The Arrival of the Great Caravan, Medinah, 1852

But how describe’ the utter confusion in the crowding, the bustling, and the vast variety and volume of sound? Huge white Syrian dromedaries, compared with which those of El-Hejaz appeared mere pony-camels, jingling large bells, and bearing Shugdufs (litters) like miniature green tents, swaying and tossing upon their backs; gorgeous Takhtrawan, or litters carried between camels or mules, with scarlet and brass trappings; Bedawin bestriding naked-backed “Daluls” (dromedaries), and clinging like apes to the hairy humps; Arnaut, Kurd, and Turkish Irregular Cavalry, fiercer looking in their mirth than Roman peasants in their rage; fainting Persian pilgrims, forcing their stubborn camels to kneel, or dismounted grumbling from jaded donkeys; Kahwajis, sherbet sellers, and ambulant tobacconists crying their goods; countrypeople driving flocks of sheep and goats with infinite clamor through lines of horses fiercely snorting and biting and kicking and rearing; towns-people seeking their friends; returned travellers exchanging affectionate salutes; devout Hajis jostling one another, running under the legs of camels, and tumbling over the tents’ ropes in their hurry to reach the Haram; cannon roaring from the citadel; shopmen, water-carriers, and fruit vendors fighting over their bargains; boys bullying heretics with loud screams; a well-mounted party of fine old Arab Shaykhs of the Hamidah clan, preceded by their varlets, performing the Arzah or war dance, —compared with which the Pyrenean bear’s performance is grace itself,—firing their duck-guns upwards, or blowing the powder into the calves of those before them, brandishing their swords, leaping frantically the while, with their bright-colored rags floating in the wind, tossing their long spears tufted with ostrich feathers high in the air, reckless where they fall; servants seeking their masters, and masters their tents, with vain cries of Ya Mohammed ;l grandees riding mules or stalking on foot, preceded by their crowd-beaters, shouting to clear the way; here the loud shrieks of women and children, whose litters are bumping and rasping against one another; there the low moaning of some poor wretch that is seeking a shady corner to die in : add a thick dust which blurs the outlines like a London fog, with a flaming sun that draws sparkles of fire from the burnished weapons of the crowd, and the brass balls of tent and litter; and—I doubt, gentle reader, that even the length, the jar, and the confusion of this description is adequate to its subject, or that any ” wordpainting” of mine can convey a just idea of the scene.

Narrative of a Pilgrimage to Meccah and Medinah, Sir Richard Francis Burton

Was Islamic Terrorism Caused by Square Dancing and Lady Gaga?

In some quarters, it’s popular to blame the rise of Islamic terrorism on economic factors (poverty) and geopolitical factors (Israeli “settlements,” American troops in the Middle East.) Bret Stephens argues that a far more important driver of terrorism is rage at the freedom–and especially the sexuality–of Western women. At the link, Stephens cites the horrified reaction of Sayyid Qutb, who is considered the intellectual godfather of Al Qaeda, to his experiences during his visit to the U.S. in the late 1940s. Qutb was particularly repelled by what he called “the American Temptress.”

Stephens doesn’t mention it, but–Qutb formed his vision of the American Temptress while observing a square dance at a church social!

The point about the connection between sexual fear and hostility on the one hand, and Islamic terrorism on the other, is by no means new with Stephens, of course, but he describes the case well and uses it to explain why the growing fashion of casting Israel as the root cause of terrorism is a ridiculous one.

Link via psychiatrist Dr Sanity, who adds extensive commentary.

Upcoming Events at The Men’s Leadership Forum of Chicago

There are two good events scheduled for the The Men’s Leadership Forum of Chicago:

Brian J. Gail, will speak about his novel Fatherless, on March 18, 2010.

Francis Cardinal George, Archbishop of Chicago will be speaking about his new book, The Difference God Makes: A Catholic Vision of Faith, Communion, and Culture, on May 6, 2010.

Both events will be at 7:30 a.m. at the University Club of Chicago.

Register here if you are interested.

I will be at both of these events.

McDougall On Tocqueville

Walter McDougall introduces us to young Alexis de Tocqueville in his book Throes of Democracy:

Alexis de TocquevilleAs late as 1997 a historian with some pretensions to veracity wrote (albeit tongue in cheek) that “complete objectivity about America is a characteristic only of God and Alexis de Tocqueville”. In truth, the young Frenchman’s methods were highly subjective. He was an aristocrat whose parents narrowly escaped the guillotine during the Reign of Terror in the French Revolution. So he came to America inclined to believe that government in the hands of the envious masses was far more dangerous than rule by disinterested aristocrats. Tocqueville was raised a Catholic, but exposure to Enlightenment philosophy hobbled his faith: “I believe, but I cannot practice”. So he came to America with little appreciation of what made religious people tick, especially Protestants of British stock. His classical education and training for a French legal career biased his mind toward deduction rather than empirical, historical thought. So he came to America with little sense of the profound experience that inspired the thirteen colonies to found the United States.

Read more

Just Because I Like It

Some lines that seem appropriate for a cold and snowy day…

‘Twas the soul of Judas Iscariot,
Strange, and sad, and tall,
Stood all alone at dead of night
Before a lighted hall.

And the wold was white with snow,
And his foot-marks black and damp,
And the ghost of the silvern Moon arose,
Holding her yellow lamp.

And the icicles were on the eaves,
And the walls were deep with white,
And the shadows of the guests within
Pass’d on the window light.

The shadows of the wedding guests
Did strangely come and go,
And the body of Judas Iscariot
Lay stretch’d along the snow.

The body of Judas Iscariot
Lay stretched along the snow;
‘Twas the soul of Judas Iscariot
Ran swiftly to and fro.

To and fro, and up and down,
He ran so swiftly there,
As round and round the frozen Pole
Glideth the lean white bear.

‘Twas the Bridegroom sat at the table-head,
And the lights burnt bright and clear —
‘Oh, who is that,’ the Bridegroom said,
‘Whose weary feet I hear?’

The complete poem is here.

Not being a Victorian, some of the words are unfamiliar, and not being a Christian, I’m not sure I understand all the symbolism…but what a vivid, beautiful, powerful poem.