“From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean.”
When I was deep in the midst of researching and writing the Adelsverein Trilogy, of course I wound up reading a great towering pile of books about the Civil War. I had to do that – even though my trilogy isn’t really about the Civil War, per se. It’s about the German settlements in mid-19th century Texas. But for the final volume, I had to put myself into the mind of a character who has come home from it all; weary, maimed and heartsick – to find upon arriving (on foot and with no fanfare) that everything has changed. His mother and stepfather are dead, his brothers have all fallen on various battlefields and his sister-in-law is a bitter last-stand Confederate. He isn’t fit enough to get work as a laborer, and being attainted as an ex-rebel soldier, can’t do the work he was schooled for, before the war began. This was all in the service of advancing my story, of how great cattle baronies came to be established in Texas and in the West, after the war and before the spread of barbed wire, rail transport to practically every little town and several years of atrociously bad winters. So are legends born, but to me a close look at the real basis for the legends was totally fascinating and much more nuanced – the Civil War and the cattle ranching empires, both.
for a sum slightly less than the current price on Amazon. Who was Friedrich Richard Petri, you might ask – and rightfully so for chances are practically no one outside of the local area might have heard of him, he finished very few substantial paintings, was only resident in the Hill Country of Texas for about seven years, and died relatively young.