Lex Says and, Mostly, Lex is Right

A state strong enough to enforce property rights and contracts, but which chooses not to be a predator is a rare anamoly. We are lucky to be here. Lex

Lex’s post on political music startled me & I responded in a slapdash manner. I hadn’t thought of it in quite that way. Of course, the left leaning nature of entertainment in general is hard to miss and the communist’s appeal to nineteenth century romantic folk traditions – all that singing around the fire in youth groups my ex-Iron Curtain friends describe – has paid for & encouraged groups that toured locally. Decades ago, the guy who edited the poetry magazine organized Wobbly songfests & my husband’s colleagues organized a party around Arlo Guthrie’s appearance. I was going to say I’ve found most of this politicized music as boring as it was irritating. But, then, I think, I still listen to Willie Nelson & Kris Kristofferson. Their self-indulgent & inconsistent stands are more leftish than anything though it’s hard to consider these as consistent political arguments. They are pretty much for the underdog whoever they perceive it to be. But that is the pull of such music the age old narrative of the underdog, of David, as well as the communal nature of the communal political. And that may be the power that Lex rightly sees in some of that music. (I always thought “I am Woman” was that kind of a song.)

Lex concludes:

Good governance cannot be sung about. But people need things to sing about.This is a real problem for people who love freedom in a sensible, empirical, small-l libertarian kind of way. It has no songs. It does not grab the heart. Our enemies will always be more powerful in this department as a result. Too bad. But I see this as a condition to be worked with, not a problem which can have a solution.

Lex is right in general, especially if you look at the genre of political songs and eliminate nationalism. But, then, if you take out nationalism, you take out one of the ways we associate institutions with our emotions. Communism, like terrorism, was a world-wide movement one based on a faux religion, the other on what may be a misunderstood but real one. “Onward Christian Soldiers” is in that tradition. But, the rule of law, the importance of private property, freedom of speech & religion, free enterprise all of these must begin within a country itself. Libertarian blogs bash the EU and the UN because they recognize that state control is not going to get looser the larger the body grows. A recorder of deeds is a part of government. This is embodied in the rule of law authorized & enforced by the state. Nationalism and these values are so intertwined that taking them out leaves only abstractions.

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Balancing Pacifica

Kucinich talks of bringing back the “fairness doctrine”; probably it won’t go anywhere, but it reminded me of how much we listen to NPR, how wonderful and how irritating it is.

The left seems awfully worried about the right’s AM dominance, but for years, while we hauled our kids around to lessons and when I was running the shop for 16-hour days, the local public station played in the background. When she was in junior high, my middle daughter wrote a poem to Martin Goldsmith. It wasn’t a school girl crush, but rather about the pleasure she felt in the music he introduced, in his voice, in the peace those lovely string quartets brought to her radio every night. His show, Performance Today, is now hosted by Fred Childs and with her out of the house, I go back to my more regular fare. Still, it provided a wonderful experience, even for someone as musically illiterate as I am.

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Biopoetics II

In his argument for biopoetics and against the old guard, Brian Boyd begins with what may seem a truism, if not in some English departments: “We love stories, and we will continue to love them. But for more than 30 years. . . university literature departments in the English-speaking world have often done their best to stifle this thoroughly human emotion.” Our desire to form patterns, to weave a net that has a structure we can sense if not always see, is central to our human understanding. We love plots and characters, we love them in gossip and in great literature, in soppy romances and classic drama. We loved them as children in fairy tales and we love them as adults whether we read history or literature.

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Biopoetics: Brian Boyd Argues His Case

Last June, Shannon Love began a post: “I am myself an agnostic and a rabid evolutionist,” moving on to describe how those beliefs help him structure his understanding in broad ways: “I am a free-market advocate and a Chicagoboy because I believe the free market is a Darwinian process that reaches better solutions quicker and less selfishly than political systems. In short, an evolutionary viewpoint forms the foundation of my entire world view.”

I thought of that when listening to Brian Boyd last fall; he gave a talk here and the small classroom that had been set aside couldn’t hold the audience, which spilled into the next room (the door was opened, so students could still peek at him) and into the hall. His literary criticism, like Joseph Carroll‘s, is best understood in the context of Pinker’s popular The Blank Slate. We listened to interpretations sensitive and wise. He described the bond of father and son as Odysseus held Telemachus to his chest (loving his child now a man, whom he had last seen suckling at his mother’s breast), the room was quiet: all recognized the power of a father’s love and of the art that communicates it. The biological informs & empowers the aesthetic – all lead to that breathless moment when we understand.

In his “Getting It All Wrong: Bioculture critiques Cultural Critique,” Boyd writes with a clarity and directed passion we are grateful for in literary criticism. Introduced in an earlier post, he teaches at the University of Auckland in New Zealand; his American Scholar essay was linked on Denis Dutton’s Arts & Letters Daily.

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Heads Up

Don’t forget to toast the Professor tomorrow (Wed 3 Jan) at 9 PM local time.