If ever there were a 19th Century journalist more deeply wedded to the old mission statement of comforting (and avenging) the afflicted and afflicting the comfortable with energy and fierce enthusiasm, that person would have to be one William Cowper Brann. In the last decade of the 19th Century, he possessed a small but widely-read newspaper called the Iconoclast, a reservoir of spleen the size of Lake Michigan, and a vocabulary of erudite vituperation which would be the envy of many a political blogger today. Born in 1855, in Coles County, Illinois, he was the son of a Presbyterian minister. Upon losing his mother when barely out of diapers, he was placed with a foster family. At the age of thirteen, he ran away from the foster home and made his own way in the world, armored with a bare three years of formal education. He worked as a hotel bellboy, an apprentice house painter, and as a printer’s devil, from which he graduated into cub reporting. He and his family – for he did manage to marry – gravitated into Texas, settling first in Houston, followed by stints in Galveston and in Austin, working for local newspapers as reporter, editor and editorialist, and attempting to launch his own publication – the first iteration of the Iconoclast – terming it “a journal of personal protest.” For William Cowper Brann had opinions – sulfurous, vituperative and always entertaining, even for a day when public discourse not excluding journalism was conducted metaphorically with brass knuckles – and he despised cant, hypocrisy and what he termed ‘humbuggery’ with a passion burning white-hot and fierce.