Arts & Letters

With Greco: two views of Toledo

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[ cross-posted from Zenpundit — perception, painting, pre-modern, modern, post-modern, heaven, sky, simulation, John Donne, El Greco ]

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It is Sunday.

I find it powerfully interesting that the sky as perceived by painters (our “seers” par excellence) used to be filled with supernatural beings and is currently filled with natural ones — a clear sign that our culture has effectively  moved from what one might call a theological vision of the world to a meteorological one (with astronomical trimmings under a clear sky)…

And I see that transition captured very precisely in four words, when John Donne writes:

At the round earths imagin’d corners, blow
Your trumpets, Angells, and arise, arise
From death, you numberlesse infinities
Of soules, and to your scattred bodies goe…

The “round earth” is that of modern science, the “imagin’d corners” those of pre-modern maps and angelology.

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I have to admit, therefore, that I was surprised yesterday evening to come across an El Greco painting of Toledo that featured the blessed Virgin Mary over the city.

I have long been familiar with his better known View of Toledo, which is entirely naturalistic unless you want to consider storm-clouds as portents of a divine presence —

quo-sky-over-toledo.jpg

but the second of these images, from the View and Plan of Toledo, came as quite a surprise…

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Steve McGarrett Chatting up the Ladies

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¿Quien es mas Macho? Jack Lord!

Repose

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I have so much I should be doing I keep clamping down so I don’t have a panic attack.

But, its Memorial Day and I am taking it easy. I have been going to read Robert Musil’s The Man Without Qualities for a long, long time. And I finally bought the highly praised recent translation last year. As a devotee of all things literary pertaining to the final years of the Austro-Hungarian Empire (e.g. the three masterpieces: The Radetzky March by Joseph Roth, and The Snows of Yesteryear by Gregor von Rezzori and The World of Yesterday by Stefan Zweig), Musil is long overdue.

So, I managed to evade the rest of the family and get a few minutes on the front porch with Musil and a stiff glass of lime, ice, tonic water and Tanqueray gin — which was in the back of the cabinet and forgotten until a few days ago.

Chicken and grilled veggies up next.

God bless America.

The Vestigial: It Seems Past – But Remains & Misleads

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I’d like to note some minor irritations. Few lead as voyeuristic a life as I do, often using pop culture as a gauge to my reality. I know that betokens superficiality. Well, so be it. I’ve wasted much life in front of television sets and reading murder mysteries. And Humphrey Bogart’s image moved through that life.

So I followed ALDaily’s link to an LRB review of Stefan Kanfer’s Tough Without a Gun: The Life and Extraordinary Afterlife of Humphrey Bogart. Apparently, for Jenny Diski, as for many of us, Humphrey Bogart was bigger than life. He died before I became a teen, but his old movies reran constantly on fifties’ television; when I started college, French directors, as Diski notes, led us back to him. I watched many yet again at Chicago’s Clark in the late sixties. Bogart merged with the heroes of hard boiled thrillers and then Camus as we started to take our intellectual lives more seriously.

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The DARPA arts

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[ cross-posted from Zenpundit ]

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Zenpundit blog-friend Cameron Schaefer has a piece up at Small Wars Journal today in which he quotes Boyd (writing that his approach “incorporated science, but more closely approximated the often chaotic, creative impulses of art”) and Mahan (“art, out of materials which it finds about, creates new forms in endless variety”), and concludes:

Approaching strategy in an indirect fashion, as more of an art than science may make some uneasy, specifically those who find safe haven in the concreteness of checklists and formulas. Yet, the nature of strategy reflects the nature of the world. It is infinitely complex, it is always changing and it is filled with humans that often do irrational things. Literature (see Charles Hill) and psychology have as much of a place at the strategy table as military history… as do mathematics, physics, political science and technology. So, when asking, “what must one study to be a great strategist?” the answer seems to be, “everything else.”

Okay, so that (and Hill‘s work, which Zen reviewed recently) gives us the significance of the arts in strategic thinking which, one hopes, is practiced before going in to battle, and may indeed give one second thoughts about it…

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Literature and the arts are also important after battle, though and the US Military and DARPA have clearly been thinking about that side of things:

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Sources: Comics – Plays

Poetry? meh… Sophocles? Chlanna nan con thigibh a so’s gheibh sibh feoil!

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Lionel Tiger and Robin Fox in The Imperial Animal characterize modern health care as the “bureaucratization of mercy” and propose that for comparison, we set it beside:

the Greek ideal of the hospital as the place with the best food, the finest furnishings and paintings, and the most skilled musicians and comedians.

The greatest healing center in ancient Greece was the Asclepion at Epidavros / Epidaurus, which housed an amphitheater that could seat more than ten thousand people for dramatic and musical performances without amplification.

At Epidavros, patients would be healed by watching those same dramas of Sophocles to which the US Army is now turning for therapeutic relief in Guantanamo — for as Tiger and Fox (what a pair of names) go on to argue:

It is not the healthy, but the sick who most vitally needed such agreeable and re-creative stimuli; and the resources the community had were most beneficially and sanely used in helping them ease their personal disarray and feel encouraged by this display of their community’s careful concern.

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It’s also interesting to note that the graphic novel Silver Shields mentioned in Axe‘s piece as a precursor to DARPA’s “Online Graphic Novel/Sequential Art Authoring Tools for Therapeutic Storytelling” project is “set during the ancient Greek invasion of Afghanistan more than two millenniums ago” as a metaphor for America’s current situation…