Apollo 11, launched July 16, 1969

[The launch] began with a large patch of bright, yellow-orange flame shooting sideways from under the base of the rocket. It looked like a normal kind of flame and I felt an instant’s shock of anxiety, as if this were a building on fire. In the next instant the flame and the rocket were hidden by such a sweep of dark red fire that the anxiety vanished: this was not part of any normal experience and could not be integrated with anything. The dark red fire parted into two gigantic wings, as if a hydrant were shooting streams of fire outward and up, toward the zenith—and between the two wings, against a pitch-black sky, the rocket rose slowly, so slowly that it seemed to hang still in the air, a pale cylinder with a blinding oval of white light at the bottom, like an upturned candle with its flame directed at the earth. Then I became aware that this was happening in total silence, because I heard the cries of birds winging frantically away from the flames. The rocket was rising faster, slanting a little, its tense white flame leaving a long, thin spiral of bluish smoke behind it. It had risen into the open blue sky, and the dark red fire had turned into enormous billows of brown smoke, when the sound reached us: it was a long, violent crack, not a rolling sound, but specifically a cracking, grinding sound, as if space were breaking apart, but it seemed irrelevant and unimportant, because it was a sound from the past and the rocket was long since speeding safely out of its reach—though it was strange to realize that only a few seconds had passed. I found myself waving to the rocket involuntarily, I heard people applauding and joined them, grasping our common motive; it was impossible to watch passively, one had to express, by some physical action, a feeling that was not triumph, but more: the feeling that that white object’s unobstructed streak of motion was the only thing that mattered in the universe.
 
What we had seen, in naked essentials — but in reality, not in a work of art — was the concretized abstraction of man’s greatness.
 
That we had seen a demonstration of man at his best, no one could doubt — this was the cause of the event’s attraction and of the stunned numbed state in which it left us. And no one could doubt that we had seen an achievement of man in his capacity as a rational being — an achievement of reason, of logic, of mathematics, of total dedication to the absolutism of reality.

Ayn Rand

Liftoff!

I watched the launch sitting on my father’s lap, on the couch in my parents’ house, on a black and white TV. I can recall it clearly.

It was dangerous. Nixon was prepared for the death of the astronauts.

(My mother is a Jacksonian. She has always said that if she had been in Neil Armstrong’s place, she would have claimed the moon for the USA and been court martialled when she got home.)

The America that launched Apollo was in many ways different and better than the America of today. But “the absolutism of reality” remains as it was, is and ever will be. What matters is what we do in response to it, today, now, and going forward.

Space Shuttle Launch

I was maybe 150 miles away. Unfortunately, my camera won’t do longer than a 30-second exposure without a remote shutter release that I didn’t have. So what you see here is a 30-second arc of the flight, starting at the lower left a few seconds after the Shuttle, which appeared to the eye as a small, glowing red-orange ball, became visible. The bright trail continued, at a shallow angle to the horizon, for about thirty more seconds and then dimmed considerably, perhaps when the boosters burned out. It was probably visible for about 90 seconds in total. I’m sure it’s much more impressive close-up, but it was a bit of a thrill just to see it over the lights of the city.

Space Shuttle Over Miami

The view from downtown Miami.

(Click the photo to display a larger version in a new window.)

Elevator Music to the Stars

I’m a kinda-sorta advocate of space exploration because I realize that the technology goes far beyond the intended purpose. Figure out a way to send a robot probe to a distant planet and you also have come up with hundreds of new applications that can be used right here on the Big Blue Marble. It is in this that people dedicated to space travel and myself agree.

True blue space enthusiasts lose me when they try to make the case for a permanent human presence in space. It would cost far too much with the technology we have available, and they have never been able to come up with any benefit to justify the effort that makes any sense to me. A lot of them insist that it is something we have to do, though.

One of our fellow Boyz, Steven den Beste of Chizumatic fame, gave me some insight into their motivation.

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Stephenson — Anathem (A Review)

Stephenson, Neal, Anathem, William Morrow, 2008, 937 pp.

Author Neal Stephenson has forged a substantial body of fiction in the last 15 years by combining elaborate narratives and witty, humourous dialogue with a more serious consideration of scientific and philosophical issues. Having covered nanotechnology, cryptography, and the early stirrings of Newtonian science in his more recent books, Stephenson turns now to cosmology and the nature of human consciousness in Anathem. The biggest of big pictures.

Set thousands of years in the future, Anathem is an adventure story that fits perfectly into the science fiction genre. The conflict between science and culture has led to intermittent but repeated civil conflicts, resolved finally by isolating the scientific and mathematic minds into the equivalent of walled medieval cloisters (maths). Outside the walls society waxes and wanes, prospers and collapses, while inside the walls the life of the mind continues, year after year. Comparisons with the famous 50s science fiction novel A Canticle for Leibowitz are inevitable.

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