…from the 1960s.
P F Sloan, When the Wind Changes
Some Chicago Boyz know each other from student days at the University of Chicago. Others are Chicago boys in spirit. The blog name is also intended as a good-humored gesture of admiration for distinguished Chicago School economists and fellow travelers.
…from the 1960s.
P F Sloan, When the Wind Changes
For whatever reason this is the music of my childhood and I couldn’t resist taking the opportunity to take apart this ranking by Rolling Stone magazine, which was reasonably good (other lists have been terrible in the past). If you are interested at all head over to our other site and check it out. I would put it here beneath the fold but there are tables and the like and it takes a while to re-format from Blogger to Word Press.
If not hope you are having a good summer…
Last night I went to see one of my favorite bands, Electric Six, at Dante’s in Portland on Burnside Avenue. They played a fun show and the band sounded great (my ears are still ringing). Here is their iconic singer “Dick Valentine” on stage. The band delivers hilarious onstage banter and are highly recommended. The crowd at Dante’s was also great and everyone seemed to be in good spirits.
When I was in high school Yngwie Malmsteen hit the metal scene like a hurricane. That was back in the day when you would have long and furious arguments about who was the “best” guitarist (remember, we didn’t have the internet and had to fill our time with something other than social media). When Yngwie emerged the term “shredding” became the norm and Yngwie was the apex of that style of guitar playing – almost the photo that you would put adjacent to that term in the dictionary.
His debut album “Rising Force” was a classic in that genre – mostly instrumental and filled with probably just about the recommended dose of Yngwie for most non die-hard fans. The hand raising his iconic guitar above the fire is the image of Yngwie that jumps into my mind first and foremost.
I was thinking, for some reason, about the old Cole Porter song Don’t Fence Me In. Â It’s not all that good of a song, IMO–but it does express a chafing at restriction that most people would once have agreed was a core aspect of the American character.
Now, however, I’m not so sure. Â Seems to me a lot of people–especially but not only on college campuses–are asking to be fenced in, and are looking at hobbles not negatively but with admiration.
Questions for discussion:
–Has individual freedom indeed become a less-important value to Americans (in general) over recent decades?
–If so, what are the drivers of this change?…and what are the implications?
–Was  Dostoyevsky’s Grand Inquisitor right about human nature?