Why I Didn’t Like The Beach Boys

I’m cross-posting this here because it generated a lot of dislike at my site and another, and I wanted you to share in the fun here.

I have listened to Part I and half of Part II of the Political Beats podcast about the Beach Boys, on the recommendation of my eldest son. They are episodes 60 and 61, hosted by various writers from Reason and National Review. No politics are discussed, and I don’t think I’d heard of these particular writers.  They are big, big fans of the Beach Boys, and phrases like “preternatural genius” fall from their lips every few minutes. Still, they make good points and they tell a good story.

Brian Wilson, and “Pet Sounds” in particular, is supposed to be some pinnacle of rock creativity, consistently making Top 100 lists and having documentaries made. I have a few Beach Boys songs that I like very much.  But mostly I just kept a “best of ” album around for fun, when I wanted that sort of summer sound occasionally.  My son insists I played them a lot, which is why he likes them.  This is untrue. I likely did overpraise “Good Vibrations” every time it came on the radio and made everyone stop talking so I could listen. I will acknowledge that.

1.  Their voices were tinny, thin, nasal.  I did not appreciate how young they were in those early songs, and might have been more forgiving of the lack of richness and tone. Even their instrumentation in the early years was circusy, trebly.

2. The lyrics were ignorable at best, but more usually a terrible distraction. One of the podcasters keeps talking about the great vulnerability and emotionality of the lyrics of many of their songs, such as “In My Room,” or “Warmth of the Sun.” For a folkie, used to PP&M, Bob Dylan, Simon & Garfunkel, this opinion is merely silly.  I wrote equivalently good (or bad) lyrics in junior high, and better by late high school.

3.  I thought the arrogant celebration of Surfing/Beach/Cars/California culture was annoying. It was one more feeding of the monster, that coolness was more important than anything.

On the plus side, the harmonies were spectacular, and the arrangements became more fascinating every year. I am a big fan of harmony, and their use of multiple lines always fascinated when I tried to hum along, even when I didn’t much like the song. They slowed things down, stopped, waited, used interesting percussion. I wasn’t hugely impressed with “Wouldn’t It Be Nice” or “God Only Knows” at first, but did find myself humming them years later. They actually are quite good.

No one covered these songs, except maybe “Barbara Ann,” a rather silly piece. They were just too difficult, with unusual timings and key changes.  Try to sing the backup vocal precisely even on one of their easy songs, like “Fun, Fun, Fun.”  I also appreciate the whole idea of competition and challenge with the Beatles, especially Paul McCartney, finding ever-better ways to use the studio and be creative.  One can listen to songs like “Magical Mystery Tour,”  “Strawberry Fields Forever,” and “Lucy In The Sky With Diamonds” and hear the Brian Wilson influence. In the reverse direction, one can hear both Rubber Soul and Revolver in Pet Sounds. You will notice in the exchange that the Beatles have good lyrics, and the Beach Boys don’t, however.

Jimi Hendrix called it “psychedelic barbershop,” and I am confident that was more dismissive than complimentary. It does highlight what is happening in this music, however.  This is not rock-n-roll, even though they started with that Lead/Rhythm/Bass/Drums package, the same as the Beatles. When the Beatles came out with Sgt Pepper, and the Beach Boys with Good Vibrations, those were clear announcements that this was pop music, not R&R.

I favored the folksingers and the harder rock of Jefferson Airplane, Vanilla Fudge, and Cream.  Both of those audiences looked at pop music with a bit of contempt, and that was where I sat in those days.  Harmonies, percussion, arrangements?  Loved that, but I could get better ones in Christmas Carols, hymns, American Musical Theater, and yes, barbershop.

Good Vibrations did blow me away when it came out, and I went out and bought the album “Wild Honey,” which was terrible, and  perhaps convinced me to never fall for that Beach Boys stuff again.

Unlike their earlier surfin’ music, their later stuff was not background party stuff that the kids could dance to (I gave it a 95). Nor was it anything that you could perform easily, though it was fun to sing along to.  It had to be listened  to, attended to.  Even now, I only play them when I can pay attention.

Good Vibrations: Short sections of 26 seconds each, some repeated.  They are not strongly related, but because of the chorus it holds together. The lyrics still suck.

4 thoughts on “Why I Didn’t Like The Beach Boys”

  1. Each to his own. I will say that people who claim various rock songs are so deep and meaningful – well, Mozart occupies that.

    I liked them.

    I like the Doors but listen to most of their lyrics…and they seem nonsensical.

    Guess LSD can do that.

    My late aunt had a perfect term for many British American groups – that they “sing like they have mush in their mouth”.

    I Liked the way they (Beach Boys) harmonized.

    I didn’t realize, until Amazon, that the 50s Del Vikings had 2 versions of “Come Go With Me.”. There’s the 1958 version most know but they had (I think) a 1957 version that I thought even better.
    Both are good but the earlier one (I think it is earlier) is far superior.

    Then listen to the 80s version from the Beach Boys. Very different, and yet…great.

    Not trying to convince you but your opinion might be an extreme minority ;-)

  2. A lot of the appeal of Jimi Hendrix was his fluid, charismatic stage presence and his hair, which was all the rage when he was starting out in London. Otherwise, he was overrated. He couldn’t sing and his guitar always sounded out of tune. It’s not surprising that he hated the harmonious surf music.

    One thing about the Beach Boys that gave them staying power was their position in the cultural change that occurred in the mid-60s. There was a distinct demarcation about 1966-1967 with mainstream music, art, and politics. The Beach Boys were there at the launch pad but didn’t make the jump. They will forever be emblematic of one side of it- youth, innocence, fun, girls, etc. The car songs are somewhat annoying, but let’s face it, those cars were pretty sweet.

    The Beatles did change with the times, and the band ended up imploding. As much as I love Abbey Road, the rest of the late 60s work are too many exercises in beating a dead horse. Maybe they should’ve just hung it up after Sgt. Pepper.

  3. When I was in college (the 50s) I got to like classical music and never really cared for rock and roll.\\One of my favorites as a kid in 78th grade was Tony Bennett and I saw him in Las Vegas about 10 years ago.

    I do like the Beach Boys but never was really into them. The story of “In My Room” has more to do with the unhealthy mental state of the writer of the song

  4. One thing I liked about the Beach boys is they never became pretentious twits like the Beatles. Its extremely painful to watch an old Cavett show on DVD, and see John Lennon trying to sound like some sort of political sophisticate or “Wise Man”. And can you imagine Brian Wilson saying the “Beach Boys are bigger than Jesus”. LOL.

    The Beach Boys were able to tap into a subculture that they knew, and it still resonates with some. But my favorite of their’s is “Sloop John B” – which of course they didn’t write.

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