Charles Cameron

WikiLeaks: Counterpoint at the State Department?

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[ cross-posted from Zenpundit ]

[ note: all links are to youtube videos ]

The pianist Glenn Gould is celebrated for his ability to bring the different and at times positively oppositional voices in a fugue by Bach to our attention, so that we follow each one separately while hearing all at the same time as a single whole. What is less known is that he liked to sit at a table in a truck stop and listen to the different conversations at the other tables and booths, mentally braiding their pale or brightly colored threads of human together into an analogous tapestry — one voice harmonizing with or conflicting against another, here a new subject introduced, there an echo of an earlier idea heard in a fresh context, with the murmurings of waitresses punctuated by the kaching! of the cash register, the hydraulic hiss of a door closing — conversation as counterpoint.

Organizations and individual alike, we all have different and at times dissonant voices, and strive to bring them to some kind of resolution. The many stakeholders debating an issue in town halls, blogs or letters to the editor, the many drives within each one of us, idealistic, hopeful, defeated, paralytic, angry, evasive, sluggish, vengeful, curious, alert, defiant, all have voices, all constitute an experience of polyphony, a “music of many voices”, in point counter point.

One of my interests is to find a way to score these many fugues, these musics of meaning.

My DoubleQuotes, then, can be considered as two-part inventions, attempts to show the multiple tracking of the mind — whether of a single individual, as in this case, or of a group, a community, a world divided so that something of the music begins to be visible, and some of the dissonances can move towards necessary resolution.

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QUOwikileaks

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I believe there is unresolved irony between these two statements, made on the same day by Philip J Crowley, the US State Department’s Assistant Secretary, Bureau of Public Affairs but each has its reasons, and there are arguments to be made for both transparency and opacity, diplomacy and publicity, secrets and revelations.

Between them lies the possibility I think of as a virtual music of ideas.

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Bach published a series of two-part inventions, BWV 772801, and wrote of them that he intended to offer them as an honest method

by which the amateurs of the keyboard especially, however, those desirous of learning are shown a clear way not only (1) to learn to play cleanly in two parts, but also, after further progress, (2) to handle three obligate parts correctly and well; and along with this not only to obtain good inventions (ideas) but to develop the same well; above all, however, to achieve a cantabile style in playing and at the same time acquire a strong foretaste of composition…

Later comes the Art of Fugue.

A draft of what’s on my mind lately

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I’ve been thinking…

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Reports, overstatements and underestimates

There are factual reports of violence and threats of violence, which are within the proper province of journalism and intelligence gathering.

There are also overstatements of such reports, generally resulting from paranoia, hatred, recruitment, or the desire to increase sales of advertising or munitions.

And there are understatements of such reports, generally resulting from sheer ignorance or a desire to be diplomatic.

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Religious sanctions for violence

Similarly, there are factual reports of sanctions for violence in the scriptures, hagiographies and histories of various religions.

There are also overstatements of such reports, attributing to entire religions the beliefs and or activities of a significant subsection or outlier group of that religion

And there are understatements of such reports, avoiding the attribution of violence to religious beliefs regardless of whether the religious correlation is a “cover” for other motives or a sanction powerfully affecting the actions of those who respond to it.

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Proportional and disproportionate responses

There are actions which represent a balanced and proportional response to threats or acts of violence, whether they be made at home or abroad, by the military or law enforcement, for reasons of just war or of security.

There are actions which present an unbalanced and disproportionate heightened response to acts of violence, into which category I would place both over-reactive military responses and over-reactive domestic security measures.

And there are inactions which are no less unbalanced as responses to acts or threats of violence, as with political wool-gathering or appeasement, bureaucratic failures to implement realistic information sharing and dot-connection within the IC, or public aversion to factual news or intelligent, nuanced analysis.

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Ideals, kumbaya and skepticism

There are honest statements of aspiration for peaceable outcomes to current and future conflicts.

There are versions of such aspirations which naively overlook the very real correlations between religious sanctions and violence.

And there are skeptical aversions to such aspirations, which no less naively overlook the very real differences which are present between the most angry, the most terrified, the most politically driven, the most financially interested and the most generous members of any and every religious and irreligious viewpoint.

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Let’s talk…

It is useful to bear these distinctions of category in mind, and to make accurate appraisals of one’s information inputs in terms of which categories they fall under, and how much trust one should therefore place in them.

There: it was on my mind and I have said it.

This is, as my title indicates, a first draft. I hope it will spark some interesting conversations, and lead to further insight and refinement…

A brief fugue on the graphics of coexistence

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A great many people will have seen (or designed) some variant of the “coexist” bumper-sticker / tee-shirt design:

Coexist

— the first of which can be found on acsapple‘s photobucket — and hey, the “aum” sign for “oe” is a brilliant bit of graphic substitution! while I nabbed the second here.

What with a thousand flowers blooming, the importance of preserving memetic variations, peaceful coexistence and all, it’s only natural that some will have different takes on the matter —

coexist variants

— the first of these comes from the blog of a gun-toting political refugee from the People’s Progressive Republic of Massachusetts, while the second is a tee-shirt design by Matt Lussier, and you can get your tee-shirt here…

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As for myself, I have fond memories of India, and was accordingly heartened to see this on an Indian Muslim site…

india calling-religious unity

which is what set me thinking about “coexistence” graphics in the first place.

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Did I ever tell you about the sign I saw over a shop in Delhi, advertising the sale of mythelated spirits?

I frequently feel just a tad mythelated myself.

Update: Wikileaks and Cryptographic Mythology

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[ cross-posted from Zenpundit ]

It seems my intuition of a Lovecraft connection with WikiLeaks was right, as was Jean’s suggestion that the MARUTUKKU quote is “more specific and extensive and ‘mythological'” than the translations of Enuma Elish she’d found on the net. I dropped Anders Sandberg a line letting him know I’d quoted him in my earlier post, and he graciously responded with this clarification of the mystery:

I think the MARUTUKKU name/description is from the Simon Necronomicon, which did its best to shoehorn mythology into the mythos, and might explain the different translation. Of course, one might argue that that book is a real, a hoax posing as real, real posing as a hoax, or both at the same time.

Anders, currently a staff member with the Future of Humanity Institute at Oxford (which name strikingly reminds me of the Bright Futures Institute in Qom, Oxford’s parallel in the Iranian universe), is also known for his writings on Mage: the Ascension and other role-playing games — see for instance this account of the Asatru in M:tA.

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Bryan Alexander Steve Burnett

The bearded, theremin-wielding mage Steve Burnett [left] also noted the origin of the MARUTUKKU quote in the Simon Necronomicon in his comment on my no-less-bearded mage-friend [right] Bryan Alexander‘s blog Infocult — which features a rich vein of gothic imaginings and runs with the subtitle “We haunt every medium we make”.

My warm regards to all…