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  • Archive for the 'Film' Category

    Movie Review: The Current War

    Posted by David Foster on 1st November 2019 (All posts by )

    This movie is focused on the interaction among Thomas Edison, George Westinghouse, and Nikola Tesla in the competition to create and build out America’s…and the world’s…electrical infrastructure.  It has gotten mixed and generally not-very-enthusiastic reviews; I thought it was well-done and definitely worth seeing.  Visually, it is striking and sometimes even beautiful, thus worth seeing on the big screen.

    The movie gets the outline of the history right; also, I think, the essence of the characters.  Edison is a brilliant inventor and self-promoter who is committed to his DC-based distribution system and will do some more-than-questionable things to get it universally adopted.  Westinghouse, who had invented the railroad air brake (among other things) and already built a large company, sees the value of alternating current, which can be stepped up and down in voltage via transformers and hence can be economically transmitted over long distances.  Tesla, a Serbian immigrant and brilliant inventor, provides the missing link in the form of a practical motor that can run on AC power.  The relationships of Edison and Westinghouse with their respective wives are highlighted, and the future utility mogul Samuel Insull appears as Edison’s young secretary.

    I was happy to see the movie’s positive portrayal of Westinghouse, a great man who has tended to be overshadowed by the more-glamorous figures of Edison and Tesla.  (The legions of Tesla fans may be unhappy that Tesla did not get a more central role in the film.)

    If this movie sounds interesting to you, better see it soon; I don’t think it’s going to be in the theaters for very long.

    Posted in Business, Energy & Power Generation, Film, History, Tech | 20 Comments »

    Chinese Chequers and Other Spectator Games

    Posted by Sgt. Mom on 17th October 2019 (All posts by )

    The irony of very well-recompensed nominally-American basketball players of color reacting with wild indignation to American criticism of China with regard to heavy-handed treatment of citizens of Tibet and residents of Hong Kong is of a density so thick and heavy that it threatens to drop through the core of the earth and come out the other side. This of course, after months of rather public displays by professional athletes of color making a big thing of knee-taking and demonstrations of disapproval during the playing of the American national anthem at the start of various games. This cheap display of woke-virtue sporting world division may already have sunk the National Football League, in the minds and hearts of those fans of football in Flyoverlandia-America. I suppose now we can look forward to seeing the same fatal holed-below-the-waterline-and-sinking-fast pattern in the round-bouncy-ball franchise; honestly, it’s as if the NBA is basically saying, “Hold my beer and watch this!” Read the rest of this entry »

    Posted in Arts & Letters, Business, China, Current Events, Customer Service, Film, Media | 16 Comments »

    So, Really Want to Talk About Foreign Intervention? (updated)

    Posted by David Foster on 7th October 2019 (All posts by )

    Much ink and many photons have been spent discussing Russia’s attempts to influence (or at least disrupt) the American 2016 Presidential campaign.  Meanwhile…

    Daryl Morey, general manager of the Houston Rockets, sent out a tweet which said “Fight for Freedom, Stand with Hong Kong.”  Tencent, the NBA’s exclusive digital partner in China, reacted by suspending business relations with the Rockets, and is offering fans who purchased a year-long pass to watch Rockets games the chance to switch it to a different team. A number of other Chinese companies have pulled sponsorship deals with the Rockets as well.  Morey issued an apology which said in part ” was merely voicing one thought, based on one interpretation, of one complicated event. I have had a lot of opportunity since that tweet to hear and consider other perspectives.”

    And from last year:  here’s an appalling story about how anger from the Chinese government led Marriott Corporation to fire an employee who had ‘liked’ a tweet which congratulated the company for listing Tibet as a country, along with Hong Kong and Taiwan….of course, the Chinese regime considers Tibet to be a part of China, not a separate country.

    China forced Marriott to suspend all online booking for a week at its nearly 300 Chinese hotels. A Chinese leader also demanded the company publicly apologize and “seriously deal with the people responsible,” the Journal reported.

    And boy, did Marriott ever apologize. Craig Smith, president of the hotel chain’s Asian division, told the China Daily that Marriott had committed two significant mistakes — presumably the survey listing Tibet and the liked tweet — that “appeared to undermine Marriott’s long-held respect for China’s sovereignty and territorial integrity.”

    He announced an “eight-point rectification plan” that included education for hotel employees across the globe and stricter supervision.

    And the Marriott executive said this to China’s most-read English-language newspaper: “This is a huge mistake, probably one of the biggest in my career.”

    (More here…according to this article, the Chinese suppression of Marriott bookings was in response to the initial listing of Tibet as a country rather than to the tweet approving of this listing)

    The Chinese economy is, shall we say, a little more dynamic than that of Russia, so the government of China has much more ability to strong-arm American corporations (in general) than does the Putin regime.

    Turning now from the hotel industry to the movie industry, Richard Gere says that Chinese pressure due to his stand on Tibetan independence has led to his being dropped from big Hollywood movies.  Also:

    Gere’s activities have not just made Hollywood apparently reluctant to cast him in big films, he says they once resulted in him being banished from an independently financed, non-studio film which was not even intended for a Chinese release.

    “There was something I was going to do with a Chinese director, and two weeks before we were going to shoot, he called saying, ‘Sorry, I can’t do it,’” Gere recalled. “We had a secret phone call on a protected line. If I had worked with this director, he, his family would never have been allowed to leave the country ever again, and he would never work.”

    See also How China’s Censors Influence Hollywood.  Because the Chinese market is so large…(Fast and Furious 7 pulled in $388 million in China, more than it made in the US)…the influence of the Chinese regime on US film production and distribution has become immense.

    In recent years, foreign filmmakers have also gone out of their way not to provoke the Communist Party. For instance, the 2012 remake of the Cold War action movie, Red Dawn, originally featured Chinese soldiers invading an American town. After filming was complete, though, the moviemakers went back and turned the attacking army into North Koreans, which seemed a safer target, at least until last year’s hack of Sony Pictures.

    and

    Ying Zhu, a professor of media culture at the College of Staten Island at the City University of New York, worries China’s growing market power is giving the Communist Party too much leverage over Hollywood.

    “The Chinese censors can act as world film police on how China can be depicted, how China’s government can be depicted, in Hollywood films,” she says. “Therefore, films critical of the Chinese government will be absolutely taboo.”

    In the late 1990s, when China’s box office was still small, Hollywood did make movies that angered the Communist Party, such as Seven Years In Tibet, about the life of the Dalai Lama, and Red Corner, a Richard Gere thriller that criticized China’s legal system. Given the importance of the China market now, Zhu says those movies wouldn’t get financing today.

    Plus, Chinese companies have snapped up Hollywood studios, theaters and production companies.

    Read the rest of this entry »

    Posted in Academia, Business, China, Civil Liberties, Civil Society, Environment, Film, Media, Science, Tech, USA | 28 Comments »

    Summer Rerun–Book Review: Little Man, What Now?, by Hans Fallada

    Posted by David Foster on 14th September 2019 (All posts by )

    Little Man, What Now?

    (edited, with updates)

    I’ve often seen this 1932 book footnoted in histories touching on Weimar Germany; not having previously read it I had been under the vague impression that it was some sort of political screed. Actually it is a novel, and a good one. The political implications are indeed significant, but they’re mostly implicit rather than explicit.

    Johannes and Emma, known to one another as Sonny and Lammchen, are a young couple who marry when Lammchen unexpectedly becomes pregnant. Their world is not the world of Weimar’s avant-garde artists and writers, or of its risque-to-outright-degenerate cabaret scene. It is far from the world of a young middle-class intellectual like Sebastian Haffner, whose invaluable memoir I reviewed here. Theirs is the world of people at the absolute bottom of anything that could be considered as even lower-middle-class, struggling to hold on by their fingernails.

    When we first meet our protagonists, Sonny is working as a bookkeeper–he was previously a reasonably-successful salesman of men’s clothing, working for the kindly Jewish merchant Mr. Bergmann, but a pointless quarrel with Bergmann’s wife, coupled with a job offer from the local grain merchant (Kleinholz) led to a career change. Sonny soon finds that as a condition of continued employment he is expected to marry Kleinholz’s ugly and unpleasant daughter, never an appealing proposition and one which his marriage to Lammchen clearly makes impossible. Lammchen is from a working-class family: her father is a strong union man and Social Democrat who sees himself as superior to lower-tier white-collar men like Sonny.

    When Sonny and Lammchen set up housekeeping, their economic situation continually borders on desperate. Purchasing a stew pot, or indulging in the extravagance of a few bites of salmon for dinner, represents a major financial decision. An impulsive decision on Sonny’s part to please Lammchen by acquiring the dressing table she admires will have long-lasting consequences for their budget.

    The great inflation of Weimar has come and gone; the psychological damage lingers. Sonny and Lammchen’s landlady cannot comprehend what happened to her savings:

    Young people, before the war, we had a comfortable fifty thousand marks. And now that money’s all gone. How can it all be gone?…I sit here reckoning it up. I’ve written it all down. I sit here, reckoning. Here it says: a pound of butter, three thousand marks…can a pound of butter cost three thousand marks?…I now know that my money’s been stolen. Someone who rented here stole it…he falsified my housekeeping book so I wouldn’t notice. He turned three into three thousand without me realizing…how can fifty thousand have all gone?

    Inflation is no longer the problem, unemployment is. There are millions of unemployed, and those who do hold jobs are desperately afraid of losing them and will do anything to keep them.

    Both Sonny and Lammchen are limited and flawed people with many redeeming and even lovable attributes. Sonny, possibly as a result of upbringing by his cold and sleazy mother, is lacking in a sense of worth and in self-confidence–when he returns to the business of selling menswear, the store’s establishment of a quota system (apparently a radical innovation at the time) is so stressful to him as to greatly harm his sales performance. His devotion to Lammchen and to the coming baby (“the Shrimp”) is unshakable and keeps him going. Lammchen herself, despite her generally sweet nature, can on occasion be a irrational, unrealistic, and very unfair to Sonny, although these episodes are of short duration.

    In pursuit of possible employment for Sonny, they move to Berlin, where life definitely does not get any better. Germany’s vaunted social-welfare system does provide a certain amount of help for the couple, but there is a psychic cost. When they apply for the nursing-mother allowance to which Lammchen is clearly entitled when Shrimp is born, they find themselves enmeshed in a bureaucratic paperwork nightmare. They finally do get the money, but Lammchen is so upset by the experience that she resolves to vote Communist in the next election. (Yeah, that’ll help.) Sonny does receive compensation during his periods of unemployment, but this does little to ease his feeling of uselessness and fears for the future. After finally getting hired by Mandel’s Department Store, he passes a group of still-unemployed men:

    Pinneberg had the feeling, despite the fact that he was about to become a wage-earner again, that he was much closer to those non-earners than to people who earned a great deal. He was one of them, any day he could find himself standing here among them, and there was nothing he could do about it. He had no protection. He was one of millions.

    Despite the social safety net, despite a few helpful friends and acquaintances, the dominant feeling of Sonny and Lammchen is that they are utterly alone in the world, like children in a dark wood or like American pioneers on the great plains–but without the hope.

    Neither Sonny nor Lammchen is a very political person, but they have the strong feeling that “the system” is rigged against them. While Lammchen does make an anti-Semitic remark early in the book (“I’m not too keen on Jews”), neither she nor Sonny seems to be among the growing number who blame Germany’s Jews for their economic difficulties–indeed, Sonny is appalled when a Jewish businesswoman tells him of her mistreatment at the hands of Jew-haters. The couple’s (rather vague) political leanings are to the Left, and they attribute the source of their problems to the rich and the powerful generically. They have no faith in the political system or leadership.

    Ministers made speeches to him, enjoined him to tighten his belt, to make sacrifices, to feel German, to put his money in the savings-bank and to vote for the constitutional party. Sometimes he did, sometimes he didn’t, according to the circumstances, but he didn’t believe what they said. Not in the least. His innermost conviction was: they all want something from me, but not for me.

    Of Lammchen’s political views, the author says:

    She had a few simple ideas: that most people are only bad because they have been made bad, that you shouldn’t judge anybody because you never know what you would do yourself, that the rich and powerful think ordinary people don’t have the same feelings as they do–that’s what Lammchen instinctively believed, though she hadn’t thought it out.

    Sonny is resolved to succeed in his sales job at Mandel’s department store, and is greatly helped by an older salesman, the very dignified Mr. Heilbutt, who possesses both practical sales skills and general life skills that Sonny has not yet developed. For the most part, though, the relationship among store employees is of a dog-eat-dog, knife-in-the-back nature, and some of the customers are very difficult–like the man who comes into the store accompanied by his wife AND his sister AND his mother-in-law, with vociferous opinions about each item from the first two women and a constant repetition of the complaint we-should-have-gone-to-a-different-store from the mother-in-law.

    When Sonny again becomes unemployed, this time for a protracted period, Lammchen is able to bring in a little money by doing sewing for more-affluent families, while Sonny takes on the role of a house-husband. The author implies that this situation has become common in Germany, as Lammchen asks:

    What d’you think, Mr Jachmann? D’you think it’s going to be like this from now on with the men at home doing the housework while the women work? It’s impossible.

    Read the rest of this entry »

    Posted in Arts & Letters, Big Government, Book Notes, Civil Liberties, Economics & Finance, Film, Germany, History | 4 Comments »

    Rerun–The Perfect Enemy

    Posted by David Foster on 11th September 2019 (All posts by )

    (9/11 seems an appropriate date for a rerun of this post)

    Suppose you wanted to create a perfect enemy. An enemy so vile that its evil would be recognized by almost everyone. An enemy that would inspire people to come together in order to ensure its defeat.

    To be more specific: suppose you were a screenwriter with the assignment of creating a suitable villain-organization for a major motion picture. The marketing plan for this movie suggests that it will be marketed primarily to a certain demographic and that, hence, your villain-organization should be particularly appalling to members of that demographic. The demographic in question consists of people who are affluent, highly educated (college with at least some postgraduate education), not particularly religious, and who consider themselves politically liberal or “progressive.” The plot of the movie demands that the audience must see the necessity for Americans–of many beliefs, occupations, and social backgrounds–to come together in order to defeat the enemy.

    Oh, and one other thing. The year in which you are given this assignment is 1999.

    You will clearly want your enemy to share many of the characteristics of the Nazis–disrespect for human life, wanton cruelty, a love of apocalyptic violence. But to make the enemy particularly awful from the standpoint of your target demographic, you will want to emphasize certain aspects of its belief system.

    Members of your demographic usually have strong beliefs about women’s rights. So, your enemy must have a particularly disrespectful belief set, and a violent behavior pattern, towards women. Similarly, your demographic is generally favorable toward gay rights…so the enemy must advocate and practice the suppression, torture, and killing of gays. Your demographic is generally nonreligious and often hostile toward religion…so, make sure the enemy includes a large element of religious fanaticism. Members of your demographic talk a lot about “the children”–so make sure your enemy uses children in particularly cruel ways.

    Had you created such an enemy for your screenplay in 1999, you would have surely felt justified in assuming that it would achieve its intended reaction with your target demographic.

    It didn’t work out that way, though.

    Read the rest of this entry »

    Posted in Film, Iran, Religion, Terrorism | 5 Comments »

    Summer Rerun: Metaphors, Interfaces, Memes, and Thinking

    Posted by David Foster on 20th August 2019 (All posts by )

    This rerun of an earlier post (slightly reworked) was inspired by a comment by MCS at this post:

    We are now living in the first post-literate society where the masses will be directed by rumor. Memes will take the place of reasoned discussion.

    Neal Stephenson wrote In the Beginning was the Command Line, a strange little book which would probably be classified under the subject heading “computers.”  While the book does deal with human interfaces to computer systems, its deeper subject is the impact of media and metaphors on thought processes and on work.

    Stephenson contrasts the explicit word-based interface with the graphical or sensorial interface. The first (which I’ll call the textual interface) can be found in a basic UNIX system or in an old-style PC DOS system or timesharing terminal. The second (the sensorial interface) can be found in Windows and Mac systems and in their respective application programs.

    As a very different example of a sensorial interface, Stephenson uses something he saw at Disney World–a hypothetical stone-by-stone reconstruction of a ruin in the jungles of India. It is supposed to have been built by a local rajah in the sixteenth century, but since fallen into disrepair.

    The place looks more like what I have just described than any actual building you might find in India. All the stones in the broken walls are weathered as if monsoon rains had been trickling down them for centuries, the paint on the gorgeous murals is flaked and faded just so, and Bengal tigers loll among stumps of broken columns. Where modern repairs have been made to the ancient structure, they’ve been done, not as Disney’s engineers would do them, but as thrifty Indian janitors would–with hunks of bamboo and rust-spotted hunks of rebar.

    In one place, you walk along a stone wall and view some panels of art that tell a story.

    …a broad jagged crack runs across a panel or two, but the story is still readable: first, primordial chaos leads to a flourishing of many animal species. Next, we see the Tree of Life surrounded by diverse animals…an obvious allusion (or, in showbiz lingo, a tie-in) to the gigantic Tree of Life that dominates the center of Disney’s Animal Kingdom…But it’s rendered in historically correct style and could probably fool anyone who didn’t have a PhD in Indian art history.

    The next panel shows a mustachioed H. sapiens chopping down the Tree of Life with a scimitar, and the animals fleeing every which way. The one after that shows the misguided human getting walloped by a tidal wave, part of a latter-day Deluge presumably brought on by his stupidity.

    The final panel, then, portrays the Sapling of Life beginning to grow back, but now man has ditched the edged weapon and joined the other animals in standing around to adore and praise it.

    Clearly, this exhibit communicates a specific worldview, and it strongly implies that this worldview is consistent with traditional Indian religion and culture. Most viewers will assume the connection without doing further research as to its correctness or lack thereof.

    I’d observe that as a general matter, the sensorial interface is less open to challenge than the textual interface. It doesn’t argue–doesn’t present you with a chain of facts and logic that let you sit back and say, “Hey, wait a minute–I’m not so sure about that.” It just sucks you into its own point of view.

    Read the rest of this entry »

    Posted in Academia, Arts & Letters, Blogging, Book Notes, Deep Thoughts, Film, Human Behavior, Internet, Obama, Tech | 9 Comments »

    Dissolving the Audience

    Posted by Sgt. Mom on 31st May 2019 (All posts by )

    So, I’ve been following, in a desultory fashion, the kerfuffle over various movie projects suddenly discovering that filming in a state where the local voters and their legislature prefer putting limits on the availability of abortion is … OMG! The Handmaids’ Tale is upon us! Flee, Flee for your lives, those TV series and movies choosing to shoot in lower-cost states than California (where about every scenic local has been seen in the background many a time. It was, once a upon a time, my private amusement, in spotting familiar locations in and around Los Angeles appearing in popular TV series.) Geeze, it’s almost as if among the Hollywood glitterati the need for abortion services occurs at least once a month and twice on Sundays. Given the various reports of disgusting rapey-sexual conduct among producers and directors (mostly male) perpetuated upon (mostly but not exclusively) female performers, perhaps on-command abortion services might be required at that. Funny old thing that – these are the same producers and organizations who have no problem filming in foreign countries with even stricter limits on abortion. Read the rest of this entry »

    Posted in Arts & Letters, Business, Civil Society, Conservatism, Current Events, Film, Leftism, Media | 18 Comments »

    Movie Considerations & The Highwaymen

    Posted by Sgt. Mom on 11th April 2019 (All posts by )

    After reading a couple of favorable reviews of The Highwaymen at blogs that I am usually given to trust, I took a flyer on watching the movie – streaming video, of course, on my home computer. I can count the number of movies that I have made a deliberate effort to see in a theater over the last couple of years on the fingers of one hand and … well, wow. Just wow. Kevin Costner isn’t any Kenneth Branagh, or even a John Wayne – but he can act, especially given an intelligent and nuanced script, spare and understated direction, and production values not dependent on flashy special effects. Woody Harrelson may personally be nuttier than squirrel poop – but he also can act. Like Jimmy Stewart did before them – they are better and more interesting playing older, more grizzled characters then they were as smooth-faced young studs. So – The Highwaymen is a retelling of the hunt for and final ambush of gangsters Clyde Barrow and Bonnie Parker, glamorized beyond practically all recognition in the 1968 movie. Read the rest of this entry »

    Posted in Arts & Letters, Book Notes, Crime and Punishment, Diversions, Film, Texas | 40 Comments »

    Movie Review: “O”

    Posted by David Foster on 5th April 2019 (All posts by )

    (This is a rerun of a post from 2010–I was reminded of this movie by Paula Marantz Cohen’s WSJ article about teaching ‘Othello’)

    Odin James–“O”–is a high-school basketball star. His friend Hugo also plays for the team, though not on O’s level. When O singles out another player–Michael–for special recognition, Hugo’s already-high jealously level reaches a fever pitch.

    Roger, a wealthy but awkward and widely-disliked student, is hopelessly in love with O’s girlfriend, Desi. Hugo enlists him in a plot which he sells to Roger as a way of luring Desi away from O…but his real intent is to destroy both O and Michael, with Desi as collateral damage.

    Does the plot sound a little bit familiar?

    This is, of course, “Othello,” set in an American prep school instead of in Venice, and with the title character as an athlete rather than a military commander.

    O is Othello (Mekhi Phifer)
    Desi is Desdemona (Julia Stiles)
    Hugo is Iago (Josh Hartnett)
    Roger is Rodrigo (Elden Henson)
    Michael is Michael Casio (Andrew Keegan)
    Emily is Emilia (Rain Phoenix)
    The basketball coach, nicknamed “Duke,” is the Duke (Martin Sheen)

    No attempt is made to use Shakespearean language, which was probably a wise decision. While this adaptation may sound contrived from the above description, I think it actually works very well. (The film was released in 2001.)

    There are a few interesting differences between the film and the original play, as well as some interesting angles for transforming Renaissance Venice into a modern high school:

    (1)In the movie, Hugo/Iago is the coach’s son, which plays an important role in his jealousy of O/Othello. There is no such relationship or motivation in the play.

    (2)In the play, Iago’s hate of Othello and of Michael Casio is driven largely by Othello’s decision to choose Casio, rather than Iago, as his principal lieutenant. The recognition/elevation of Michael is also an important factor in the movie–however, in the play, Othello’s promotion decision is based largely on factors which Iago, with some justice, sees as extraneous: book-learning and family/social connections rather than combat experience. Hugo/Iago suffers from no such social-class disadvantage in the movie.

    (3)In the play, Iago convinces Othello that he, Iago, understands more about the true nature of Venetian women than Othello the Moor–an outsider to Venice–possibly can, and that hence, Othello had better listen to Iago’s advice. In the movie, this turns into an assertion by Hugo that O…the only African-American in the school…needs to pay attention to Hugo’s greater experience with white women (“They are all horny snakes,” he warns O.)

    (4)In the play, Michael Casio is portrayed in a very positive way. In the film, he comes across as more than a bit of a jerk.

    (5)Like the play, the movie ends with the murder of Desi and Emily/Emilia and the suicide of O/Othello…but whereas in the play, Michael survives and is designated as Governor at the end, in the movie he is shot and it is left ambiguous whether or not he survives. I think Shakespeare perhaps intended the elevation of Michael Casio at the end to symbolize the continuity of society and of proper authority: there is no such symbolism in the film. The ending of the film is at least as dark as that of the play, and that’s pretty dark.

    An interesting sound track, ranging from hip-hop to opera.

    Certainly not a substitute for the original, but very well worth seeing, in my opinion.

    Posted in Arts & Letters, Education, Film | 3 Comments »

    TV Break – DANGER UXB

    Posted by Sgt. Mom on 21st March 2019 (All posts by )

    In our complete avoidance of what is being offered in the way of American-produced broadcast and cable TV series, the Daughter Unit and I are ransacking the various streaming services for serial diversion of an evening: series old and new, new to us, or perhaps something old, something that we vaguely recall watching a good while ago and thought that it was worth another round. Last week our choice hit on the 1979 series Danger UXB – which came out the year before my daughter was born and featured a practically teen-aged-appearing Anthony Andrews. (Although he was nearly thirty at the time and seemed to be almost ubiquitous in those British TV series which appeared on Masterpiece Theater in that era. The Daughter Unit loved the 1982 version of the Scarlet Pimpernel, where he co-starred with Jane Seymour. She practically wore my copy of that series on videotape to bits.) Read the rest of this entry »

    Posted in Anglosphere, Britain, Diversions, Film, Media, Military Affairs, Personal Narrative, War and Peace | 22 Comments »

    Do You Have Lamarr in Your Car?

    Posted by David Foster on 20th January 2019 (All posts by )

    It has been suggested that the short-range wireless protocol known as Bluetooth should instead have been called Lamarr, in honor of the actress/inventor Hedy Lamar.

    Hedy (maiden name Kiesler) was born in Vienna in 1914. From her early childhood she was fascinated by acting–and she was also very interested in how things worked, an interest which was encouraged by her bank-director father.  She began acting professionally in the late 1920s, and gained fame and notoriety when she appeared–briefly nude–in the film Ecstasy.  It was followed by the more respectable Sissy, in which she played the Empress Elisabeth of Austria.

    In 1933, Hedy married the arms manufacturer Friedrich Mandl, finding him charming and fascinating and also probably influenced by his vast wealth.  She was soon turned off by his Fascist connections and his extremely controlling nature–rather ridiculously, he even tried to buy up all copies and negatives of Ecstasy.  He did not allow her to pursue her acting career, but did require her to participate, mainly as eye-candy, in high level meetings with German and Italian political leaders and with people involved in military technology.  What she heard at these sessions both interested and alarmed her.

    Finding her marriage intolerable and the political situation in her country disturbing, Hedy left and first came to London. There she met MGM head Louis B Mayer, who offered her an acting job at $125/week.  She turned down the offer, but booked herself onto the same transatlantic liner as Mayer, bound for the USA.  On shipboard, she impressed him enough to receive a $500/week contract.  He told her that a name change would be desirable, and she settled on “Lamarr”…the sea.

    With the outbreak of war in Europe, Hedy followed the news closely.  For reasons that are not totally clear, she began thinking about the problems of torpedo guidance:  the ability to correct the weapon’s course on its way to the target would clearly improve the odds of a hit.  She had heard the possibility of a wire-guided torpedo discussed over dinner at Mandl’s…but this approach had limitations.  Radio was an obvious alternative, but how to prevent jamming?

    As an anti-jamming technique, she hit on the idea of having the transmitter and the receiver change frequencies simultaneously and continuously…she may have been inspired partly by the remote-control radio receiver which was available at the time, possibly either she owned one or had seen one at somebody else’s home.  With synchronized frequency changes at both ends of the radio link, jamming would be impossible unless an enemy knew and could emulate the exact pattern of the changes.  But how to synchronize the transmitter and the receiver?

    Enter Hedy’s friend George Antheil, who called himself “the bad boy of American music.”  Antheil was fascinated by player pianos and had created and performed compositions which depended on simultaneous operation of several of these players.  Maybe the punched paper strips used by player pianos could provide a solution to the frequency-hopping problem?

    US Patent 2282387, issued to Hedy Kiesler Markey (the name reflecting a brief unsuccessful marriage) and George Antheil, implemented this approach.  The feeding of the paper strip on the launching ship and that inside the torpedo would be started simultaneously, and the holes in the strips would select the frequencies to be used at any given time…88 rows are mentioned, offering 88 frequency choices, but obviously this number could be smaller or larger.  Commands to the rudder of the torpedo would be sent via modulation of a carrier wave on the always-changing frequency selected.  (The two inventors had retained an electrical engineer to assist with specification of some of the details.)

    Read the rest of this entry »

    Posted in Biography, Book Notes, Culture, Film, Media, Tech, War and Peace | 18 Comments »

    Divorcing Hollywood

    Posted by Sgt. Mom on 10th January 2019 (All posts by )

    I used to like going to the movies. When I was growing up, going to the movies was an occasional treat. In the very early days, it was the drive-in movie double-feature. Likely this was because it was cheap, and Dad was a grad student with a family, and on a tight budget: JP and I in our pjs, with bedding and our pillows in the venerable 1952 Plymouth station wagon, the back seat folded down, and falling asleep almost as the titles for the second feature rolled; Charlton Heston as El Cid, seen dimly through the windshield of the Plymouth, between Mom and Dad’s heads, and the rearview mirror. Sean Connery as James Bond, bedding another of an enthusiastic series of chance-encountered and spectacularly-endowed women, and me thinking, as I dozed off, “Oh, that’s nice – she hasn’t got a hotel room, and he’s sharing his …”
    Yeah, I was six or seven years old. That’s what it looked like to me, curling up in the back of the station wagon, as my parents finagled their own low-budget date night. Later on, it would be a Disney movie in one of the splendid, then-sadly-faded old picture palaces in Pasadena; the Alhambra, the Rialto, or the Academy, accompanied by Granny Jessie – this after much discussion of which movies appropriate for grade-school age children were available at a matinee showing. This would be one of only one or two movies we saw in a theater for the entire year, so we would choose very carefully, indeed. I think Granny Jessie was grateful when we were able to appreciate somewhat more mature fare, such as It’s a Mad, Mad, Mad World, The Russians are Coming, The Russians are Coming, and What Did You Do in the War, Daddy.
    Read the rest of this entry »

    Posted in Conservatism, Culture, Diversions, Film, Personal Narrative | 60 Comments »

    Two Quick Movie Reviews

    Posted by Jonathan on 3rd September 2018 (All posts by )

    Review 1: Cuban Food Stories

    I saw this one at the Tower Theater while drinking Cuban coffee on an empty stomach. It’s a documentary by a Cuban emigre who travels around Cuba and talks to people about food. These are people who catch, grow, prepare, serve and/or sell food. The film is beautiful, the people charming, the settings picturesque, the food wonderful. There are spectacular drone shots of colorful towns, lush forests and rural landscapes, and closeups of ceviche, grilled octopus, roast pork and other delicacies. You will leave the theater hungry.

    This movie made me feel good about Cuba, which leads to another thought. In addition to its good qualities this movie is slick, well done propaganda. Perhaps the film maker really is ambivalent about having emigrated, as he suggests. Or perhaps he would not have been allowed to make this movie without showing Cuba in the most favorable light, i.e., things were bad in the ’90s but today they are getting better, people are better off and happy, it’s a great place to visit, etc. However, the hardships of daily life are obvious to anyone who looks. As my movie viewing companion said afterwards, the people in the film spend most of their time looking for food. One notices their teeth, their overall look of having been through hard times. The electricity fails. The happy fisherman was trained as a physicist and now rationalizes his difficult life (what else can he do?).

    I recommend this movie as long as you can enjoy the food and not be bothered by any political subtexts. Verdict: Four thumbs up, one thumb down.

    —-

    Review 2: The Black Stallion Returns (also available on Netflix)

    This is a really bad movie. I enjoyed the original whose plot involves a special horse that falls off a boat and saves the little boy who rides the horse to victory in the big race. Cartoonish but so are most movies and this one was visually beautiful, apolitical and had a happy ending. Plus the horse porn if you are into such things. Then I got talked into watching the sequel.

    The newer movie revolves around a struggle between good and bad Arabs to repatriate the famous horse to the Sahara where they plan to run it in a hokey every-5-years race on which tribes with poor risk-management skills bet the farm. You can tell the good from the bad Arabs because the main bad Arab is fat and has a Brooklyn accent and the good Arabs are thin and have Roman accents. Also we are made to understand that the bad Arabs cheat rather than follow important movie rules of noble-savage fair play. The good Arabs take the horse and explain to the little boy that it’s really theirs, and who can blame them. They head off for Casablanca and the boy follows in a flying boat. Much drama and silly plot escapades follow until inevitably the little boy wins the big race for the good Arabs but then is too stupid to either take the horse back home with him or sleep with the hot Arab chick who would do him in a second since he’s now the high-status race winner.

    I recommend this movie if you liked Mystery Science Theater, or if you have young daughters who are into horses as horse porn is probably more wholesome than vampire porn. Verdict: Four thumbs down, three thumbs up.

    Posted in Cuba, Diversions, Film | 11 Comments »

    So, Really Want to Talk About Foreign Intervention?

    Posted by David Foster on 3rd April 2018 (All posts by )

    Much ink and many photons have been spent discussing Russia’s attempts to influence (or at least disrupt) the American 2016 Presidential campaign.  Meanwhile…

    Here’s an appalling story about how anger from the Chinese government led Marriott Corporation to fire an employee who had ‘liked’ a tweet which congratulated the company for listing Tibet as a country, along with Hong Kong and Taiwan….of course, the Chinese regime considers Tibet to be a part of China, not a separate country.

    China forced Marriott to suspend all online booking for a week at its nearly 300 Chinese hotels. A Chinese leader also demanded the company publicly apologize and “seriously deal with the people responsible,” the Journal reported.

    And boy, did Marriott ever apologize. Craig Smith, president of the hotel chain’s Asian division, told the China Daily that Marriott had committed two significant mistakes — presumably the survey listing Tibet and the liked tweet — that “appeared to undermine Marriott’s long-held respect for China’s sovereignty and territorial integrity.”

    He announced an “eight-point rectification plan” that included education for hotel employees across the globe and stricter supervision.

    And the Marriott executive said this to China’s most-read English-language newspaper: “This is a huge mistake, probably one of the biggest in my career.”

    (More here…according to this article, the Chinese suppression of Marriott bookings was in response to the initial listing of Tibet as a country rather than to the tweet approving of this listing)

    The Chinese economy is, shall we say, a little more dynamic than that of Russia, so the government of China has much more ability to strong-arm American corporations (in general) than does the Putin regime.

    Turning now from the hotel industry to the movie industry, Richard Gere says that Chinese pressure due to his stand on Tibetan independence has led to his being dropped from big Hollywood movies.  Also:

    Gere’s activities have not just made Hollywood apparently reluctant to cast him in big films, he says they once resulted in him being banished from an independently financed, non-studio film which was not even intended for a Chinese release.

    “There was something I was going to do with a Chinese director, and two weeks before we were going to shoot, he called saying, ‘Sorry, I can’t do it,’” Gere recalled. “We had a secret phone call on a protected line. If I had worked with this director, he, his family would never have been allowed to leave the country ever again, and he would never work.”

    See also How China’s Censors Influence Hollywood.  Because the Chinese market is so large…(Fast and Furious 7 pulled in $388 million in China, more than it made in the US)…the influence of the Chinese regime on US film production and distribution has become immense.

    In recent years, foreign filmmakers have also gone out of their way not to provoke the Communist Party. For instance, the 2012 remake of the Cold War action movie, Red Dawn, originally featured Chinese soldiers invading an American town. After filming was complete, though, the moviemakers went back and turned the attacking army into North Koreans, which seemed a safer target, at least until last year’s hack of Sony Pictures.

    and

    Ying Zhu, a professor of media culture at the College of Staten Island at the City University of New York, worries China’s growing market power is giving the Communist Party too much leverage over Hollywood.

    “The Chinese censors can act as world film police on how China can be depicted, how China’s government can be depicted, in Hollywood films,” she says. “Therefore, films critical of the Chinese government will be absolutely taboo.”

    In the late 1990s, when China’s box office was still small, Hollywood did make movies that angered the Communist Party, such as Seven Years In Tibet, about the life of the Dalai Lama, and Red Corner, a Richard Gere thriller that criticized China’s legal system. Given the importance of the China market now, Zhu says those movies wouldn’t get financing today.

    Plus, Chinese companies have snapped up Hollywood studios, theaters and production companies.

    Read the rest of this entry »

    Posted in Academia, Business, China, Civil Liberties, Civil Society, Environment, Film, Media, Russia, Science, Tech, USA | 34 Comments »

    Where Have All the Cowboys Gone?

    Posted by Sgt. Mom on 7th January 2018 (All posts by )

    (I post an archive entry from my Celia Hayes blog, on the eve of the Golden Globes awards, All Hollywood seems to be running about with their hair on fire, casting accusations everywhere, regarding who knew or didn’t about the casting couch, who got an advantage from utilizing the casting couch, and who behaved badly to whom. I’m working on a post about this week’s Trump madness, and the time just got away from me.)

    (Example #1 – William Holden, publicity still)

    There are boys enough in the movies now, all dressed up in costume and mincing around, waving the prop weapons in a manner meant to be intimidating. Generally they look a bit nervous doing so. They have light boyish voices, narrow defoliated chests, delicate chins adorned with a wisp of beard, and sometimes they come across as clever, even charming company for the leading lady or as the wily sidekick to the first name on the bill, but as hard as they try to project mature and solid masculinity they remain boys, all dressed up in costume pretending to be men. Even when they try for a bit of presence, they still project a faintly apologetic air. Imagine Peter Pan in camo BDUs, desert-boots, full battle-rattle and rucksack. It’s a far cry from picturing John Wayne in the same get-up. Where have all the cowboys gone?

    (Example #2 – Robert Mitchum w/Deborah Kerr in “Heaven Knows, Mr. Allison“)

    You could not really describe John Wayne as movie-star handsome; neither could you honestly say that Robert Mitchum, Humphrey Bogart, Steve McQueen, Charlton Heston or William Holden were movie-star handsome. (Save perhaps Holden, early on.) They had something more – magnetic physical presence. They owned a room, just by walking into it. They had lived-in faces, especially as they got older, rough-hewn, weathered and individual faces, broad shoulders, strong and capable hands, and total confidence in themselves – even when the plot necessitated a bit of self-doubt.
    Read the rest of this entry »

    Posted in Arts & Letters, Culture, Current Events, Diversions, Film, History, Media | 15 Comments »

    A Tale for Children

    Posted by David Foster on 27th December 2017 (All posts by )

    The Christmas season, in combination with seeing the Churchill movie Darkest Hour, reminded me of a passage from the French author Georges Bernanos.

    In May/June 1940, Nazi Germany defeated the French army. Britain was forced to withdraw its troops at Durkirk–losing virtually all their heavy equipment. Few would have been willing to bet on Britain’s survival…after quickly devastating the (then highly-regarded) French army and demonstrating highly-effective use of airpower, Nazi Germany seemed unstoppable.

    In December of that year, Bernanos, then living in Brazil, wrote as follows:

    No one knows better than I do that, in the course of centuries, all the great stories of the world end by becoming children’s tales. But this particular one (the story of England’s resistance–ed) has started its life as such, has become a children’s tale on the very threshold of its existence. It mean that we can at once recognize in it the threefold visible sign of its nature. it has deceived the anticipations of the wise, it has humiliated the weak-hearted, it has staggered the fools. Last June all these folk from one end of the world to the other, no matter what the color of their skins, were shaking their heads. Never had they been so old, never had they been so proud of being old. All the figures that they had swallowed in the course of their miserable lives as a safeguard against the highly improbable activity of their emotions had choked the channels of circulation..They were ready to prove that with the Armistice of Rethondes the continuance of the war had become a mathematical impossibility…Some chuckled with satisfaction at the thought, but they were not the most dangerous…Others threatened us with the infection of pity…”Alone against the world,” they said. “Why, what is that but a tale for children?” And that is precisely what it was–a tale for children. Hurrah for the children of England! 

    Men of England, at this very moment you are writing what public speakers like to describe in their jargon as one of the “greatest pages of history”….At this moment you English are writing one of the greatest pages of history, but I am quite sure that when you started, you meant it as a fairy tale for children. “Once upon a time there was a little island, and in that island there was a people in arms against the world…” Faced with such an opening as that, what old cunning fox of politics or business would not have shrugged his shoulders and closed the book?

    Posted in Britain, Film, France, History | 16 Comments »

    Preference Cascade

    Posted by Sgt. Mom on 27th October 2017 (All posts by )

    (Sorry for the lack of posting – I am trying to finalize A Fifth of Luna City, and Lone Star Glory — the follow-up to Lone Star Sons, and the days are just all too short. Herewith a rant about certain recent developments in pop culture for your weekend edification.)

    Just to make it clear, I do not think that the NFL, or the So-Cal based movie-TV-media production industry usually described by the simple designation of ‘Hollywood’ are going to wither up and disappear in a puff of smoke and a puddle of goo like the Wicked Witch when Dorothy threw a bucket of water on her. No, likely the first will be diminished to relative insignificance over the insistence of many players to ‘take a knee’ during the national anthem, after a long train of other actions which increasingly put the well-reimbursed celebrity athletes of the NFL at loggerheads with the audiences in Flyoverlandia who watched games from the stand, or on TV, purchased season tickets, merchandise and premium cable service with the big daddy sports channel, ESPN. Read the rest of this entry »

    Posted in Advertising, Conservatism, Diversions, Feminism, Film, Human Behavior, The Press | 12 Comments »

    Worthwhile Reading & Viewing

    Posted by David Foster on 28th September 2017 (All posts by )

    Things that were once common knowledge…and now are not

    Advice on leadership for Naval Academy cadets…applicable in other walks of life as well

    A time-lapse video of 30 days at sea

    Animated films:  a transition both in technologies and in implicit political messages

    Who murdered beauty?…an analysis of some trends in the world of art

    Cedar Sanderson asks What do Environmentalists, JRR Tolkein, Luddites, and Progressives all have in common?

    Company towns, then and now

    Posted in Arts & Letters, Business, Deep Thoughts, Film, Science, Society, Tech, Transportation | 8 Comments »

    Creative. Destruction

    Posted by Sgt. Mom on 26th September 2017 (All posts by )

    The mass freak-out following upon the election of The Donald to the highest office in the land continues unabated to this very day and hour. It’s been a little more than ten months; you’d have thought that the Hillary fans and the Bernie bros would have gained a bit of perspective, even a soupçon of philosophical acceptance. All contests, except for those held for elementary school-aged children where everyone gets a participation trophy, have winners and losers. But the political loss of the Dowager Duchess of Chappaqua to Donald Trump would appear to be the very first time that her loyal courtiers have ever experienced a tragedy of that magnitude, and so animus against Donald Trump and the people who voted for him continues unabated; loud, proud, 24-7 and ever more unhinged. (I’ve written before about this, here at Chicagoboyz and at NCO Brief.) It’s kind of hard to tell who the Hillary-adoring glitterati, entertainers, intellectuals and bureaucrats hate more; Donald Trump or the regular Joes and Josies who voted for him. And it’s not just the Trump-hate, but the continuing, relentless social justice warrior posturing about everything from gay marriage, transsexual privilege, to members of the black urban underclass having an unfortunately terminal encounter with the forces of law’n’order. It’s all become quite exhausting, even keeping track of who is supposed to be outraged by what. Read the rest of this entry »

    Posted in Arts & Letters, Business, Conservatism, Culture, Current Events, Film, Leftism, Media | 24 Comments »

    Saturday at the Movies: A Review of Dunkirk

    Posted by Sgt. Mom on 23rd July 2017 (All posts by )

    I took it into my head to see Dunkirk in a movie theater on the opening weekend. I don’t think I have done since the early nineties (when we returned from Spain, where movies showed at the base theater six months to a year after premiering.) The last time I saw a movie in an actual theater, instead of at home on DVD or on streaming video was – if memory serves – The Kings’ Speech, in 2010, or it may have been The Hobbit: The Desolation of Smaug in 2013. We saw the latter in an Alamo Drafthouse cinema, notable for being set up in a civilized manner to serve tasty adult beverages before and during the showing, as well as equally tasty entrees. They also have a positively Soup-Naziesque attitude about talking, texting, ringing cellphones and children disturbing the movie experience – an attitude of which I regretfully approve. One toot on yer flute, or on your cellie, and you’re oot, as the saying about the woman in the Scottish cinema with a hearing horn used to go. Adding to the charm of the experience – you can book a ticket for a specific seat and showing through their website, and pay for it online in advance. Print out your ticket on your home printer, waltz into the theater at the appointed time – and yes, this is one thing I do like about the 21st century.
    Back to the movie. The necessary trailers for upcoming releases reminded me powerfully about why I have not been to a movie theater for a movie since 2010 or 2013, especially a trailer for a superhero concoction called The Justice League. No, sorry; so much my not-cuppa-tea that I wouldn’t move two feet off a rock ledge to watch it, or anything else there was a trailer for. Fortunately, the pre-feature features were few and relatively brief.
    Then to the main feature, which began very quietly, with a half-dozen British squaddies wandering down a narrow street on the outskirts of Dunkirk, under a fluttering of German propaganda leaflets … which set the situation as it exists, and supplies one of the young soldiers, appropriately named Tommy (Fionn Whitehead), with a supply of toilet paper. Read the rest of this entry »

    Posted in Arts & Letters, Current Events, Film, History | 37 Comments »

    Summer Re-run: Granny Clarke

    Posted by Sgt. Mom on 10th July 2017 (All posts by )

    (A summer rerun from my other blog – a diverting reminiscence of California and Old Hollywood)

    Granny Clarke was the mother of my mothers’ dearest friend from the time that JP, my next-youngest brother and I were small children, before my sister Pippy was born, and my parents were living in a tiny rented cottage in the hills part of Beverly Hills – a house on a dirt road, with the surrounding area abundant in nothing much else but chaparral, eucalypts and rattlesnakes. Mom and her friend, who was eventually of such closeness that we called her “Auntie Mary” met when Mom began to attend services at a Lutheran congregation in West Hollywood, rather than endure the long drive to Pasadena and the ancestral congregation at Trinity Lutheran in Pasadena.
    Auntie Mary Hammond was a little older than Mom, with four sons, each more strapping than the other, in spite of Auntie Mary’s wistful hopes for one of them to have been a girl. The oldest were teenagers, the youngest slightly younger than JP . . . although Paulie was as large and boisterous as his older brothers and appeared to be more my contemporary. They lived all together with Auntie Mary Hammonds’ mother, Granny Clarke, in a townhouse in West Hollywood, an intriguing house built on a steeply sloping street, up a flight of stairs from the concrete sidewalk, with only a tiny garden at one side, and the constant background noise and bustle of the city all around, not the quiet wilderness of the hills, which JP and I were more used to. But there was one thing we had in common with Paulie and his brothers— an immigrant grandparent with a curious accent and a long career in domestic service in Southern California.
    Read the rest of this entry »

    Posted in Business, Customer Service, Film, History, Personal Narrative | 7 Comments »

    Around the World by Zeppelin, in 1929

    Posted by David Foster on 21st March 2017 (All posts by )

    In August 1929, the airship Graf Zeppelin set off for a round-the-world tour.  Among the 20 passengers on board was Lady Grace Drummond-Hay, whose trip was paid for by the Hearst newspapers and whose assignment was to write about the venture from a woman’s perspective.  Lady Hay was somewhat disconcerted to find out that among the other passengers on the trip would be a journalist named Karl Henry von Wiegand, with whom she was deeply in love–Karl having broken off their relationship six months earlier.

    Here’s a wonderful pseudo-documentary about the flight, with the story told from Lady Hay’s perspective.  I call it a pseudo-documentary because while the film is genuine, the narration is only partly taken from Hay’s articles and letters–part of it was created by the screenwriters—and there is at least one event that was fictionalized. Includes great film footage of New York, Friederichshafen, and Toyko.  Very much worth watching.

    Posted in Aviation, Film, History, Transportation | 7 Comments »

    An Odd Couple, or a Match Made in Heaven?

    Posted by David Foster on 13th January 2017 (All posts by )

    It is interesting that there is such a high overlap of political opinion between College Professors and Entertainers…the latter category not being known for their intellectual or scholarly tastes, on the average.

    Significance, if any?

    Posted in Academia, Film, Politics, USA | 33 Comments »

    Video Review: A French Village

    Posted by David Foster on 19th December 2016 (All posts by )

    I’m currently on Season 5 of this series, which ran for 6 seasons on French TV.  Set in the fictional town of Villeneuve during the years of the German occupation and directly afterwards, it is simply outstanding – one of the best television series I have ever seen.

    Daniel Larcher is a physician who also serves as deputy mayor, a largely honorary position.  When the regular mayor disappears after the German invasion, Daniel finds himself mayor for real.  His wife Hortense, a selfish and emotionally-shallow woman, is the opposite of helpful to Daniel in his efforts to protect the people of Villaneuve from the worst effects of the occupation while still carrying on his medical practice.  Daniel’s immediate superior in his role as mayor is Deputy Prefect Servier, a bureaucrat mainly concerned about his career and about ensuring that everything is done according to proper legal form.

    Daniel’s brother Marcel is a Communist.  The series accurately reflects the historical fact that the European Communist parties did not at this stage view the outcome of the war as important–it was only “the Berlin bankers versus the London bankers”…but this is a viewpoint that Marcel has a hard time accepting.

    In addition to his underground political activism, Marcel works as a foreman at the lumber mill run by a prominent local businessman, Raymond Schwartz.  A strong mutual attraction has developed between Raymond and Marie Germain, a farm wife whose husband is away with the army and is missing in action.

    Much of the movie’s action takes place at the local school, where Judith Morhange is the (Jewish) principal and Lucienne Broderie is a young teacher. Jules Beriot, the assistant principal, is in love with Lucienne, but hopelessly so, it seems.

    German characters range from Kurt, a young soldier with whom Lucienne shares a love of classical music, all the way down to the sinister sicherheitdienst officer Heinrich Mueller. The characters include several French police officers, who make differing choices about the ways in which they will handle life and work under the Occupation.

    The series does a fine job of bringing all these characters–and many more–to life.  Very well-written and well-acted, well-deserving of its long run on French television. Highly recommended.

    In French, with English subtitles that (unlike the case with many films) are actually readable.  Season 1 is available on Amazon streaming, and seasons 2-5 are available there in DVD form.  MHZ Networks is another available source for the series.  (Season 6, which I believe is now running in France, is not yet available in translation.)

    Not to be missed.

    Posted in Film, France, Germany, History, Video, War and Peace | 3 Comments »

    Media Meanderings

    Posted by Sgt. Mom on 24th January 2016 (All posts by )

    Taking pen in hand … or actually, the computer keyboard … to while away a few minutes of leisure between wrapping up today’s work. (Yes, I am a small business owner and independent author; weekends and holidays are normal working days for me, although those hours and days are of my own choice, which makes up for quite a lot. And also, the commute is short.)

    I was working away on graphic adornments for the next book in the Luna City Chronicles, and an editing job which I had thought to finish by mid-month, but these things happen. Anyway, I was diverted upon coming out to start cooking supper, to note that Blondie is also working away on her own stuff for upcoming events; for aural wallpaper, she had an old TV show on streaming video as she works. She has been going through various old shows in recent weeks. Last week it was the original Thundercats, the week before that it was McGyver. But this week it’s The X-Files … a show which she finds nostalgically amusing, but which I began to find so repellant that I stopped watching after a certain point. Was it the episode with the murderously incestuous hillbilly clan with the armless, legless mother, or the one where an oh-so-secret US Army unit machine-gunned to death a whole group of human-alien hybrid offspring? Memory does not serve up an exact date at this point, but that was where I decided that The X-Files just was not my cuppa any longer. Not for dealing out spine-chilling bits of horror in weekly episodes – the creepy guy who could slither through AC ducts, the primitive humans living in the wilds of New Jersey, the life insurance salesman who could foresee the death of his potential clients … for sheer story-telling expertise and creepy thrills, right up there with The Twilight Zone, or Kolchak: The Night Stalker. Likely, The X-Files still is, among certain aficionados.
    Read the rest of this entry »

    Posted in Arts & Letters, Blogging, Civil Society, Film, Human Behavior, Media, Personal Narrative | 16 Comments »