Faustian Ambition (rerun)

A post on  ambition  at another blog (in 2010)  , which included a range of quotations on the subject, inspired me to think that I might be able to write an interesting essay on the topic  of ambition in Goethe’s  Faust. This post is a stab at such an essay.

The word “Faustian” is frequently used in books, articles, blog posts, etc on all sorts of topics. I think the image that most people have of Faust is of a man who sold his soul to the devil in exchange for dangerous knowledge: sort of a mad-scientist type. This may be true of earlier versions of the Faust legend, but I think it’s a misreading (or more likely a non-reading) of Goethe’s definitive version.

Faust, at the time when the devil first appears to him, has devoted his entire life to the pursuit of knowledgein many different scholarly disciplinesand is totally frustrated and in despair about the whole thing. It is precisely the desire to do something other than to pursue abstract knowledge that leads him to engage in his fateful bargain with Mephistopheles.

If it’s not the pursuit of abstract knowledge, then what ambition drives Faust to sell his soul? C S Lewis suggests that his motivations are entirely practical: he wants “gold and guns and girls.” This is partly true, but is by no means the whole story.

Certainly, Faust does like girls. Very early in the play, he encounters a young woman who strikes his fancy:

FAUST: My fair young lady, may I make free
To offer you my arm and company?
GRETCHEN: I’m neither fair nor lady, pray
Can unescorted find my way
FAUST: God, what a lovely child! I swear
I’ve never seen the like of her
She is so dutiful and pure
Yet not without a pert allure
Her rosy lip, her cheek aglow
I never shall forget, I know
Her glance’s timid downward dart
Is graven deeply in my heart!
But how she was so short with me
That was consummate ecstasy!


Immediately following this meeting, Faust demands Mephisto’s magical assistance in the seduction of Gretchen. It’s noteworthy that he insists on this help despite the facts that (a)he brags to the devil that he is perfectly capable of seducing a girl like Gretchen on his own, without any diabolical assistance, and (b)a big part of Gretchen’s appeal is clearly that she seems so difficult to wina difficulty that will be short-circuited by Mephisto’s help.

Mephisto, of course, complies with Faust’s demand…this devil honors his contracts…and Faust’s seduction of Gretchen leads directly to the deaths of her mother, her child by Faust, her brother, and to Gretchen’s own execution.

Diabolical magic also allows Faust to meet Helen of Troy (time and space are quite fluid in this play) whom he marries and impregnates, resulting in the birth of their child Euphorion.

So, per Lewis, yes, Faust is definitely motivated by the pursuit of women. But this is only a small part of the complex structure of ambition that Goethe has given his protagonist.

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Dreams From My Taqueria

Friday night bike ride.
It appeared like a vision,
Answering prayers.
 
taqueria

Storm

Miami Storm

 
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HAIKU UPDATE:

Storm, sunset, sailboats
Pink shadows, unsettled clouds
Tranquil lagoon view

Shakespeare in American Politics

This post was originally published at The Scholar’s Stage on 30 September 2015. It has been reposted here without alteration.

I was delighted to receive Marjorie Garber‘s Shakespeare After All in the mail this morning. Garber’s book is a thousand page review of everything Shakespeare ever wrote, with each play claiming its own chapter length analysis. The introduction of Shakespeare After All is a fascinating tour of Shakespeare’s reputation though the centuries, describing how Shakespeare’s poetry has been perceived in the days since his plays were originally performed, which of his works were most popular during various eras, and how their presentation on the page and performance on the stage has change with time. In Shakespeare’s lifetime Pericles was the most popular of his works; in the 19th century, lines from King John and Henry VIII, much neglected today, were the most likely to appear in the quote books and progymnasmata collections so popular then. Emerson bitterly lamented that Harvard, his alma mater, had no lecturer in Shakespearean rhetoric. His lament went unheeded; neither Harvard nor Yale included Shakespeare among their course readings until the 1870s. Yet for 19th century men like Emerson this really was no great loss. The American people of this era were so engrossed with Shakespeare that no one living in America could escape him: evidence of his place in America’s “pop culture in the nineteenth century [can be found in everything from] traveling troupes, Shakespeare speeches as part of vaudeville bills, huge crowds and riots at productions, [to accounts of] audiences shouting lines back at the actors. [1] I am reminded of Tocqueville‘s observation that every settler’s hut in America, no matter how squalid or remote, had a copy of a newspaper, a Bible, and some work of Shakespeare inside it. [2] Tocqueville used this as evidence to buttress his claim that the Americans were more educated and cultivated than any other people on the Earth. He may have been on to something. One cannot read the diaries, letters, and editorials of 19th century America without wondering at their eloquence and erudition. What caused this, if not the many hours they spent as children on their mother’s knee learning to read from the Jacobean English of the King James Bible and the plays of Shakespeare?   


Garber also discusses the role Shakespearean rhetoric has played in American political culture since the founding. Quotes from Shakespeare have always been ubiquitous in American politics. They were used in the earliest days of the American republic. They are used with equal frequency today. However, the manner in which they are used has shifted  with time. This diversity may seem a small thing, but the different ways Shakespeare’s rhymes have been used through time reveal a great deal about broader and more important shifts in American political culture. This will become apparent as I describe these changes.

A good place to start is with the Webster-Hayne debate of 1830. Of all American oratory, only the Lincoln-Douglass debates can claim greater fame than the debate Daniel Webster and Robert Hayne held on the antebellum Senate floor. At that time there was a resolution before the Senate calling for all new federal land surveys to be postponed until all of the existing land already surveyed had been sold. This struck the ire of the westerners, who pushed for federal land to be given to new settlers without charge or delay.

 In those days American politics was a sectional affair. Political outcomes often turned on forging an alliance between one region of the country and another to push through policies that might benefit both at the cost of the rest. Hayne, a South Carolina man, saw in this debate a chance to place a wedge between New England, whose delegates opposed free homesteading, and the frontier states of the West. A “coalition” (as he would call it) between Westerners and New Englanders had delivered the presidency to John Quincy Adams just a few years before. That coalition was formed in unusual circumstances, and thus was condemned in Southern circles as a “corrupt bargain” that threatened American liberties. Adam’s side denied these charges with greatest vigor, but all of the vigor in the world could not slow the democratic tide sweeping over American society. Andrew Jackson would ride this tide into the white house. Jackson, champion of mass democracy, reconfigured the landscape of American politics. His new coalition–which united men of the West, South, and the urban centers of the North–would dominate American politics for the next two decades. But Hayne and Webster had their debate only two years into this new era. It wasn’t clear that the revolution had been won; no one knew if Jackson’s coalition would prove transient or permanent. Any chance to drive New England further into the backwaters of national politics must be seized, and Hayne was eager to do the seizing.

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New! – Your Friday End-of-Summer Social Justice Haikus

Biking on a bridge
Sudden drops, nowhere to hide
Then the sky opens

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A line of stopped cars
Because the driver in front
Is checking his phone

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Science now gives us
Fine antibiotic cheese
It’s Penistilton!

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Weekend shopping trip
Munching on Costco samples
Low-rent living large

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Slight hesitation:
Your cursor is telling you
There’s a bad process