A Dish Best Eaten Cold: A Tale from Luna City

 (Because of the enthusiastic response to The Chronicles of Luna City, and because several of those who reviewed it were wondering mightily about the cliffhanger at the end, my daughter and I have decided to push full ahead on the next installation of the story, and release it in May. One of the ongoing threads in the new tale regards a movie production coming to town, to do local shooting – at first with the enthusiastic cooperation of the residents. But then, certain things come to light about the production itself …)

Three days later, two men sat on the terrace of the Wyler home place, watching the sun slide down in the western sky, and the shadows lengthen across the formal garden below, and the green pastures beyond, where cows drifted idly hither and yon. A comfortably shabby set of rustic bentwood furniture contrasted rather oddly with the pillared splendors of the mansion built by Captain Herbert Wyler, in the first flush of his prosperity in the 1880s cattle markets. But they sat at the exact best place to watch the sun go down on the Wyler Exotic Game Ranch, and on the distant trees and church spires of Luna City, and so it was one of Doc Wyler’s favorite places, even in the heat of a Texas mid-summer. The temporary headquarters for filming extensive location shots was also within view, a prospect in the farthest meadow, and now regarded by both men with extreme distaste.

“Good of you to drop everything, and hustle all the way from Houston,” Doc Wyler said at last. The pages of the script lay on the table between them.

“You said it was an emergency in the note,” Clovis Walcott replied, as grim as s stone face on Mount Rushmore. “By god, so it is. I’d like to smash that miss-representing little weasel into a bloody pulp with my bare hands. We got taken, Doc. And taken bad.”

“That we did, Colonel that we did. They told us what we wanted to hear, like any good convincing conman does.” Doc Wyler sounded much the calmer of the two, although the half-consumed mint julep at his side may have had something to do with his air of relative equanimity. “The thing is now … what are we gonna do about it?”

“My lawyer’s going to hear from me first thing in the morning, if not by voicemail tonight,” Clovis sounded as if he were grinding his teeth. “And my banker, as well. I invested in this travesty and I was near as dammit about to make it a bigger investment, on account of what those bastards said. I wouldn’t have touched this travesty with a ten-foot-pole, no matter how sweet they talked. As it stands in this script, this movie will be a disaster, all the way around. I wonder if my lawyer can make a case for fraud …”

“Ah, but there was nothing in writing about the plot itself, was there?” Doc Wyler sipped meditatively at his julep. “All a verbal understanding between honorable men doing business together on a handshake understanding … sharp practice, Colonel. It’ll be the death of this world. A man’s word used to be a bond. I’ve always said ‘trust but verify,’ but when it turns out that you can’t trust ’em after all…”

“Thought that was Ronnie Reagan who said that,” Clovis Walcott sounded as if his own barely touched julep had just begun to mellow the edges of his fury.

“Yeah, he did but he stole that line from me,” Doc Wyler replied. “As I was saying if it turns out to be that you can’t verify, and don’t trust … and that you have been, in fact, lied to in the most infamous fashion what do you do then?”

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Midnight Rock & Roll – Adventures on the Night Shift

The second of two parts – the overnight shift at the AFRTS radio station at Hellenikon AB, Athens, Greece in about 1984. The base is long-closed, the radio station also closed. Practically all the technology discussed, as well as the various broadcast media are antiques from another era.

Program out, hit the ID, time hack… and this time I hit one cart for playback, another for record.
We need to pre-record and review every newscast and news feature that we air, because of the host-nation sensitivity issue. Every allied country where AFRTS operates has its own list of things and issues that we may not, as tactful users of their airwaves, and considerable of a shadow audience among their nationals, broadcast in any way, shape or form. Well, every country but Denmark, tolerant and broadminded, who have stated that really, they can’t imagine taking offense to anything AFRTS might broadcast. Greece, on the other hand, has a lengthy list: any mention of Greece, Turkey, Cyprus, NATO or the EEC (European Economic Community) is red-flagged, even the most brief and casual mention. We are supposed to get clearance from the NCOIC/Radio, the Program Director, Station Manager, PAO, and maybe even elevate it to the JUSMAGG PAO, depending on the seriousness of the mention. Or, just pitch the newscast, if it is a one-time only mention, and hope for better luck with the next newscast feed. Given the Greek propensity for taking hair-trigger offense, and our location in Athens, with a large, English-speaking population… well, it is the only way we can operate, but we all become very paranoid, about reviewing the newscasts.

I have an abiding nightmare that in the middle of some innocuous interview with some Hollywood nit-wit, when I am only paying half-attention, someone will say, “Oh, by the way, did you know that the Prime Minister of Greece routinely performs sexual indignities with barnyard animals?” I suspect the capacity for perceived insult is inversely proportional to the grasp of rapid, colloquial American English . One of our troops had a reference to a “greasy spoon restaurant” in a locally produced spot, and some high-up in the government made it out to be an offence on the culture of Greece. We had to pull the spot, I don’t know if anyone ever attempted to explain the difference to the objecting gentleman, but on the whole, it was fortunate that a lot of what Wolfman Jack said went straight over many heads.

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Cherokee

Cherokee Football Pride 2

High school football pride, in Cherokee, a small town gem in the heart of the    Texas Hill Country

Midnight Rock & Roll – Adventures on the Night Shift

Since I did the TV overnight shift for one of my ebooks, I thought an  archaeological  reconstruction of an overnight  shift on AFRTS-Radio would make a nice balance: This is a shift I would have worked at EBS (European Broadcasting Squadron) Hellenikon in 1984ish, and is part one of two.

My daughter has already been asleep for several hours. She is used to being carried downstairs, wrapped in a blanket and strapped into the car seat in the back of the orange Volvo sedan for the short ride to the sitters, over in Sourmena. Her friend Sara, whose mother is our babysitter, is already in bed. In the morning, Sara’s mother will take them both to preschool, and I will collect Blondie from school. We’ll have the afternoon and early evening for ourselves. Blondie curls up, thumb in mouth, fast asleep as soon as I have tucked her into the bed she will share with Sara. I say good night to Sara’s parents, and drive down hill towards Hellenikon. It’s 9:30 at night; by Greek standards it’s the best part of the evening, especially in summer. The shops have just closed, but the restaurants are doing a booming business, and traffic is heavy on Vouliagmeni, the main boulevard between downtown Athens, out to Glyphada and the coastal road south to the temple at Sounion.

Hellenikon Airbase is a narrow strip trickling downhill to the airport runway, a single road zigzagging from the entry gate, all the way down to the MAC terminal and weather station, at the bottom by the ramps to the flightline. A professional baseball pitcher could probably fling a baseball entirely across it at any point.

The entrance gate is on Vouligmeni, set back a little way from the traffic, and heavy concrete balks, the size of trash dumpsters force vehicle traffic to zigzag slowly, in a single lane. The base is regularly targeted by protestors, and threats of violence. Those threats are delivered upon often enough to make the Security Police, as well as the rest of us, very, very wary.
I show my ID card to the SP, and continue down the hill, past CBPO, and the short road towards the car wash and BX gas station. All the base is to the left or right of the road, which splits into a one-way loop halfway down the hill, below the Chapel and the BX complex.

Across from the chapel are the old radio station building, and the Post office; further downhill are the barracks buildings for single airmen, the hospital. The new radio station building is behind the post office and the Rec Center, backed up nearly to the perimeter fence. I swing into the parking lot and run in to see if there is mail in my box: Letters and magazines, and goodie, a pink cardboard slip, meaning there is a package for me to pick up at the window sometime the next day, but until then duty calls.

The new building replaced a tiny structure the size of a three-car garage, into which was wedged with fiendish ingenuity two studios, a radio library, a work area for the engineers, a teletype room, a small office/work area, with an even smaller one for the station manager, and a lavatory not appreciably larger than the station managers office. In the old days, there were not chairs enough to seat the entire staff at one time, or the space to put them all if there had been. For the last eight months, we have been reveling in the generous space afforded by the new building: two lavish stories, three studios, and a huge high-ceilinged work area with a curving stairway against the wall. Security lights keep the outside nearly as bright as daylight; I have never had a moment of worry, working alone at night. There is a telephone extension in a metal box by the door: I use it to call up to the studio for the swing shift guy to let me in, and wait until he comes down the stairs.
“Anything much going on?”
“Nope… the voiceline’s dropping in and out, I called Comm already. Same old, same old, trouble at Mt. Vergine, it’s fixed when it’s fixed. I’ve left you two newscasts. Can you voice a couple of lines for a spot? Just leave the tape on the desk with the script.”
“No problem. I’ll take over now, if you want to split.”
The previous operations supervisor, a man not long departed from the unit (to the profound relief of most of the junior broadcasters) had insisted that the only voices used for produced spots be those of the assigned military staff. As I am the only woman assigned to the unit, anyone wanting to use a female voice for a spot must use mine. Frankly, if I weren’t me, I’d have been sick to death of the sound of my own voice.

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Humble

Humble Oil
In San Saba, Texas. (Which, I am told, is correctly pronounced “San Say-bah” locally.) I met there on Monday with a gentleman who is a descendant of Frank Hamer, in the course of doing a book-talk presentation. I also met with a descendant of John Meusebach.  I heard all about a Meusebach daughter, who became a dentist and had an extraordinarily interesting life.

You never know what you are going to find out about in small-town Texas.

And I got some nice pictures in San Saba, and in the next town over, called Cherokee.