Syncopated Rhythms

Way back in college I read this ranting essay written in the 1920s by a conservative preacher, warning of the dangers that the “syncopated rhythms” of Jazz poised to society’s moral fiber. The preacher warned that the inherent sensualism of Jazz would lead to a culture of sexual promiscuity, weakened families and associated social problems. As my professors expected me to, I chortled at the preacher’s fevered concerns. Only years later did a realization strike me:

Our culture did in fact evolve just the way the preacher predicted.

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Another Wrinkle in the Information War

I entered the public debate concerning gun control 15 years ago. A simple glance through my previous posts should indicate which side I was on.

One of the most frustrating aspects of trying to get my opinion heard was how the media was biased in favor of gun control, and openly hostile to those of us who advocated gun ownership. Newspapers and TV media figures would routinely slant their stories to make the gun grabbers appear reasonable, while simultaneously trying to make self defense advocates appear to be out of touch extremists.

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“Then we shall fight in the shade.”

I watched the much anticipated 300 at a sold out local IMAX theater. While some critics are, to put it mildly, less than enthused about this latest Frank Miller film that portrays the Battle of Thermopylae, the positive reaction of the audience was unqualified. Of course, this may be an example of self-selection bias or it could also be that Miller has succeeded in tapping a touchstone narrative and executed it well enough that 300 attracts or repels on a visceral level.

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What is to be done?

For those who do not know about the history of the Russian radical movement I should explain that the title was not invented by Lenin. Very little was. This was the title given to an interminably long and boring novel by Chernyshevsky, which outlined in fictional form the ideas of radicalism. One of the great mysteries of the Russian soul is how a novel of such incredible turpitude should have become so popular in a country, which, at the time, boasted some of the greatest novelist in the world.

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Good News Beneath the Surface

As I noted in an earlier post, apparently some good news has been going on beneath the surface of the chatter about stem cells. That we see little information about this is irritating: the assumption appears to be that the public has a right to know the mechanics of wiretaps but little context about issues such as these – also ones on which we judge our politician’s choices.

We hope other news – about Iraq, education in America, our health, energy sources – is good. But, we don’t know. Hell, the high level of home ownership wasn’t discussed all that much, but I suspect mortgage defaults will be. I suspect some bad but more good news, like the green revolution, is taking its course while we remain oblivious. What will prove important in the future? We don’t know. It isn’t all that important, probably, that we do know most. But not knowing some stories may affect us in subtle but important ways. One such story is that of heroic self-sacrifice Michael Yon reported (audio interview).

Bad news is entertaining. We like to consider the Alps and Grand Canyon – even though we know life is a good deal more like the Nebraska sandhills. A frisson of terror followed by relief that we haven’t been destroyed entertains: the reaction of an audience when the heroic, tragic hero (the scapegoat Aristotle tells us) is exiled, the reaction of the Puritans to Wigglesworth’s “Day of Doom,” the reaction of the audience to Gore’s doom. We fear we are the goats but assure ourselves in the end we are sheep.

Bad news can be motivating. But bad news also leads to despair. Fearing consequences, fearing responsibility, we don’t act. We become mired in hesitations and doubts. Politicians hedge their bets. They say the surge won’t work but do not question Petraeus about the plan – preferring to say there is none. That debate, the sarcasm of the press, reinforces our sense that to be wise is to be ironic, cynical – passive. The twentieth century began with Marcher, James’s hero whose great tragedy is that he is the man to whom nothing happened because he did nothing, felt nothing, committed himself to nothing. Our politicians begin the twenty-first arguing their positions follow the polls better than do their competitors’ votes – passive before the winds, two-dimensional, turning like tin roosters, weather vanes on the barn roof.

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