Some Chicago Boyz know each other from student days at the University of Chicago. Others are Chicago boys in spirit. The blog name is also intended as a good-humored gesture of admiration for distinguished Chicago School economists and fellow travelers.
Lexington Green says “Boo!”
He says that because he is the Ghost of Halloween Past.
He also submits the following:
_____________
HALLOWEEN HAIKU CHALLENGE
5/7/5 syllables, no cheating
Here’s mine (DO BETTER):
Dark lane, crumpled house
fangs — broken moonlit windows
Unlit … no candy …
Jonathan adds:
Adult Halloween:
A great time for partying,
Street photography
Submit your contributions in the comments.
Trust but verify!
What does this mean in business?
Full payment up front!
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For some legal tasks
You should motivate lawyers
By contingency.
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You sold your old car,
Forgot to cancel toll fob.
Damn, that cost a bunch.
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iHop, two people:
Breakfast now costs forty bucks.
What the hell happened?
As a July 4th tradition, I’ve posted an excerpt from Stephen Vincent Benet’s poem Listen to the People. The title I originally used for these posts was It Shall Be Sustained, which is from the last line of Benet’s poem.
Narrator:
This is Independence Day,
Fourth of July, the day we mean to keep,
Whatever happens and whatever falls
Out of a sky grown strange;
This is firecracker day for sunburnt kids,
The day of the parade,
Slambanging down the street.
Listen to the parade!
There’s J. K. Burney’s float,
Red-white-and-blue crepe-paper on the wheels,
The Fire Department and the local Grange,
There are the pretty girls with their hair curled
Who represent the Thirteen Colonies,
The Spirit of East Greenwich, Betsy Ross,
Democracy, or just some pretty girls.
There are the veterans and the Legion Post
(Their feet are going to hurt when they get home),
The band, the flag, the band, the usual crowd,
Good-humored, watching, hot,
Silent a second as the flag goes by,
Kidding the local cop and eating popsicles,
Jack Brown and Rosie Shapiro and Dan Shay,
Paul Bunchick and the Greek who runs the Greek’s,
The black-eyed children out of Sicily,
The girls who giggle and the boys who push,
All of them there and all of them a nation.
And, afterwards,
There’ll be ice-cream and fireworks and a speech
By somebody the Honorable Who,
The lovers will pair off in the kind dark
And Tessie Jones, our honor-graduate,
Will read the declaration.
That’s how it is. It’s always been that way.
That’s our Fourth of July, through war and peace,
That’s our fourth of July.
And a lean farmer on a stony farm
Came home from mowing, buttoned up his shirt
And walked ten miles to town.
Musket in hand.
He didn’t know the sky was falling down
And, it may be, he didn’t know so much.
But people oughtn’t to be pushed around
By kings or any such.
A workman in the city dropped his tools.
An ordinary, small-town kind of man
Found himself standing in the April sun,
One of a ragged line
Against the skilled professionals of war,
The matchless infantry who could not fail,
Not for the profit, not to conquer worlds,
Not for the pomp or the heroic tale
But first, and principally, since he was sore.
They could do things in quite a lot of places.
They shouldn’t do them here, in Lexington.
He looked around and saw his neighbors’ faces
The poem is very long, and is worth reading in full. The full text was published in Life Magazine; it is online here. The Life text may be a little difficult to read; I posted an excerpt which is considerably longer than the above here.
Benet’s poem ends with these words:
We made it and we make it and it’s ours
We shall maintain it. It shall be sustained
But shall it?
David Foster’s discussion of the numerous analogies – some helpful, some not – that have been spun from the Titanic disaster reminded me of an essay’s rather lovely job of spinning out for two pages a simple analogy. The verbal play within it does bring home a point. By Pico Iyer, it was one of those two-page essays in Time, when people read it. (Clint’s uncle still subscribes to it – I didn’t know anyone did – but bed ridden and in his eighties, he uses it mainly to rail against modernity – or what passes for it in Time.) Anyway, here’s “In Praise of the Humble Comma” – a short read but I’ll tempt you with the opening:
The gods, they say, give breath, and they take it away. But the same could be said — could it not? — of the humble comma. Add it to the present clause, and, of a sudden, the mind is, quite literally, given pause to think; take it out if you wish or forget it and the mind is deprived of a resting place. Yet still the comma gets no respect. It seems just a slip of a thing, a pedant’s tick, a blip on the edge of our consciousness, a kind of printer’s smudge almost. Small, we claim, is beautiful (especially in the age of the microchip). Yet what is so often used, and so rarely recalled, as the comma — unless it be breath itself?
Newgrange is an ancient structure in Ireland so constructed that the sun, at the exact time of the winter solstice, shines directly down a long corridor and illuminates the inner chamber. More about Newgrange here and here.
Grim has an Arthurian passage about the Solstice.
Don Sensing has thoughts astronomical, historical, and theological about the Star of Bethlehem.
Vienna Boys Choir, from Maggie’s Farm
Snowflakes and snow crystals, from Cal Tech. Lots of great photos
In the bleak midwinter, from King’s College Cambridge
The first radio broadcast of voice and music took place on Christmas Eve, 1906. (although there is debate about the historical veracity of this story)
An air traffic control version of The Night Before Christmas.
O Come, O Come, Emmanuel, sung by Enya
A Christmas-appropriate poem from Rudyard Kipling
Another poem, by Robert Buchanan
I was curious as to what the oldest Christmas carol might be: this Billboard article suggests some possibilities.
Mona Charen, who is Jewish, wonders what’s going on with the Christians?
The 2017 Christmas season, in combination with the Churchill movie Darkest Hour, reminded me something written by the French author Georges Bernanos: A Tale for Children.
Here’s a passage I’ve always liked from Thomas Pynchon’s great novel Gravity’s Rainbow. The setting: it is the grim winter of 1944, just before Christmas. The military situation in Europe is not good, and WWII seems as if it will never end. London is under attack by V-2 rockets and V-1 cruise missiles (as they would be called today.) Roger and Jessica, two of the main characters, are driving in a rural area in England and come upon a church where carols are being sung. They decide to go inside.
They walked through the tracks of all the others in the snow, she gravely on his arm, wind blowing her hair to snarls, heels slipping once on ice. “To hear the music,” he explained.
Tonight’s scratch choir was all male, epauletted shoulders visible under the wide necks of white robes, and many faces nearly as white with the exhaustion of soaked and muddy fields, midwatches, cables strummed by the nervous balloons sunfishing in the clouds, tents whose lights inside shone nuclear at twilight, soullike, through the cross-hatched walls, turning canvas to fine gauze, while the wind drummed there…..The children are away dreaming, but the Empire has no place for dreams and it’s Adults Only in here tonight, here in this refuge with the lamps burning deep, in pre-Cambrian exhalation, savory as food cooking, heavy as soot. And 60 miles up the rockets hanging the measureless instant over the black North Sea before the fall, ever faster, to orange heat, Christmas star, in helpless plunge to Earth. Lower in the sky the flying bombs are out too, roaring like the Adversary, seeking whom they may devour. It’s a long walk home tonight. Listen to this mock-angel singing, let your communion be at least in listening, even if they are not spokesmen for your exact hopes, your exact, darkest terror, listen. There must have been evensong here long before the news of Christ. Surely for as long as there have been nights bad as this one–something to raise the possibility of another night that could actually, with love and cockcrows, light the path home, banish the Adversary, destroy the boundaries between our lands, our bodies, our stories, all false, about who we are: for the one night, leaving only the clear way home and the memory of the infant you saw, almost too frail, there’s too much shit in these streets, camels and other beasts stir heavily outside, each hoof a chance to wipe him out…….But on the way home tonight, you wish you’d picked him up, held him a bit. Just held him, very close to your heart, his cheek by the hollow of your shoulder, full of sleep. As if it were you who could, somehow, save him. For the moment not caring who you’re supposed to be registered as. For the moment, anyway, no longer who the Caesars say you are.
O Jesu parvule
Nach dir is mir so weh…
So this pickup group, these exiles and horny kids, sullen civilians called up in their middle age…….give you this evensong, climaxing now with its rising fragment of some ancient scale, voices overlapping threee and fourfold, filling the entire hollow of the church–no counterfeit baby, no announcement of the Kingdom, not even a try at warming or lighting this terrible night, only, damn us, our scruffy obligatory little cry, our maximum reach outward–praise be to God!–for you to take back to your war-address, your war-identity, across the snow’s footprints and tire tracks finally to the path you must create by yourself, alone in the dark. Whether you want it or not, whatever seas you have crossed, the way home…