A remote village in Austria, shortly after the end of the First World War. The 28-year-old protagonist, Christine Hoflehner, is the sole employee at the town’s Post Office. Her once solidly-middle-class family has been impoverished by the war, in which her brother was killed, and the subsequent inflation. Christine’s days are spent working at her boring Post Office job and caring for her chronically-ill mother. Except for a brief encounter with a crippled soldier when she was 20 (“two, three feeble kisses, more pity than passion”) she has never had a boyfriend. Her future looks bleak, but she knows many people are even worse-off than herself.
Here’s Christine at the Post Office:
Not much more of her is visible through the wicket than the pleasant profile of an ordinary young woman, somewhat thin-lipped and pale and with a hint of circles under the eyes; late in the day, when she turns on the harsh electric lights, a close observer might notice a few slight lines on her forehead and wrinkles around her eyes. Still, this young woman, along with the hollyhocks in the window and the sprig of elder that she has put in the metal washbasin today for her own pleasure, is easily the freshest thing in the Klein-Reifling post office; she seems good for at least another twenty-five years of service. Her hand with its pale fingers will raise and lower the same rattly wicket thousands upon thosands of times more, will toss hundreds of thousands, perhaps millions of letters onto the canceling desk with the same swiveling motion, will slam the blackened brass canceler onto hundreds of thousands or millions of envelopes with the same brief thump.
Of all the commonplace items in the Post Office–the pencils, the stamps, the scales, the ledger books, the official posters on the wall–the only objects that have anything of mystery and romance attached to them are the telephone and the telegraph machine, which via copper wires connect this tiny village to the width and breadth of Austria and the world beyond. And on one hot summer day, as Christine is drowsing at her desk, the latter instrument comes alive. Getting up to start the tape, she observes with amazement–this is something that has never happened before!–that the telegram is addressed to HER.
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