Just re-read Thomas Hardy’s The Return of the Native (outstanding) and watched the 1994 movie (pretty good.) The book, like much Victorian literature, was originally serialized in a magazine, in this case Belgravia: a Magazine of Fashion and Amusement.
I found the original illustrations that accompanied the serialization here. Inclusion of illustrations was apparently quite expensive in comparison with straight text, even after the efficiency improvements that went with higher print volumes, so they tended to be fairly scarce–only 12 of them for the whole serialized novel, in this case.
More about the book and the economics of Victorian publishing here…it is interesting that the high cost of book encouraged lending libraries to insist that books be published broken into multiple volumes, so that reader access to the book could be “timeshared,” resulting in a higher ratio of revenue to cost.
Hardy and the artist who did the illustrations (Arthur Hopkins) were able to collaborate only by mail, and Hardy was not thrilled with the first image of his main female protagonist, Eustacia…he was happier with the later versions of this character.