We’re Not Anti-Semitic, We Just Think the Jews Israelis Had It Coming

Instapundit links to Al Giordano, who is peeved because NY Indymedia censored a cartoon by his friend Latuff. Perhaps the Indymedia people are too sensitive to accusations of anti-Semitism against Latuff?

Latuff’s cartoon is here.

Is it anti-Semitic? It’s not very good, partly because I can’t figure out precisely what the cartoonist was trying to say, but mainly because of its mean-spirited use of tragedy to make a heavy handed political point at the expense of the victims. But taken by itself it doesn’t seem anti-Jewish. And why should I care if Indymedia, to which I rarely pay attention, is or isn’t consistent in following its stated posting policy?

But it gets more interesting when Giordano interviews Latuff:

Bigleftoutside: Let’s talk about the controversial cartoon. I can’t for the life of me figure out what is supposedly anti-Semitic about this cartoon. Seems to me that this cartoon speaks an undeniable reality: that the buses inside the Israeli-occupied zones often result to be coffins, as a result of bombings. To me, that cartoon is as accurate as a news photo, in some ways more accurate. There’s nothing in the cartoon that cheers the idea of bombings. It simply addresses their root cause: the occupation of Palestinian lands. It’s a cartoon that makes me think. I presume it therefore makes others think. And that is always good, in my book. Has anybody offered a coherent argument as to why that cartoon is somehow not publishable at NYC Indymedia?

Latuff: Not ’til now. I tried to express in this cartoon that due occupation of Palestinian territories, the security wall, the settlements and shit, to take a bus in IsraHell can be deadly. That’s all. But you know, my slanderers will always try to find a reason for bashing me. If I make a cartoon with a baker putting breads in an oven, people will call me anti-Semitic because Jews were thrown into ovens and such. Everything can be a good excuse.

Most of the bombings have been on buses inside Israel proper, so what does Giordano mean by “Israeli-occupied zones” — does he consider downtown Jerusalem an “Israeli-occupied zone”? Is Tel Aviv “Palestinian land”? If so, why should we treat him as a reasonable journalist rather than dismiss him as an Arab propagandist? Or is he merely being sloppy — in which case we should probably regard skeptically the rest of his argument about the fine points of cartoon interpretation.

And the cartoonist himself, for someone who is sensitive to being “bashed” by “slanderers,” is oddly insensitive to his slanderous use of the term “IsraHell.” If he had used a parallel term — such as (to paraphrase Diane) “Paleostine” — to characterize the Palestinian Authority, I would conclude that he was just another moral-equivalence idiot who gets off by carping at both sides. But he doesn’t, he singles out Israel for this treatment. (Elsewhere in the interview he uses the term “IsraHell/Palestine issues.” He treats Palestine, which isn’t a current political entity, respectfully, but makes a point of not using the State of Israel’s name.)

So maybe Al and his pal Latuff aren’t anti-Semites in the classical sense, but what do you make of someone who casually implies that Israel’s capital city is an “Israeli-occupied zone”? And what can you call a person who won’t use the word “Israel” without distorting it in an ugly way, as anti-American leftists once used the term “Amerika”? Classical anti-Semites have a double standard for Jews as individuals, denying them legitimacy. Modern anti-Semites are more likely to deny the legitimacy of the Jewish state.

I may be misreading Giordano. He could be using language sloppily in attempting to support his friend. But he is a professional journalist and should know better. Latuff seems to fit my definition of a modern anti-Semite. And his quickness to adopt a defensive stance against accusations of anti-Jewish bias suggests either that his accusers are correct or that he enjoys baiting them, which is almost the same thing.

UPDATE: Al Giordano replies in the comments.

War Nerd

The Poor Man links to an interview with Gary Brecher, AKA War Nerd at the exile (browse his columns here). The interview is worth reading, as are his columns, which Lex turned me on to.

Oh, You Americans!

I find this chart oddly compelling.

Euro vs. US dollar daily chart

“The Allende Myth”

Val Dorta’s masterful historical essay on this topic is not to be missed. Lex blogged on it earlier, as did a few other bloggers, but somehow it never gained the attention it deserves. Go and read it.

(Note that Val’s site appears to be down as of early afternoon EST, but keep trying. He may be having some temporary server issues.)

UPDATE: The site is up again.

Faulty Business Model

I just watched CNBC interview the CEO of a company that has introduced a disposable digital camera. The camera is inexpensive, and the idea is that you take pictures, then bring the camera to a Ritz Camera store to have the images printed and copied to CD.

Reviews (e.g., here and here) have been skeptical. The CNBC interviewer, who for a change knew what he was talking about, pointed out that the digital disposable combines the worst features of digital and film: the camera lacks an LCD preview/review window, is costly to use and still has to be taken to a store to have the pictures developed. The CEO, when questioned on these issues, replied with marketing spin.

The apparent idea behind this product, which seems generally inferior to conventional digital cameras and even disposable film cameras, is to make money for the retailer by forcing the consumer to pay to have his photos printed. (Given the flimsiness of the camera, I suspect there is also substantial markup built into its price.)

This business model won’t work, for the same reason FedEx’s ZapMail business model didn’t work. In both cases the merchant attempts to rent technology that consumers find more advantageous to own outright. Once you own a fax machine you eliminate any need to rent someone else’s. Once you own a digital camera and printer you remove the photo finisher from the print-production loop. There is no reason to go back, and attempts to convince people to go back — via gimmicks like “single use,” which has little if any benefit for digital cameras — are doomed to fail.

Clay Shirky wrote a brilliant essay about ZapMail and similar schemes. The gist of his argument: businesses that set themselves up to compete with their own customers are not likely to succeed. I think this argument applies perfectly to the business model here.

UPDATE: Kevin Brancato posts a thoughtful response to my argument. He is less skeptical than I am about the viability of this business model. I have some thoughts about his response and will post them later.

UPDATE 2: Here are my thoughts on Kevin’s argument.

Kevin argues that disposable digicams compete mainly with disposable film cameras, and that

There are two ways I see that Ritz can make money with the digital disposable model–both require lowering the total costs of disposable camera renting and printing. The first cost savings will come from the elimination of film development. The second could come if inspecting and reusing the “disposable” camera is cheaper than making a film throwaway.

Certainly there is a benefit from eliminating film development and from reusing cheap digital cameras. The problem for Ritz is that it can’t prevent consumers from capturing this entire benefit for themselves by buying their own digicams and printers. All that is necessary is for someone to introduce a cheap reusable digicam, which is surely not more difficult to develop than a cheap digicam that is fitted with devices to prevent consumers from downloading their photos on their own. (There are already $20 reusable digicams. Image quality is low, but there is no reason to think price and quality won’t improve.)

Kevin continues:

I think this will be profitable only when they 1) upgrade the picture quality to meet disposable film camera standards, and 2) get enough volume to pay off their fixed investments in technology.

Any technological improvements here will apply to cheap reusable digicams as well, so it’s unclear to me what Ritz’s edge is.

Kevin finds my argument — that a business model, based on merchant attempts to rent technology that consumers find more advantageous to own outright, will probably fail — unconvincing in this case because many consumers already show a preference to rent cheap camera equipment that they could own:

Consumers are already renting a particular technology (disposable film cameras) because they find it cheap and convenient to do so. The existence of digital cameras that people can own has not changed their minds. (In fact, since 19% of all film developed is from single-use cameras, customers demand to rent disposable technology is high).

Do customers who want the convenience of a disposable camera care how their pictures are stored inside the camera?

If you have to bring the camera to a store for processing, single-use film cameras still produce better results than does Ritz’s digital. They also take more pictures (27 vs. 25) and you can get the film developed anywhere, not just at Ritz. Against these advantages, the Ritz disposable digicam allows you to delete and retake the last picture, a minor benefit. But, as Kevin points out, it lacks the LCD preview/review screen that digicam users find so important (though there seems to be no reason why this feature won’t eventually be added).

But the big question, still, is not whether consumers will prefer single-use digicams to single-use film cams — it’s why anyone would pay for a single-use digicam if similar reusable digicams are available for comparable cost, as will inevitably become the case. Single-use is an artifact of film: the fact that inexpensive film cameras are cheaper to make and easier to use if they are not reloadable. Digicams face no such constraints, so why would consumers prefer to rent when they can buy at around the same price?

Once you have a choice to buy a cheap reusable digicam and download the photos to your own computer and print them (or bring them in to be printed), or repeatedly buy single-use digicams and have no choice but to bring them to a particular shop for printing, why would you continue to buy disposables? Ritz’s scheme may work for a while but seems unlikely to succeed in the long run. Simple reusable digicams of snapshot quality are going to cost $3 in a few years. It’s inevitable. Ritz might be smarter to go into the ink-cartridge business.