Movie Review: Devotion

Jesse Brown, a black man, became a US Navy pilot in 1946.   As one might expect at that time, he faced plenty of race-based obstacles in addition to the inherent difficulties involved in becoming a Naval Aviator. Nevertheless, he prevailed, and flew a Corsair piston-engined fighter from the carrier Leyte, in missions to support US ground troops in the Korean War.   On one mission, supporting Marines at the battle of Chosin Reservoir as a member of   the VF-32 squadron, he was shot down in rugged terrain.   His (white) wingman, Thomas Hudner,   observed that Brown had not exited the airplane–which was starting to burn–and landed his Corsair near Brown’s wrecked one with the intent of getting Brown out of the plane and waiting with him until a rescue helicopter could (hopefully) be dispatched before Chinese or North Korean troops showed up.

Oh, and by the way, while Leyte was in the Mediterranean, prior to being dispatched to Korea, several of the aviators met actress Elizabeth Taylor while on shore leave.

Definitely sounds like fiction, doesn’t it?   But it really happened.   While the film indeed took some liberties with the historical truth, the events cited in the above summary are in accord with the factual history.

Race does play a significant role in this movie, of course…since his childhood, Brown had maintained a notebook in which he recorded the various race-based insults he had received over time, especially those telling him all the things he would never have the ability to do.   Sometimes he would recite these as a way of giving himself extra inspiration for high performance.   But I don’t think the racial angle was overemphasized, given the era and Brown’s apparent actual experiences.

The flying scenes were well-done…real airplanes, not CGI…an actual MiG-15 even made an appearance.   (The scene in which a MiG is shot down by a Corsair did not actually happen on this mission, but there was historically an engagement in which a Corsair did manage to shoot down a MiG.)   The movie also includes scenes of the ground combat at Chosin Reservoir.

Despite Hudner’s effort, Brown could not be pulled from the wrecked airplane, and died there.   He was awarded the Distinguished Flying Cross, the Purple Heart medal, and the Air Medal.   Tom Hudner received the Medal of Honor from President Truman.   The frigate Jesse L Brown, FF-1089, was named after Brown in 1973, and an Arleigh Burke-class guided missile destroyer was named after Hudner in 2012.

The movie draws on the book Devotion by Adam Makos,   which I haven’t read but apparently goes into considerable detail on the Chosin Revenue ground battle as well as the stories of Brown and Hudner and the experiences of other VF-32 members.

Recommended.   I thought it was better than   Top Gun:   Maverick.   A little slower, but more sense of realism and character development.

Worthwhile Reading & Viewing

Artificial Intelligence and the limits of language.   Is it possible to truly understand statements represented in language without knowing something about the world outside of language?

The abolition of school discipline…basically, the public school equivalent of shutting down police departments.   The article at the link discusses the consequences.

How did Amazon Web Services become so successful?   The track record of companies that developed information technology for their own use and then decided to market it to other users has not been very good:   AWS is a major exception.

Can capitalism save Hollywood?

The nature of America’s university administrators, as observed by Stephen Hsu.   More here.

The mother of Dietrich Bonhoeffer, a major figure in the German anti-Nazi resistance, refused to send her children to public schools:

She was openly distrustful of the German public schools and their Prussian educational methods. She subscribed to the maxim that Germans had their backs broken twice, once at school and once in the military, she wasn’t about to entrust her children to the care of others less sensitive than she during their earliest years.

Analysis of trends in scientific publications suggests that truly disruptive research is becoming less common.   The article at the link argues that ideological capture of institutions has been a major cause of reduced innovation.   See also this related article.

Joseph Flaherty reacts to a small carving of a water bird, created 33000 years ago:   “Imagine your greatest of grandparents, pursued by frost and ravenous megafauna through an endless German winter, huddled in a lean-to lit and warmed by an open fire, deciding to carve this bird to make their child smile, to impress their mate, or simply for the joy of creation.”


Paul Ehrlich, Still Catastrophizing

Here’s Paul Ehrlich, best known for his book The Population Bomb, in a 1970 interview.

Why is this surfacing, 50+ years later?   Because just the other day,   60 Minutes chose to put him on the air for more catastrophizing.    Ehrlich’s dismal track record for accuracy of   predictions–Alex Epstein called him ‘the anti-human ecologist who has been 180 degrees wrong for 55 years”–was apparently no problem in the eyes of those responsible for this program.

Here are a few of Ehrlich’s assertions from back in 1968-1970:

“The battle to feed all of humanity is over.   In the 1970s, hundreds of millions of people will starve to death”

“In 10 years all important animal life in the sea will be extinct.”

“I will take even money that England will not exist in the year 2000”

“You oughta make the FCC see to it that large families are always treated in a negative light on television”

(and if that isn’t enough, “the government will simply tell you how many children you can have and throw you in jail if you have too many”)

“Enjoy what little time you have left.   That point for me is 1972.”

Perhaps worst and most revealing:    Allowing women to have as many babies as they wanted is akin to letting everyone “throw as much of their garbage into their neighbor’s backyard as they want.”

And how did Ehrlich respond when his most recent media appearance was critiqued?   Like this:

60 Minutes extinction story has brought the usual right-wing out in force. If I’m always wrong so is science, since my work is always peer-reviewed, including the POPULATION BOMB and I’ve gotten virtually every scientific honor. Sure I’ve made some mistakes, but no basic ones.

To which Mary Madigan retorted:

Here, Paul Ehrlich gives us the most comprehensive condemnation of the peer review system ever made.

 

 

New Frontiers in Censorship and Propaganda

Alex Epstein, author of the book Fossil Future,   tweeted:

Alarm: ChatGPT by @OpenAI now *expressively prohibits arguments for fossil fuels*.   (It used to offer them.)   Not only that, it excludes nuclear energy from its counter-suggestions.

Someone else responding to Alex’s’ tweet (from December 23) said that when he asked a similar question (‘what is the case for continuing to use fossil fuels’), he got a very different response, featuring points such as affordability, accessibility, energy security, and limited alternatives.   And when I asked it precisely Alex’s original question, a couple of days later, I got a totally different answer from the one he got: a pretty decent essay about fossil fuel benefits, featuring points such as affordability, accessibility, energy security, and limited alternatives….sorry I didn’t capture the text.

ChatGPT responses do change significantly over time; the system provides a ‘thumbs up/thumbs down’ feature, and people giving a ‘thumbs down’ to a response are invited to provide a better one, and those responses seem to feed back into the system’s behavior pretty quickly.    But the ‘goes against my programming’ phrase in the response Alex got argues that there were humans involved in making this change, not just machine learning.

Sam Altman, CEO of OpenAI, responded to Alex’s query about all this:

unintended; going to take us some time to get all of this right (and it still requires more research). generally speaking, within very wide bounds we want to enable people get the behavior they want when using AI. will talk more about it in january!

Looking forward to hearing more about this from Sam A. in January.   I’m less concerned with the specific answers provided by this particular system at this point in time than I am about the potential social, political, and cultural implications of systems such as this.   In addition to the many potential beneficial uses of   such language-and-knowledge processing systems, we may see them used for increased information control and opinion-influence.

Marc Andreessen, on December 2, 3, and 4 respectively:

Seriously, though. The censorship pressure applied to social media over the last decade pales in comparison to the censorship pressure that will be applied to AI.

“AI regulation” = “AI ethics” = “AI safety” = “AI censorship”. They’re the same thing.

The level of censorship pressure that’s coming for AI and the resulting backlash will define the next century of civilization. Search and social media were the opening skirmishes. This is the big one. World War Orwell.

The thing about a system like ChatGPT, at least as currently implemented, is that it acts as an oracle.   Unlike a search engine that provides you with multiple links in answer to your question, there is a single answer.   This makes it a lot easier to promulgate particular narratives. It also leads to increased danger of people acting on answers that are just wrong, without seeing countervailing information that might have helped prevent a bad outcome in a particular practical situation.

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Christmas 2022

Newgrange  is  an ancient structure in Ireland so constructed that the sun, at the exact time of the winter solstice, shines directly down a long corridor and illuminates the inner chamber. More about Newgrange  here  and  here.

Grim  has an Arthurian passage about the Solstice.

Don Sensing has thoughts astronomical, historical, and theological about  the Star of Bethlehem.

Vienna Boys Choir, from Maggie’s Farm

Snowflakes and snow crystals, from Cal Tech. Lots of great photos

In the bleak midwinter, from King’s College Cambridge

The  first radio broadcast of voice and music  took place on Christmas Eve, 1906.  (although there is debate about the historical veracity of this story)

An air traffic control version of  The Night Before Christmas.

O Come, O Come, Emmanuel, sung by  Enya

Gerard Manley Hopkins

A Christmas-appropriate poem from  Rudyard Kipling

Another poem, by Robert Buchanan

I was curious as to what the oldest Christmas carol might be:  this Billboard article  suggests some possibilities.

The story of electric Christmas tree lights

Virginia Postrel on the history of Christmas stockings.

Mona Charen, who is Jewish, wonders  what’s going on with the Christians?

The 2017 Christmas season, in combination with the Churchill movie  Darkest Hour, reminded me something written by the French author Georges Bernanos:  A Tale for Children.   Especially meaningful this year, when the outlook appears so dark in many ways.

Here’s a passage I’ve always liked from Thomas Pynchon’s great novel  Gravity’s Rainbow.  The setting: it is the grim winter of 1944, just before Christmas. The military situation in Europe is not good, and WWII seems as if it will never end. London is under attack by V-2 rockets and V-1 cruise missiles (as they would be called today.) Roger and Jessica, two of the main characters, are driving in a rural area in England and come upon a church where carols are being sung. They decide to go inside.

They walked through the tracks of all the others in the snow, she gravely on his arm, wind blowing her hair to snarls, heels slipping once on ice. “To hear the music,” he explained.

Tonight’s scratch choir was all male, epauletted shoulders visible under the wide necks of white robes, and many faces nearly as white with the exhaustion of soaked and muddy fields, midwatches, cables strummed by the nervous balloons sunfishing in the clouds, tents whose lights inside shone nuclear at twilight, soullike, through the cross-hatched walls, turning canvas to fine gauze, while the wind drummed there…..The children are away dreaming, but the Empire has no place for dreams and it’s Adults Only in here tonight, here in this refuge with the lamps burning deep, in pre-Cambrian exhalation, savory as food cooking, heavy as soot. And 60 miles up the rockets hanging the measureless instant over the black North Sea before the fall, ever faster, to orange heat, Christmas star, in helpless plunge to Earth. Lower in the sky the flying bombs are out too, roaring like the Adversary, seeking whom they may devour. It’s a long walk home tonight. Listen to this mock-angel singing, let your communion be at least in listening, even if they are not spokesmen for your exact hopes, your exact, darkest terror, listen. There must have been evensong here long before the news of Christ. Surely for as long as there have been nights bad as this onesomething to raise the possibility of another night that could actually, with love and cockcrows, light the path home, banish the Adversary, destroy the boundaries between our lands, our bodies, our stories, all false, about who we are: for the one night, leaving only the clear way home and the memory of the infant you saw, almost too frail, there’s too much shit in these streets, camels and other beasts stir heavily outside, each hoof a chance to wipe him out…….But on the way home tonight, you wish you’d picked him up, held him a bit. Just held him, very close to your heart, his cheek by the hollow of your shoulder, full of sleep. As if it were you who could, somehow, save him. For the moment not caring who you’re supposed to be registered as. For the moment, anyway, no longer who the Caesars say you are.

O Jesu parvule
Nach dir is mir so weh…

So this pickup group, these exiles and horny kids, sullen civilians called up in their middle age…….give you this evensong, climaxing now with its rising fragment of some ancient scale, voices overlapping threee and fourfold, filling the entire hollow of the churchno counterfeit baby, no announcement of the Kingdom, not even a try at warming or lighting this terrible night, only, damn us, our scruffy obligatory little cry, our maximum reach outwardpraise be to God!for you to take back to your war-address, your war-identity, across the snow’s footprints and tire tracks finally to the path you must create by yourself, alone in the dark. Whether you want it or not, whatever seas you have crossed, the way home…