The first review of my husband’s book, Masculinity in Four Victorian Epics is out. He’s published a lot on Matthew Arnold, Victorian autobiographies, the Czechs, but this is his first full-length critical work using Darwinian criticism. This isn’t exactly a literary blog, but Tod Williams (who, in good peer review fashion we don’t know, but appers friendly to this methodology) reminds me of the way literature used to be approached.
My husband was attracted to this method: he argues it was growing up on a farm and reading Tennyson in the truck on the way to the feed store that made it natural. On another plane, of course, as the reviewer notes: “It should come as no surprise that an established Matthew Arnold scholar would approach literature with a concern for universal human truths or that one with such interests would turn to literary Darwinism for a methodology.” He examines that popular (but now seldom read) Victorian genre – the “long poem.” “Machann maintains in his introduction that the issue of masculinity is not only central to the four long poems he treats but to ‘our understanding of Victorian literature: its major themes, its idealism and social criticism, its perplexities and uncertainties’” (1) The Victorians restrained masculine violence in many ways, but the ideal of chivalry and “manliness” was also expressed in adventuring (both geographically and intellectually).