So, leafing – metaphorically speaking – through the video delights on offer through the Acorn video catalogue in search of something amusing to while away the evening after a day’s labor on various book projects, the most pressing of which is not my own, but a paid client – we came upon a two-part version from about ten years ago of Evelyn Waugh’s Sword of Honor trilogy. I suggested that we watch it, since I had a bout of Waugh fever about the time that I was in college upper division, in hot pursuit of that relatively useless degree in English. (But I enjoyed the pursuit very much on its own merits, not being one of those one-percenters with delusions of the diploma leading me author-matically into an lavishly paid gig anywhere in the academic or in the publishing establishment.)
Anyway, I had read a good few of Waugh’s books early on; liked Scoop – as vicious an evisceration of Big Media as it was in the 1930s as was ever set to page – and the first book of the Sword of Honor Trilogy, as a similarly bitterly cynical romp through the first years of WWII. The training year, the ‘Phony War’ year … when nothing much (aside from Nazi Germany overrunning Poland, the Low Countries, Norway and Denmark, and France) was happening. And then it all turned deadly serious, with which Waugh just didn’t seem able to cope. The seriousness of it all, I mean. Literary and serious observers, looking through their lorgnettes at current events sometimes have this difficulty, I know. Poor P. G. Woodhouse also had the same trouble, regarding WWII, even as it caught him up in its ghastly coils. I surmise that dear old P. G. dealt with it by moving to America and never dealing with it at all, within the frame of his books; probably a wise literary decision, since he had the formula down pat, so to speak.