Music Review: The Rose of Roscrae

This work by Tom Russell is a highly ambitious album:  a song-cycle, practically an opera, whose storyline extends from Ireland to the American West to the island of Molokai, where the priest Father Damien cared for outcast lepers.

In the  title song, Johnny Dutton tells of being beaten up by the father of the beautiful 15-year-old Rose (after being caught in the hayloft with her) and making his way from Ireland to the United States, where he planned to live out the dreams he had absorbed from cheap novels of the West.

Johnny works for the legendary rancher Charlie Goodnight, but eventually turns to a life of crime.  He is caught and found  guilty, but escapes.  He is pursued by his nemesis Augie Blood, US Marshal and evangelist, who travels in a prairie schooner (drawn by mules named Matthew, Mark, Luke, and John) with a cross on the sail and a saloon piano in the back on which he plays gospel tunes.

Will Johnny escape Augie Blood?  Will he ever be reunited with the Rose of Roscrae?  Will his longing for Ireland ever take him back to the Old Country?

A few of the songs:

The Rose of Roscrae

Doin’ Hard Time in Texas

I Talk to God

The Water is Wide / Overture

He Wasn’t a Bad Kid When He Was Sober.  (Russell got a letter from “a rather well-known Western artist” who apparently wanted him to write a song based on “new information that Billy the Kid was a real hero of sorts. A true Irishman and a friend of the Mexican poor.”  This song is Russell’s answer)

There are a LOT of performers on this album, in addition to Tom R himself, they include Johnny Cash, Ramblin’ Jack Elliott, Maura O’Connell, Ian Tyson, and Gretchen Peters.  There is even a Swiss Yodel Choir!

When I first heard this album, I liked it but didn’t think it quite measured up to TR’s earlier song-cycle, The Man from God Knows Where (link goes to my review)  But The Rose of Roscrae grows on you.  An exceptional piece of work, well-worth buying and listening to many times.

The album can be purchased at Amazon.    Also available is a bundle which includes the program guide / libretto as well as the album itself.

 

Seth Barrett Tillman: “Weighing” Good & Evil, and What We “Forgive” in History

Seth follows up his post on Ireland and World War II.

Seth’s central point:

I do not suggest that Sakharov, Longstreet, or Rommel were evil men, but they did serve bad causes. I do not say that the good they did (or attempted to do) during their lives is made void by the bad. But I do say it is wrong to suggest that the bad is outweighed by the good. Cf. Edmund Burke, Reflections on the Revolution in France (1790) (“I do not say [God forbid], I do not say that the virtues of such men were to be taken as a balance to their crimes; but they were some corrective to their effects.” (language in square brackets is Burke’s)). Such a moral quantification of right and wrong is not possible by mere mortals, and those who attempt such a calculus only callous our consciences.

The notion of weighing, as Seth cites it, is a metaphor that deserves more scrutiny than it gets from many of the people who casually use it. It begs the question of who has standing to do the weighing. I don’t think it’s human beings, certainly not the humans alive today who didn’t themselves pay much of the price of, in this case, Ireland’s WW2 neutrality. The people who paid aren’t around to speak for themselves. It’s hubris for us to make moral calculations, to weigh, to forgive, in their names. Better to say, so-and-so did these good things and these bad things, and leave it at that.

(See the previous Chicago Boyz post here.)

“Seth Barrett Tillman Spanks the Irish Left”

Seth advances against enemy fire as we have come to expect:

NRC’s own Seth Barrett Tillman recently appeared on Ireland’s RTÉ Radio One Late Debate. [The Irish media apparently plays by the same rules of engagement as CNN and the rest of the American media–4 out of the 6 participants were left-to-far left.]
 
But Seth pretty much won the “debate” at the outset [it was pretty much a Donald Trump ‘racism’ bash] by pointing out that in 2004, Ireland herself voted 80-20 for their constitutional Amendment Twenty-Seven, which abolished “birthright citizenship.”

More at the link.

Book Review: The Year of the French (rerun)

The Year of the French, by Thomas Flanagan

(This being St Patrick’s day, I’m taking advantage of the hook to re-post this review, in the hope of inspiring a few more people to read this incredibly fine historical novel)

Ralph Peters calls this book “the finest historical novel written in English, at least in the twentieth century,” going on to say “except for ‘The Leopard,’ I know of no historical novel that so richly and convincingly captures the ambience of a bygone world.”

In August of 1798, the French revolutionary government landed 1000 troops in County Mayo to support indigenous Irish rebels, with the objective of overthrowing British rule in Ireland.  The Year of the French  tells the (fictionalized but fact-based) story of these events from the viewpoint of several characters, representing different groups in the complex and strife-ridden Irish social structure of the time.

Owen MacCarthy  is a schoolmaster and poet who writes in the Gaelic tradition.  He is pressed by illiterate locals to write a threatening letter to a landlord who has evicted tenants while switching land from farming to cattle-raising.  With his dark vision of how an attempt at rebellion must end–“In Caslebar.  They will load you in carts with your wrists tied behind you and take you down to Castlebar and try you there and hang you there”–MacCarthy is reluctant to get involved, but he writes the letter.

Sam Cooper, the recipient of the letter, is a small-scale landlord, and captain of the local militia.  Indigenously Irish, his family converted to Protestantism several generations ago to avoid the crippling social and economic disabilities imposed on Catholics. Cooper’s wife, Kate, herself still Catholic, is a beautiful and utterly ruthless woman…she advises Cooper to respond to the letter by rounding up “a few of the likeliest rogues,”  jailing and flogging them, without any concern for actual guilt or innocence. “My God, what a creature you are for a woman,”  Cooper responds. “It is a man you should have been born.”  “A strange creature that would make me in your bed,” Kate fires back, “It is a woman I am, and fine cause you have to know it…What matters now is who has the land and who will keep it.”

Ferdy O’Donnell   is a young hillside farmer on Cooper’s land.  Far back in the past, the land was owned by the O’Donnell family…Ferdy had once shown Cooper  “a valueless curiosity, a parchment that recorded the fact in faded ink the colour of old, dried blood.”

Arthur Vincent Broome  is a Protestant clergyman who is not thrilled by the “wild and dismal region” to which he has been assigned, but who performs his duties as best he can. Broome is resolved to eschew religious bigotry, but…”I affirm most sincerely that distinctions which rest upon creed mean little to me, and yet I confess that my compassion for their misery is mingled with an abhorrence of their alien ways…they live and thrive in mud and squalour…their music, for all that antiquarians and fanatics can find to say in its flavor, is wild and savage…they combine a grave and gentle courtesy with a murderous violence that erupts without warning…”‘

Malcolm Elliott  is a Protestant landlord and solicitor, and a member of the Society of United Irishmen.  This was a revolutionary group with Enlightenment ideals, dedicated to bringing Catholics and Protestants together in the cause of overthrowing British rule and establishing an Irish Republic.  His wife, Judith, is an Englishwoman with romantic ideas about Ireland.

John Moore, also a United Irishman, is a member of one of the few Catholic families that have managed to hold on to their land.  He is in love with Ellen Treacy, daughter of another prominent Catholic family: she returns his love, but believes that he is caught in a web of words that can only lead to disaster.  “One of these days you will say a loose word to some fellow and he will get on his horse and ride off to Westport to lay an information with Dennis Browne, and that will be the last seen of you”

Dennis Browne  is High Sheriff of Mayo…smooth, manipulative, and devoted to the interests of the very largest landowners in the county, such as his brother Lord Altamont and the mysterious Lord Glenthorne, the “Big Lord” who owns vast landholdings and an immense house which he has never visited.

Randall MacDonnell  is a Catholic landowner with a decrepit farm and house, devoted primarily to his horses.  His motivations for joining the rebellion are quite different from those of the idealistic United Irishman…”For a hundred years of more, those Protestant bastards have been the cocks of the walk, strutting around on acres that belong by rights to the Irish…there are men still living who remember when a son could grab his father’s land by turning Protestant.”

Jean Joseph Humbert  is the commander of the French forces.  A former dealer in animal skins, he owes his position in life to the revolution.  He is a talented commander, but  the battle he is most concerned about is the battle for status and supremacy between himself and  Napoleon Bonaparte.

Charles Cornwallis, the general who surrendered to the Americans at Yorktown, is now in charge of defeating the French and the rebels and pacifying the rebellious areas of Ireland.   Seen through the eyes of  a young aide who admires him greatly, Cornwallis is portrayed as a basically kindly man who can be hard when he thinks it necessary, but takes no pleasure in it.  “The color of war had long since bleached from his thoughts, and it remained for him only a duty to be scrupulously performed.”

This book is largely about the way in which the past lives on in the present, both in the world of physical objects and the world of social relationships.  Two characters who make a brief appearance are Richard Manning, proprietor of a decrepit and debt-laden castle, and his companion Ellen Kirwan:

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