ed in those days or supervision after.

Read more

Movie Review: “O”

(This is a rerun of a post from 2010–I was reminded of this movie by Paula Marantz Cohen’s WSJ article about teaching ‘Othello’)

Odin James–“O”–is a high-school basketball star. His friend Hugo also plays for the team, though not on O’s level. When O singles out another player–Michael–for special recognition, Hugo’s already-high jealously level reaches a fever pitch.

Roger, a wealthy but awkward and widely-disliked student, is hopelessly in love with O’s girlfriend, Desi. Hugo enlists him in a plot which he sells to Roger as a way of luring Desi away from O…but his real intent is to destroy both O and Michael, with Desi as collateral damage.

Does the plot sound a little bit familiar?

This is, of course, “Othello,” set in an American prep school instead of in Venice, and with the title character as an athlete rather than a military commander.

O is Othello (Mekhi Phifer)
Desi is Desdemona (Julia Stiles)
Hugo is Iago (Josh Hartnett)
Roger is Rodrigo (Elden Henson)
Michael is Michael Casio (Andrew Keegan)
Emily is Emilia (Rain Phoenix)
The basketball coach, nicknamed “Duke,” is the Duke (Martin Sheen)

No attempt is made to use Shakespearean language, which was probably a wise decision. While this adaptation may sound contrived from the above description, I think it actually works very well. (The film was released in 2001.)

There are a few interesting differences between the film and the original play, as well as some interesting angles for transforming Renaissance Venice into a modern high school:

(1)In the movie, Hugo/Iago is the coach’s son, which plays an important role in his jealousy of O/Othello. There is no such relationship or motivation in the play.

(2)In the play, Iago’s hate of Othello and of Michael Casio is driven largely by Othello’s decision to choose Casio, rather than Iago, as his principal lieutenant. The recognition/elevation of Michael is also an important factor in the movie–however, in the play, Othello’s promotion decision is based largely on factors which Iago, with some justice, sees as extraneous: book-learning and family/social connections rather than combat experience. Hugo/Iago suffers from no such social-class disadvantage in the movie.

(3)In the play, Iago convinces Othello that he, Iago, understands more about the true nature of Venetian women than Othello the Moor–an outsider to Venice–possibly can, and that hence, Othello had better listen to Iago’s advice. In the movie, this turns into an assertion by Hugo that O…the only African-American in the school…needs to pay attention to Hugo’s greater experience with white women (“They are all horny snakes,” he warns O.)

(4)In the play, Michael Casio is portrayed in a very positive way. In the film, he comes across as more than a bit of a jerk.

(5)Like the play, the movie ends with the murder of Desi and Emily/Emilia and the suicide of O/Othello…but whereas in the play, Michael survives and is designated as Governor at the end, in the movie he is shot and it is left ambiguous whether or not he survives. I think Shakespeare perhaps intended the elevation of Michael Casio at the end to symbolize the continuity of society and of proper authority: there is no such symbolism in the film. The ending of the film is at least as dark as that of the play, and that’s pretty dark.

An interesting sound track, ranging from hip-hop to opera.

Certainly not a substitute for the original, but very well worth seeing, in my opinion.

Education in the (Not Very) Good Old Days – Part III

I closed with this in 2012. I open with it now.

Back to basics: they didn’t have all useless modern feelings stuff, or politically correct nonsense then, nor all these administrative distractions about disaster drills and recycling, and sex education and drug education, so they could read classics instead of trash. No, we had hours of penmanship drills – not very useful even then. If you weren’t good at it you had to stay in at recess and do more.   We copied things a lot, and not always as punishment. We wrote out inspiring quotes, or the Gettysburg Address. It was supposed to imprint grand ideas into our heads. Or something. A “beautiful hand” was much admired, and usually harder to read than the ugly writing, as anyone who has tried to read archival records can attest.  And we learned recitations – often the same one for everyone, and had to get up in front of the class and say it, one after another.  That’s useful.  And maps to color after labeling, and children in ethnic costumes to color, and lots of natural science to color.  Shop Class and Home Ec.  We scrubbed our desks.  We lined up and waited a lot, and sometimes marched to music.  We diagrammed sentences – kinda fun, sometimes, but not as helpful in composition as one might think.  We learned grammar, much of which turned out to be wrong, and most of which was not focused on improving our writing, but in shaming us out of using slang.  Spelling drills. Somewhat useful – not huge. Spelling bees – I was always one of the last ones standing, one boy against six girls getting every other word, but what use was that for everyone else for the last half hour, watch me and Barbara and Debbie and Judy and Hannah? A lot of standing around for us, sitting around for others. And patriotic songs. Bad ones. Maybe we should blame the 60s counterculture on terrible patriotic songs learned in fifth grade.

I was, in retrospect, in good schools, though I didn’t know it at the time. I am not citing the mistakes of poor ignorant districts. New Hampshire finishes at or near the top in testing every year. (I’m not discussing why – the whole discussion would move there if I did.) I was in the middle spot of the 60s and 70s as the major educational changes came on. I saw both. They both wasted lots of time but did okay, and really, it doesn’t matter. When we competed against other schools our city schools usually won. When I compared experiences with all those top-ranked Northern Virginia schools in college, they weren’t any better. I have since compared notes with students from bad schools, expensive schools, prestigious schools, religious schools. Mine were among the best.

But filled with useless stuff.

Read more

Self-Organizing Community

I was reminded this week, upon reading the vapid blatherings of Alexandria Occasional-Cortex, the freshman dunce of the House of Representatives, of an acrimonious exchange some years ago on the now-defunct Open Salon website. Ms. O-C Full Stop had opined that the Tea Party was racist, reactionary and funded by the Koch brothers. Yes, that old canard comes around yet once more. And I know that it is indeed a canard in the mouths of progressive fools because I was involved almost from the very beginning in a big-city local Tea Party chapter.
A little history to explain this:

Read more