History gives us breadth: people in action on a grand stage, consequential ideas with great if unforeseen consequences; the demographer’s statistics and tables distil huge movements into tables we can wrap our minds around. But literature, whether consciously or unconsciously, whether reporting or reflecting, chooses a smaller stage. But it also catches that universal in a distilled moment – in the feelings of a narrator, a character. It may be anecdotal but it’s anecdotal accessible to our sympathy. How much have we changed between 1650 and 2012? In some ways, a lot. Fogel’s charts demonstrate that. In some ways, not so much. We remain human.
Puritan poets are not everyone’s cup of tea the plain style helps them age more slowly, but they are still the product of a culture remarkably different from ours a frontier, theocentric if not theocratic. But a death in the family is always shattering & love for a mate is timeless. I’ll put up the Bradstreet love poems next week, but for today, let’s look at the consolations poets found in their art & their beliefs with the death of children and a spouse. (And the brevity of these children’s lives may help us better understand how large and intimate the changes Fogel describes have been.) Even if their experiences would be uncommon today, parents may still bury children and we find we understand the poet’s feelings (in hearts we recognize at once) and to a lesser degree how they thought (in minds we enter with more difficulty).