Arts & Letters

Restrepo

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Our colleague Zenpundit got a bunch of us in to a pre-release screening of the film Restrepo. Zen reviewed the film here, and I will offer a few thoughts of my own.

First, the cryptic title. It looks like an acronym, but it is in fact the last name of a young soldier killed in Afghanistan, in the fighting which is recounted in the film. His name was Juan S. Restrepo.. His comrades in arms called him “doc.” His name is pronounced with an accent on the second syllable, reh-STREP-po.

The film was made by the noted author Sebastian Junger, and the photographer Tim Hetherington. (Junger wrote a book entitled simply War about his experiences being embedded with the troops, which Zen reviewed here. James McCormick reviewed Junger’s book on CB, here.)

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Quote of the Day

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Even so, it is well to remember that resistence is not futile, it is required.

-Commenter Veryretired, in a discussion of Ginny’s post about Emerson.

The post and comment are worth reading in full.

Fanny Kemble’s Train Trip

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Frances Anne Kemble was a British actress who achieved considerable fame subsequent to her 1829 appearance in a production of Romeo and Juliet. I recently ran across her description of an experience she had in 1830, when she became one of the first people to ride on the newly-constructed London & Manchester railway line. Railway travel was then as exotic as space travel is now…arguably more so. Fannie’s escort for the trip was none other than George Stephenson, the self-taught engineer who had been the driving force behind the line’s construction.

She was impressed with the experience of railroad travel (“You can’t imagine how strange it seemed to be journeying on thus, without any visible cause of progress other than the magical machine, with its flying white breath and rhythmical, unvarying pace, between these rocky walls, which are already clothed with moss and ferns and grasses”) and with Stephenson (“the master of all these marvels, with whom I am most horribly in love”) She offers an interesting analysis of the roles of government vs the private sector in the creation of this railroad (“The Liverpool merchants, whose far-sighted self-interest prompted them to wise liberality, had accepted the risk of George Stephenson’s magnificent experiment, which the committee of inquiry of the House of Commons had rejected for the government. These men, of less intellectual culture than the Parliament members, had the adventurous imagination proper to great speculators, which is the poetry of the counting-house and wharf, and were better able to receive the enthusiastic infection of the great projector’s sanguine hope than the Westminster committee.”) The relevant section of her memoir is here.

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Self Reliance

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Emerson can lead to naval-gazing and even solipsism. Googling one of his aphorisms, I find powerpoints from assertiveness training and slick empowerment seminars. Sure, that is true; as I’ve gotten older I sometimes have less patience with that cheerful old group. Still, reviewing Robert Richardson’s Henry Thoreau: A Life of the Mind, I was struck by his summary of the ideas Thoreau found so congenial in Emerson. And it reminded me that felicity may be the most reliable and most important consequence of a restrained but dominant individualism (and its byproducts) – and the first victim of policies now being contested:

The danger in setting society at a higher value than the individual, the trouble with encouraging people to identify themselves primarily with some group, was that it then became easy to transfer the blame for one’s own shortcomings to that group. If one looked to society for one’s identity and one’s satisfactions, then surely society should be held accountable for one’s dissatisfactions, lack of identity, alienation. Emerson had already set himself against this view, and Thoreau was now thinking along the same line. (34)

Interviewed by Steven Pressfield

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Ahem…cough….hopefully Jonathan and the rest of the Chicago Boyz cast will not mind a brief moment of self-promotion.

In an unusual turn of events, I was the subject of an interview by novelist and historian Steven Pressfield, author of Gates of Fire and The War of Art. Pressfield was also a participant here last year in our Xenophon Roundtable .

Steve has an interview section on his newly redesigned site and I join a series of bloggers and authors like Instapundit Glenn Reynolds, Tim O’Brien and Seth Godin who have sat down, in a virtual sense, with Steve for a discussion about writing and creativity. Having done such interviews of others in the past, it was a good experience to be on the receiving end of questions, for which I thank Steve:

The Creative Process: Mark Safranski

SP: Mark, what is the ZenPundit philosophy? How do you decide which stories or posts (or even guest bloggers) you want to include? What criteria do you use?

MS: Good question. My philosophy is something I also try to impart in my teaching.

Marcus Aurelius said “Look beneath the surface; let not the several qualities of a thing nor its worth escape you.” Most phenomena have many dimensions, multiple causes and second and third order effects. To deal with all of this complexity, we simplify matters by looking at life through an organizing frame, which we might call a worldview, a schema, a paradigm or a discipline. Whatever we call our mental model, we tend to become wedded to it because it “works.” It helps us understand some of what we are looking at-and in getting good at applying our model, advances us professionally and brings prestige or material rewards. So we will defend it to the death, from all challengers!

That’s getting carried away. Our mental model is just a tool or, more precisely, a cognitive lens. We need to be less attached to our habitual and lazy ways of looking at the world, put down our magnifying glass and pick up a telescope. Or, bifocals. Or, a microscope. Stepping back and applying different perspectives to a problem or an issue will give us new information, help us extrapolate, identify unintended consequences or spot connections and opportunities. When I do analytical pieces, I try to take that approach….

Read the rest here.