Charles Cameron

A host of lessons on the web, with room for admiration

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[ cross-posted from Zenpundit — Farrall and McCants, debate and discourse]
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There’s a whole lot to be learned about jihad, counter-terrorism, scholarship, civil discourse, online discourse, and social media, and I mean each and every one of those, in a debate that took place recently, primarily between Leah Farrall and Will McCants.

Indeed, Leah still has a final comment to make — and when she makes it, that may be just the end of round one, if I may borrow a metaphor from a tweet I’ll quote later.
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Briefly, the biographies of the two main agonists (they can’t both be protagonists, now, can they? I believe agonist is the right word):

Dr. Leah Farrall (left, above) is a Research Associate at the University of Sydney’s United States Studies Centre (USSC). She was formerly a senior Counter Terrorism Intelligence Analyst with the Australian Federal Police (AFP), and the AFP’s al Qaeda subject matter specialist. She was also senior Intelligence Analyst in the AFP’s Jakarta Regional Cooperation Team (JRCT) in Indonesia and at the AFP’s Forward Operating Post in response to the second Bali bombings. Leah has provided national & international counter terrorism training & curriculum development. She recently changed the name of her respected blog. Her work has been published in Foreign Affairs, Foreign Policy, The Atlantic, and elsewhere.

Dr. William McCants, (right) is a research analyst at the Center for Strategic Studies at CNA, and adjunct faculty at Johns Hopkins University. He has served as Senior Adviser for Countering Violent Extremism at the U.S. Department of State, program manager of the Minerva Initiative at the Department of Defense, and fellow at West Point’s Combating Terrorism Center. He edited the Militant Ideology Atlas, co-authored Stealing Al Qa’ida’s Playbook, and translated Abu Bakr Naji‘s Management of Savagery. Will has designed curricula on jihadi-inspired terrorism for the FBI. He is the founder and co-editor of the noted blog, Jihadica. He too has been published in Foreign Affairs, Foreign Policy, The Atlantic and elsewhere.

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Between the warrior and the monk (iii): poetry and sacrament

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[ cross-posted from Zenpundit — a warrior, a monk, and (still to come, in a fourth and final post) where that leaves me ]
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How I have loved that handwriting! How I loved that man! How I have loved that book…

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I am fifteen, seventeen years old. I walk a few hundred yards in the chill English dawn to our little parish church to “serve Mass” at 6am, for this man whose intense gaze and tireless care for those he is with made him take off his hat to Mrs Tutu, and ask Hugh what would get him out of his hospital bed fastest. He brings the same gaze and care to bear on me, and talks to me about the English Jesuit poet Gerard Manley Hopkins, whose work he loves.

Trevor Huddleston taught me to love poetry when he showed me Hopkins, and I cannot exactly tell this story without “reading” you a bit of the man’s work, because it gets to the heart of the matter.

Hopkins has a very brilliant poem, As king fishers catch fire, which requires quite a bit of “unpacking” since Hopkins writes poetry as though packing an intolerable amount of sound and meaning into a very small space. The poem is about what Hopkins calls “selving”: being the self you are, ie being true not just to your possibilities, but to your flavor, your individuality. In the theological termino0logy of Duns Scotus: hacceitas.

Here’s how Hopkins expresses it:

Each mortal thing does one thing and the same:
Deals out that being indoors each one dwells;
Selves — goes itself; myself it speaks and spells,
Crying What I do is me: for that I came.

We selve, we become ourselves — we deal out into the world that being which dwells indoors, inside, within us.

The second half of the poem goes like this:

I say more: the just man justices;
Keeps grace: that keeps all his goings graces;
Acts in God’s eye what in God’s eye he is —
Christ. For Christ plays in ten thousand places,
Lovely in limbs, and lovely in eyes not his
To the Father through the features of men’s faces.

Let me try at least to unpack this much:

The man who is just, he’s saying, goes about doing acts of justice (there’s no difference between his nature and his deeds), he is tethered to grace (has an inward center with which he is perpetually in touch), and that tether is what ensures his actions (“goings”) are of the quality of grace.

He — and here Hopkins tell us what this is really all about, from his own perspective as a deeply religious man and a Catholic priest in the Jesuit order — acts Christ, for that is how God sees him. Each one of us is, in God’s eye, Christ, “for Christ plays in ten thousand places”. That’s the great gift Hopkins brings us, the understanding that being made in the image of God, we play here on earth like so many Christs, each with its own character and “self”, each one capable of grace… and thus, each individual beautiful to God “through the features of men’s faces”.

Here, should you care to read it, is the whole poem.

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Trevor offers his hands and voice as a priest at Mass to the great poetical transformation of “bread” into “body” and “wine” into “blood” that stands at the heart of the Christian mystery, and eats, digests, the divine presence among us, and offers that divine presence in the appearance of a wafer of bread and sip of wine to whoever “partakes of communion” with him.

And walking to Mass, or walking back from Mass, he talks to me about South Africa, and the kids he knew there — Desmond and Hugh among them no doubt, though I learned those particular stories far later — and the pass laws which penalized his students when they were late getting home from work in a “white” part of town, and his fights in the courts and in the press for young people he loved — Hugh or Desmond or Oscar or whoever goes to Mass, receives Christ on his tongue, and that “keeps all his goings graces” — because “Christ plays in ten thousand places”, and Sophiatown, a shanty town just outside Johannesberg, is one of them.

Father Trevor, school teacher, photo credit Constance Stuart Larrabee

Am I making any sense? It was Trevor’s love, which “saw” the divine in each individual child he taught and coached and loved, which could not tolerate apartheid, which could not stop at a boy’s skin color and segregate or tolerate segregation.

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Loving the individual before him with that gaze and care, he loved and taught me, for seven or eight years, in four hundred wonderful letters and many visits, Masses, days spent flyfishing for trout, voyages by car or train to visit a friend or a cathedral…

And if I could express the essence, it was this: that you tether yourself to the divine on the inside, by belief, by ritual, above all by contemplation — and then you move through the world infused with that sense of the sacred in and around you, and do whatever is needful to bring about a more just society.

You justice, you keep grace. That keeps all your goings graces.

Christ the King, Sophiatown, photo credit Eliot Elisofon

Not surprising, then, that his devotion to the kids of a shanty town in South Africa led him into court battles, into association with Luthuli and Mandela, into becoming one of a handful of “white” signatories of the African National Congress, into the award of the Isitwalandwe, the writing of his great book, Naught for your Comfort [link is to a free download] — which was smuggled out of the country to be published just a day ahead of the Special Police impounding all his papers — to bestsellerdom, to stirring the conscience of the world, to the Presidency of the Anti-Apartheid Movement, and finally to an archbishopric and a knighthood.

He saw Christ, which was his name for love, and served him.

Simple.

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Father Trevor Huddleston wrote what I think must be among the most powerful words of eucharistic theology I have ever read in Naught for Your Comfort — and they convey as nothing else can the immediacy with which he connects his ritual gestures and acts as a priest with the political necessity to overthrow the apartheid regime in his beloved South Africa — and for that matter, any and all hatred and oppression everywhere…

On Maundy Thursday, in the Liturgy of the Catholic Church, when the Mass of the day is ended, the priest takes a towel and girds himself with it; he takes a basin in his hands, and kneeling in front of those who have been chosen, he washes their feet and wipes them, kissing them also one by one. So he takes, momentarily, the place of his Master. The centuries are swept away, the Upper Room in the stillness of the night is all around him: “If I, your Lord and Master, have washed your feet, ye ought also to wash one another’s feet.” I have knelt in the sanctuary of our lovely church in Rosettenville and washed the feet of African students, stooping to kiss them. In this also I have known the meaning of identification. The difficulty is to carry the truth out into Johannesberg, into South Africa, into the world.

Between the warrior and the monk (ii): Fr Trevor Huddleston

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[ cross-posted from Zenpundit — a warrior, a monk, and where that leaves me ]
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In the first part of this post I introduced you to my father, Captain OG Cameron DSC, RN, the man who fueled my keen interest in gallantry and the martial side of things. The other great influence in my early life was Fr. Trevor Huddleston CR, pictured below:


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Trevor Huddleston CR:

Archbishop the Most Reverend Sir Ernest Urban Trevor Huddleston CR, KCMG – it’s hard even to know how to string his titles together, this monk, priest, schoolteacher, activist, archbishop, finally knighted by Her Majesty towards the end of his long and eventful life was the man who became a second father, guardian, mentor and spiritual guide to me shortly after my father died when I was nine.

That’s the man as I knew him, Father Trevor — simple, caring, intelligent, perhaps a little austere even — in the middle image above.

Austerity, simplicity: two more words to set beside gallantry in the lexicon of admiration and gratitude.
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Satchmo:

To the left in the same image, he’s shown with Louis Armstrong — Satchmo — who has just presented him with a trumpet.

The story goes like this: as a monk in an Anglican monastic order, the Community of the Resurrection popularly known as the Mirfield Fathers, Father Trevor was sent to South Africa while still a young man, and worked in Sophiatown, just outside Johannesberg, as a priest and teacher.

A young black kid in one of his classes, Hugh, aged 12 or 13, fell ill and was taken to hospital, where Trevor Huddleston visited him. Trevor asked him what he would like more than anything in this world, what would so thrill and please him that he would have the greatest possible motive for getting better, getting out of the hospital and back to school. Hugh said, “a trumpet, Father” — so Trevor got hold of a trumpet which he then presented to the boy: now known the world over as the great jazz trumpeter, Hugh Masekela.

That wasn’t quite enough, though. A year or three later, Trevor was in the United States, and met Satchmo, who asked if there was anything he could do to help… Trevor told Satchmo he’d started a jazz band for the kids in his school, and knew a boy who would just love a trumpet…

Trevor was a hard man to refuse.
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Hugh Masekela:

Here’s Hugh Masekela, just a little older, with the trumpet Trevor brought him from Louis Armstrong:

And here’s the sound…

When I was maybe 15, and Trevor had returned from South Africa to England, he gave me a 7″ “45” record of the Huddleston Jazz Band — now long lost. Imagine my amazed delight to be able to hear that sound again, fifty years later, through the good graces of the internet —

Hugh Masekela and the Huddleston Jazz Band play Ndenzeni na?

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Desmond Tutu:

Another story I like to tell about Trevor and his time in South Africa has to do with a lady…

It seems this young black kid aged about 8 or 9 was sitting with his mother on the “stoop” outside his house in a South African shanty-town when a white priest walked by and doffed his hat to the boy’s mother.

The boy could hardly grasp how this had happened — his mother was a black woman, as one might say, “of no special acount”. But the priest in question was Trevor Huddleston, and it was a natural courtesy for him to lift his hat in greeting a lady…

The young boy never quite recovered from this encounter. We know him now as the Nobel Peace laureate, Archbishop Desmond Tutu.

Here’s a photo of four old friends — Huddleston, Tutu, Julius Nyerere of Tanzania, and former Commonwealth Secretary General Shridath Ramphal.
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From individuals to the world:

These are two simple stories of how Fr Trevor simply and straightforwardly loved whomever was before him, regardless of the enormous pressure at the time to discriminate between “real” and “insignificant” people — a love which made an indelible mark on those whose lives it touched.

And when Father Trevor touched you, as Lord Buckley might say, you stayed touched.

Thus far I’ve been focusing on individuals that Trevor touched. I do not think he in fact saw more than one person at a time, and his responses to situations were geared directly to the service of his love.

It was because of this that while he was in South Africa, Trevor repeatedly and quite literally put his life on the line in defence of the very simple proposition that the color of a person’s skin was immaterial in view of the love that was possible between any two people — so perhaps here’s where I should mention some of that history and some of the honors it brought him. After all, Trevor did pretty much take on the government of the South Africa he so loved, and lived to see it change.
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Bishop Trevor of Sophiatown

Trevor Huddleston was a founding member of the African National Congress, the author of the first non-fiction work (Naught for Your Comfort, more on that later) to critique his beloved South Africa’s apartheid policy, reviled publically for meddling in politics by an Archbishop of Canterbury who later declared he had been in error and that Fr Trevor was about as close to a saint as one could find.

In 1955, Father Trevor, along with Yusuf Dadoo and Chief Albert Luthuli, was awarded the Isitwalandwe, the highest award given by the African National Congress. He was awarded the United Nations Gold Medal in recognition of his contribution to the international campaign against apartheid, the highest awards from both Zambia and Nigeria, the Dag Hammerskjold Award for Peace, the Indira Gandhi Memorial Prize, and ten honorary doctorates, including that of his alma mater, Oxford.

Archbishop Huddleston initiated the “International Declaration for the Release of Nelson Mandela and all Political Prisoners” in 1982, took part in the televised “International Tribute for a Free South Africa” held at Wembley Stadium, London in 1990 during which he introduced the address by Nelson Mandela (see below), entered South Africa House, Trafalgar Square, London in 1994 to vote in the first South African democratic election, and was a guest at President Mandela’s inauguration in Pretoria that year.

He received the KCMG (Knight Commander of the Order of St. Michael and St. George) in the 1998 New Year Honours list, for “Services to UK-South African Relations”, and attended an Investiture at Buckingham Palace on March 24th, 1998, to receive this honour from HM the Queen.

He chose the designation, “Bishop Trevor of Sophiatown”.
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Nelson Mandela:

But let’s go back to individuals, and to Nelson Mandela in particular.

Mandela and Trevor were comrades in the fight against apartheid from the beginning — and the richness of their friendship is visible in the photo of Mandela with his arms on Trevor’s shoulders in the right hand panel at the top of this page.

In his autobiography, Long Walk to Freedom, Mandela tells the story of a time when he and Walter Sisulu were approached by a group of South African police who had been ordered to arrest them. Trevor, who was talking with with the two of them, called out to the cops, “No, you must arrest me instead, my dears.”

It’s that “my dears” that gives the game away. I can hear those words in Trevor’s voice. Even the cops were dear to Trevor: he might be utterly opposed to what they were doing, and risk his life to oppose them – but they were children of God.

Here’s a video of Trevor’s speech introducing Mandela at Wembley — a political speech, to be sure, but one powered by religious conviction.
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Mandela’s tribute:

I’m saving the best of what Fr. Trevor taught me for the third post in this series, and hope to wrap the series up with some of my own reflections in a fourth; here I’d like to close with the words Mandela wrote about his friend after Trevor’s death in 1998:

It is humbling for an ordinary mortal like myself to express the deep sense of loss one feels at the death of so great and venerable figure as Father Trevor Huddleston.
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Father Huddleston was a pillar of wisdom, humility and sacrifice to the legions of freedom fighters in the darkest moments of the struggle against apartheid. At a time when identifying with the cause of equality for all South Africans was seen as the height of betrayal by the privileged, Father Huddleston embraced the downtrodden. He forsook all that apartheid South Africa offered the privileged minority. And he did so at great risk to his personal safety and well-being.
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On behalf of the people of South Africa and anti-apartheid campaigners across the world, I convey my deepest condolences to his Church, his friends and his colleagues. Isithwalandwe Trevor Huddleston belonged to that category of men and women who make the world the theatre of their operation in pursuit of freedom and justice.
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He brought hope, sunshine and comfort to the poorest of the poor. Not only was he a leader in the fight against oppression. He was also father and mentor to many leaders of the liberation movement, most of whom now occupy leading positions in all spheres of public life in our country. His memory will live in the hearts of our people.

Grace and the Garage

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[ introducing the world of problem solvers and creatives to the world of theologians and contemplatives and vice versa — and then, Simone Weil — cross-posted from Zenpundit ]

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I believe this is an important post in its own way, though a short one: because it links two areas that I believe are joined at the hip in “reality” but seldom linked together in thinking about either one.

I mean, creativity, as in the guys working away in the garage on something that when it emerges will be the new Apple, and grace, the mysterious and mercurial manner in which inspiration touches down on us…

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In the first part of this post, then, I would simply like to suggest that those entrepreneurial folk who follow their dreams — typically into garages or caves — and beg borrow and steal from relatives, friends and passing acquaintances the funds they need to continue their pursuit of some goal or grail under the rubric “do what you love and the money will follow” are, in fact, following a variant of a far earlier rubric, “seek ye first the kingdom of God … and all these things shall be added unto you” – and that creative insight or aha! is in fact a stepped down and secular version of what theology has long termed epiphany – the shining through of the eternal into our mortal lives.

But this will get preachy if I belabor the point: what I am hoping to do is to open the literatures of the world’s contemplative traditions to the interest of “creatives” and the literatures of creativity, problem solving, and autopioesis to the interest of theologians and contemplatives…

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And Simone Weil.

Simone Weil, a philosopher I very much admire, wrote a book of superb beauty and wisdom titled Gravity and Grace. I must suppose that her title was somewhere in the back room of my mind, working quietly away behind the scenes, when the title for this post popped up.

Weil is, shall we say, hard liquor for the mind and spirit — highly distilled, potent, to be sipped, no more than two paragraphs or pages at a time…

A Jew who loved the Mass yet refused baptism, an ally of communists and a resistance fighter against the Nazis, a factory worker, mystic, philosopher. The poster at the top of this post is for a film of her life: I doubt it will be a comfortable film, but the discomfort will likely be of the inspirational kind.