New Year’s Eve, 2024

On New Year’s Eve, I’m always reminded of a thought from the late and very great Neptunus Lex:

I’ve often wished that you could split at each important choice in life. Go both ways, each time a fork in the road came up. Compare notes at the end, those of us that made it to the clearing at the end of the path. Tell it all over a tumbler of smokey, single malt.

I also like a suggestion made last year by Ruxandra Teslo:

We are approaching New Year’s Eve: a time when we should all reflect on what we’re grateful for. It’s easy to compare oneself with others and feel like smth is missing. But why not think about how we have it much better than in the past?

Book and Movie Review: The Valley of Decision (rerun)

WSJ briefly reviewed Marcia Davenport’s book The Valley of Decision in its roundup of books about family businesses a couple of weeks ago. I reviewed both the book and the 1945 movie that it inspired (starring Greer Garson and Gregory Peck) last year.

The book could be subtitled An Industrial Romance, as could the movie. Both could enjoy some renewed attention at a time when the importance of manufacturing is receiving increased focus in the US.

Pittsburgh, 1873. The Scott family owns a steel mill, and sixteen-year-old Mary Rafferty has just started work as maid in their home.   There are 5 Scott children, but 17-year-old Paul is the only one who truly values the mill as anything other than a source of dividends.   William Jr, the eldest, is   engaged to a young Boston socialite and wants to to maximize his take from the mill to support their joint social ambitions.   Elizabeth is “plain and angular and earnest, full of purpose and good works.”   The twins Constance and Edgar, 9-year-olds when Mary first meets them, are always into mischief–“known in the backyards and nurseries of Western Avenue as holy terrors and limbs of the devil”…as they grow older, Constance dreams of marrying an English aristocrats, moving to Europe to get away from what she sees as her boring family, and meeting “all the wicked people,” while Edgar prefers life as a rather raffish gentleman of leisure to doing any kind of serious work.

Paul, though, shares with his father William a strong personal bond with the mill, the work it does, and the people who work there. Will Jr, who as oldest is the presumptive future chief of the mill,  has no desire whatsoever to be a part of scenes such as a Bessemer Converter blow:

And now excitement, familiar but primevally keen, swept everything else aside. The great bulbous brute towering above him began to rumble and belch. From its mouth high overhead a stream of scarlet flame threw itself at the acid winter sky. The blower gave a sign. The blow was ready, and suddenly the usual concert of barbaric noises in the shed was drowned in one fearful ear-crushing roar as the cold blast was shot into the converter’s belly.   Element grappled with element, oxygen in a death-struggle with carbon, a battle more terrible and wonderful than man had ever made before.   The flame, steady and fearfully red, began to change color, a descending scale of blinding flashes echoing from the death-and-birth agony of the elements. Inside the beast steel was being born, and from the vessel’s roaring mouth the solid fire changed from red to blue, to orange, to yellow…

Paul does see things differently from his father in that believes that a more scientific approach to steelmaking will be necessary if they are to compete successfully with giants like Carnegie Steel. When he returns from college he sets up a metallurgical laboratory at the mill, and an open hearth furnace is installed to help in the switch of focus to specialty steels.

There is an immediate strong attraction between Paul and Mary, but the are obstacles–not only the very different class positions of Paul and Mary, but the fact that Mary’s brother..a key skilled worker at the mill…is also a labor leader, attempting to organize a union among Scott employees. And while William Scott Sr does care about his workers, he will resist any attempts to interfere with what he see as his management prerogatives.

Mary quickly comes to share Paul’s emotional bond with the mill, and she also develops a strong sense of connection to and responsibility for the entire family..indeed, more of a sense of connection and responsibility that than felt by some of the family’s own members.

The book begins with Mary starting work for the Scott family, but the history of the mill goes back further, to its founding by Paul’s immigrant grandfather–and the book extends the story through multiple generations, up through the early years of World War II.   The mill played an important role in arming Union forces in the Civil War, and a similar role in later conflicts.   The importance of this exemplar of heavy industry to the national defense is played up strongly, as one might expect in a book published in 1941.

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Christmas 2024

A collection of Christmas-related links and quotes that I have added to over time.

Grim  has an Arthurian passage about the Solstice.

Don Sensing has thoughts astronomical, historical, and theological about  the Star of Bethlehem.

Vienna Boys Choir, from Maggie’s Farm

Snowflakes and snow crystals, from Cal Tech. Lots of great photos

In the bleak midwinter, from King’s College Cambridge

The  first radio broadcast of voice and music  took place on Christmas Eve, 1906.  (although there is debate about the historical veracity of this story)

An air traffic control version of  The Night Before Christmas.

O Come, O Come, Emmanuel, sung by  Enya

Gerard Manley Hopkins

A Christmas-appropriate poem from  Rudyard Kipling

Another poem, by Robert Buchanan

I was curious as to what the oldest Christmas carol might be:  this Billboard article  suggests some possibilities.

The story of electric Christmas tree lights

Virginia Postrel on  the history of Christmas stockings.

On a foggy day in Oregon, Erin O’Connor writes about Charles Dickens and Christmas.

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Video Review: A French Village (rerun)

The Paris-based writer Pascal-Emmanuel Gobry said (on X)  that he “casually mentioned to an educated American that the Vichy Regime was voted into power by a left-majority Assembly and most of its political personnel was left-wing, while the Free French were overwhelmingly right-wing reactionaries, and he was totally stunned. I thought I was stating the obvious.”

The mention of Vichy reminded me of this series, set in the (fictional) French town of Villeneuve during the years of the German occupation and afterwards, which ran on French TV from 2009-2017.  It is simply outstanding–one of the best television series I have ever seen.

Daniel Larcher is a physician who also serves as deputy mayor, a largely honorary position. When the regular mayor disappears after the German invasion, Daniel finds himself mayor for real. His wife Hortense, a selfish and emotionally-shallow woman, is the opposite of helpful to Daniel in his efforts to protect the people of Villaneuve from the worst effects of the occupation while still carrying on his medical practice. Daniel’s immediate superior in his role as mayor is Deputy Prefect Servier, a bureaucrat mainly concerned about his career and about ensuring that everything is done according to proper legal form.

The program is ‘about’ the intersection of ultimate things…the darkest evil, the most stellar heroism….with the ‘dailyness’ of ordinary life, and about the human dilemmas that exist at this intersection. Should Daniel have taken the job of mayor in the first place?…When is it allowable to collaborate with evil, to at least some degree, in the hope of minimizing the damage? Which people will go along, which will resist, which will take advantage? When is violent resistance…for example, the killing by the emerging Resistance of a more or less random German officer…justified, when it will lead to violent retaliation such as the taking and execution of hostages?

Arthur Koestler has written about ‘the tragic and the trivial planes’ of life. As explained by his friend, the writer and fighter pilot Richard Hillary:

“K has a theory for this. He believes there are two planes of existence which he calls vie tragique and vie triviale. Usually we move on the trivial plane, but occasionally in moments of elation or danger, we find ourselves transferred to the plane of the vie tragique, with its non-commonsense, cosmic perspective. When we are on the trivial plane, the realities of the other appear as nonsenseas overstrung nerves and so on. When we live on the tragic plane, the realities of the other are shallow, frivolous, frivolous, trifling. But in exceptional circumstances, for instance if someone has to live through a long stretch of time in physical danger, one is placed, as it were, on the intersection line of the two planes; a curious situation which is a kind of tightrope-walking on one’s nerves…I think he is right.”

In this series, the Tragic and the Trivial planes co-exist…day-to-day life intermingles with world-historical events. And the smallness of the stage…the confinement of the action to a single small village….works well dramatically, for the same reason that (as I have argued previously) stories set on shipboard can be very effective.

Some of the other characters in the series:

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