This year is the 50th anniversary of the theatrical release of The Sound of Music. This was one of last things to come out of the Old Hollywood studio system which was broken apart first by anti-trust laws and later by the advent of TV. The tattered remains of Hollywood were then occupied by the communists and nihilists of the late 1960’s who proceeded to destroy whatever artistic foundations remained. Hollywood is completely incapable of producing a movie of this artistic quality and beauty today. Everyone, I think, feels the loss.
The Sound of Music became the highest grossing film of its time, bringing in $286,214,076 worldwide ($2.366 billion in 2014 dollars), finally displacing Gone With the Wind. The film was adapted from a Rodgers and Hammerstein Broadway musical that opened in 1959 and starred Mary Martin. I’ve listened to the recordings of Mary, and I have to say Julie Andrews is much, much better. That’s probably because it was near the end of Mary’s career, which began in 1939, and Julie Andrews, age 30, was at the peak of her ability. She did a spectacular job in this film and I still get it out once in awhile to revel in its music and beauty.
It was directed by Robert Wise: The Day the Earth Stood Still (1951), West Side Story (1961), The Sand Pebbles (1966) The Andromeda Strain (1971), and Star Trek: The Motion Picture (1979). A young Robert Wise edited Citizen Kane.
The critical reception, from Wikipedia…I had to laugh at the NYT getting it completely wrong, even back then:
The film had its opening premiere on March 2, 1965 at the Rivoli Theater in New York City. Initial reviews were mixed. Bosley Crowther, in The New York Times, criticized the film’s “romantic nonsense and sentiment”, the children’s “artificial roles”, and Robert Wise’s “cosy-cum-corny” direction. Judith Crist, in a biting review in the New York Herald Tribune, dismissed the movie as “icky sticky” and designed for “the five to seven set and their mommies”. Wise later recalled, “The East Coast intellectual papers and magazines destroyed us, but the local papers and the trades gave us great reviews. “Indeed, reviewers such as Philip K. Scheuer of the Los Angeles Times described the film as “three hours of visual and vocal brilliance”, and Daily Variety called it “a warmly-pulsating, captivating drama set to the most imaginative use of the lilting R-H tunes, magnificently mounted and with a brilliant cast”.
The movie is a celebration of love, of family, of the beauty of the world on a summer day, and the importance of family and friendship in the worst of times. That “The East Coast intellectuals” would completely miss that, well, it doesn’t surprise me in the least.