Recently I saw the art-metal band “Pelican” at the Bottom Lounge on Lake Street in the West Loop. It was a Thursday night and I just took a cab over there by myself. Pelican is one of my favorite bands – they play metal in a major key with no solos or lyrics (OK, they did have one song with lyrics). It sounds boring, but definitely isn’t (to me at least). Recently they had a switch out of some key players but since I hadn’t seen them before I couldn’t tell the difference and they sounded fine. Here is a brief movie of them playing “Lost in the Headlights” which is the first song from them that I heard that I really liked.
Music
Rock is Dead
As a rock music fan, it is difficult for me to stand back and appraise the impact of rock and roll in an objective and neutral manner. Growing up, I listened to music continuously, and over the years have bought it in almost every format from album to cassette to CD to digital. I owned early MP3 players (like the Rio) on to pretty much every variety of iPod. In addition, I have been going to concerts for many years, some of which I’ve discussed in the blog. I’d consider myself pretty knowledgeable about rock music from the ’60s through today.
At Lollapalooza I’ve seen the growth of “Perry’s Stage”, which is an electronic music tent. Here is a link to a post I wrote about it after the August 2011 show. I noticed how the young kids migrated over to the DJs and had a great time, while the “old” concert goers sat on blankets and watched the mainstream acts.
Today we look back on rock music as if it has always existed in its current form but it used to be an electric, alive, underground party. The rebellion has moved over to hip hop but the party migrated over to electronic music. Rock doesn’t stand a chance today in the popular consciousnesses compared to the DJs.
While rock bands struggle to find a few thousand fans at a show, the “Electric Daisy Carnival” can pack in over 100,000 fans a day. Here is the link to the trailer for the inaugural event that they will hold in Chicago.
It is amazing that the last Grammys telecast didn’t feature much in the way of electronic music, but then again they have not been a very good indicator of anything. They had many performers but none of the electronic winners were highlighted (last year they had a mash up with Deadmau5 and Dave Grohl, at least). The Grammys too are in the thrall of the past, but that’s to be expected since their demographics and voters skew so old.
It is easy to figure out where they kids are going. They are heading where ever there are bikinis and a good time. Bye bye rock music.
Cross posted at LITGM
Musical Selections for St Patrick’s Day
…at Grim’s Hall.
Some songs
Speaking of things Irish, there is an interesting Dublin-based blog called Sibling of Daedalus. Check it out.
150 Years Later
…people are still writing songs about the Civil War.
Josephine, by Rory Lee Feek
The song is based on actual letters written by Confederate soldier J W Robison to his wife Josephine.
I am reminded of something Connie Willis said:
Because the Civil War isn’t over. Its images, dreamlike, stay with us — young boys lying face-down in cornfields and orchards, and Robert E. Lee on Traveller. And Lincoln, dead in the White House, and the sound of crying.
The Civil War disturbs us, all these long years after, troubling our sleep. Like a cry for help, like a warning, like a dream. And we pore over it, trying to break the code, its meaning just out of reach.
Art of the Remake IX
“When I talk to Loretta, she makes me feel like number one!”
The Nervous Eaters, Loretta (1976)
Classic Boston early punk rock. Rough and satisfying.
Neko Case, Loretta (2004)
A nice (dare I say superior) remake by Miss Case, who has exquisite taste in covers.
(I have always thought the original version sounded like it grew out of a jam based on the Velvet Undergound’s White Light / White Heat. But that is just a guess.)