Arts & Letters
Schadenfreudelicious
Two weeks and a bit more after election day, and the meltdown, panic, and dismay among the progs, the establishment media, and the entertainment world continues. I’m taking an unworthy pleasure in reading reports of panic and back-biting among partisans of the Harris/Walz camp and the noisy laments of their cis-gender or bi significant others. I’m also taking a savage pleasure in reading about or viewing evidence of the dismayed realization among the managerial class in certain industries dependent economically on the choices of the general public – that conservatives and Trump voters buy shoes, too. Also movie tickets, newspaper and magazine subscriptions and other consumer goods.
Literary Life
(A break from the election, for those who can bear to tear themselves away from contemplating Tuesday’s Presidential Election, and the judicial murder of squirrels.)
I was briefly nonplussed when a question for me showed up on my message stack on Quora last week – what did I think of Sally Rooney’s not allowing her books to be translated into Hebrew or be published and distributed in Israel, and demanding that other authors insist on the same. All because of Israeli treatment of the poor, poor, pitiful Palestinians in Gaza. My initial reaction was – who the hell is Sally Rooney?
(Subsequent brief pause for a look-up and a review of sample chapters of her books on Amazon.) Oh, that’s … precious. An Irish millennial with popular literary credentials, much lauded in the correct circles, describing the landscape of a generational navel with exquisitely elaborate original prose of the sort much favored by jaded teachers of creative writing. Four books with pretty much the same plot, it would appear, noted as a significant voice of her generation – a kind of literary Lena Dunham. Also a fashionably self-proclaimed Marxist, which is weird because that type never actually chooses to live in a place currently being run under strict Marxist lines. Curious, that. More importantly for this discussion, a raving antisemite, or as I prefer to spell it in the interests of bald accuracy, a Jew-hater. As an aside, it has always struck me as a peculiarly Irish quality, to rush into a full-body embrace with any movement perceived to be an enemy of their enemy, on the somewhat questionable grounds that an enemy of your old enemy must therefore be an acceptable ally to you. (This explains how Southern Ireland remained a neutral in WWII, while radical IRA members collaborated with Nazi Germany at the time, and decades later took funding from Libyan dictator Moammar Gaddafi.)
A Skin Suit, Demanding Respect
You know, the most disgusting aspect of the most recent Trump hit is the fact that it appeared to have been engineered by the management and apparently the current ownership of the Atlantic. This whole skeevy story was rather obviously intended to be the October Surprise, something like the 60 Minutes-Rathergate-Bush/ANG story, calculated to catastrophically hit in time for Election Day 2004. Frankly, I never cared much for CBS 60 Minutes, after a certain point in my development as an adult with a passing interest in public matters. It was all a rather contrived and scripted business, all carefully edited in the furtherance of the “gotcha” narrative o’ the moment. After Rathergate and the faked ANG memo, though, one did rather wonder exactly how many other previous 60 Minutes exposés had been based on fraudulent and/or sketchy documents, which no outside CBS ever got a chance to examine with a gimlet eye.
But the degradation of the Atlantic from a once-respected venerable literary and cultural publication with 160+ years of solid worth … into a purveyor of partisan sleaze is something that hits me rather personally. It demonstrates Iowahawk’s oft-quoted tweet about identifying a notable and influential institution, slaughtering it … and then wearing the pelt as a skin suit, while demanding respect.
Literary Imagination
The matter of a certain literary style and practice came up a couple of months ago and I was reminded again of the discussion in a weird way, when my daughter and I watched the Night at the Museum movie series. This was in the interests of not freaking out Wee Jamie terribly, who is soaking up information and stimuli like a small, child-shaped sponge. I vaguely recall watching the first of the series, but my daughter did not, so I must have seen it in a theater, possibly when the Gentleman With Whom I (Once) Kept Company was on one of his yearly visits to Texas. Cute movie, and one which loaded in a lot of established actors in supporting roles (Ricky Gervais? Seriously?) …but anyway. (It is kind of cool, though imagining an animated dinosaur skeleton playing ‘fetch’ the bone, and behaving like a playful puppy…)