Bell, Jim, Postcards From Mars: The First Photographer on the Red Planet, 2006, 196pp.
When I was a kid, growing up in a military family, the Apollo program was an impossibly glamourous and distant showcase of talent, excitement, and adventure. It was inspiration for much newspaper reading, discussions with my Dad, and avid TV watching whenever the pair of Canadian networks deigned to broadcast the grainy black-and-white images of liftoffs and moon landings. The cosmology inserts in National Geographic were also rare oases of rich visual evidence of what we knew about the world above our atmosphere. NASA was Oz. Information was sparse.
My twenty-five year detour into the social sciences and medicine, away from the space program, was brought to a gradual end by the advent of the broadband Internet. Nowadays, amateur space exploration enthusiasts have a waterfall of sources of information and visual inspiration, including live Internet feeds of NASA TV. Once again my Dad and I could share information, ideas, and now URLs. We can perch as a virtual peanut gallery, getting up in the wee hours of the night, if we’re so inclined, to watch the tense faces in Houston or the Jet Propulsion Lab in Pasadena, or peer at high-contrast postage-stamp-sized video from the International Space Station with Lego men in bulky suits wielding strange tools. Or even watch the space station zip across the sky at dawn or sunset. Our cup runneth over. We can be party to industry gossip. Follow every high and low. Every failure, catastrophe, funding fiasco, amazing discovery, and triumph of the “rocket scientists” can be shared in the video clips and press releases and space commentary sites available in a web browser.
For the last three years, one of the enduring small pleasures of life has been following the progress of the two Mars Exploration Rovers, Spirit and Opportunity. The story of their construction and testing and successful deployment has been well documented in PBS specials but still, a television screen and a computer monitor can only convey a certain amount. Bigger than a bread box. Smaller than a house. Yes, yes. As big as a stadium. About the size of a blueberry. Colour: tan … or tannish. Detail: mmm … rocky, sandy, desert-like maybe. A sand dune of some size or other. Lots of geeky people of all ages and persuasions clearly very excited about something.
Last April, during a visit to San Francisco, I took the opportunity to catch a limited release IMAX film called Roving Mars. Wow. Suddenly the panoramas of Mars, and the size, shape and detail of the rovers became vivid and crisp, with a resolution that overwhelmed the eye and brain. Much of reason for the excitement experienced by the science teams finally made it from screen to audience.
Now, three years into what was supposed to be 90 day missions for the two Mars rovers, we finally have a coffee table book that takes full advantage of the human eye to convey the very alien, yet powerfully compelling, landscape of Mars. Postcards from Mars is written by the lead scientist on the twin colour panorama cameras used by the rovers to capture high-resolution images on the Red Planet. He has selected the photographs, supervised their colour-processing, and written a companion text which describes not only what was seen on Mars by the rovers over the last three years, but how the scientists constructed the cameras and developed methods to convey accurate colour so we can see Mars as if we stood with them.
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