Krystyna Skarbek

krystyna1

I’ve been meaning for a while now to write about this very courageous woman (who is better known by the anglicized version of her name, Christine Granville)…the tragic events in Poland make this seem like an appropriate time to remember a Polish heroine.

Previously, I’ve posted about two women–Violette Szabo and Noor Inayat Khan–who worked for the secret British WWII organization known as Special Operations Executive…whose mission it was to organize resistance and sabotage activities in occupied Europe. Krystyna Skarbek also worked for SOE during the latter part of her WWII career, during which time she was partnered with another SOE agent named Francis Cammaerts, who led resistance operations over an extensive area in southern France. I spent some time with Mr Cammaerts during a trip to France in 2001, and will be writing about him in a future post.

Skarbek was born near Warsaw in 1908: her father was a bank official and a member of the nobility, and her mother was Jewish. She became an avid horsewoman and skier, and also a beauty queen (#6 in the Miss Poland contest for 1930.) When WWII broke out, Krystyna was living in Ethiopia with her second husband, who was the Polish consul there. She immediately went to London and volunteered to work as a secret agent…I believe her first assignment was with the Secret Intelligence Service (spying) rather than with SOE (sabotage.) She first traveled to Hungary, from which she planned to ski into Poland…while in Budapest she met Andrew Kowarski, who was to become her great love. In early 1940, she went over the Tatra mountains to begin her first underground assignment, in which she organized a network of couriers to bring intelligence reports from Warsaw to Budapest. She also located her mother, who was doubly in danger because of her aristocratic connection as well as her Jewish background, and warned her to leave the country…but her mother refused and was later arrested and never heard from again.

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Bubble-icious — American History and Political Subsidies

As someone who’s written several times (here and here) about the course of modern health care (its inherent complexity and cost), I’ve been watching the latest moves in US health care funding with a great deal of interest.

From the introduction of antibiotics to the breakthroughs in transplant surgery, medicine in the 20th century was in a position to provide dramatic improvements in health care (both quality of life and length of life) at relatively modest cost. Many consider it a golden age in medicine. My personal belief is that medical care is about to hit another burst of creativity and success (but at much higher cost-to-benefit) as non-invasive imaging, micro-surgery, diagnostic testing, and DNA-propelled pharmaceutical customizations kick in. I may be wrong, but I think my beliefs are a reasonable extrapolation of the trends in medical care since the end of the 1970s “silver bullet” period of medicine.

So what do my guesses about modern medicine mean in a new era of greater tax subsidies for US health care? An era which, by necessity, must politicize health care further. It got me to thinking about the hidden subsidies during earlier periods of American history, powered by the domestic political systems of the time, and driven by citizen/voter appetites. And it got me thinking about the law of unintended consequences.

After a few minutes scribbling on the back of an envelope, I came up with the following:

US Bubbles Over Four Centuries

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“Why Is That Gargoyle Smiling?”

Since we seem to have quite a few poetry lovers here…check out this unlikely and beautiful poem by Jeff Sypeck.

Book Review: Between Silk and Cyanide, by Leo Marks

We have a little time left
The wise doctor said
Unless there’s a miracle
Which is another man’s trade

Selfish as always
I’ve started missing you now
Want to say so
Don’t know how
Want to hug you
Don’t know if I should
Hope you understand
I’d take your place if I could

In 1942, at the age of 22, Leo Marks joined the secret British agency known as Special Operations Executive, and soon became the organization’s Codemaster, responsible for the security of communications with SOE’s resistance and sabotage agents in occupied Europe. He usually briefed these agents…soon-to-be-legendary individuals like Violette Szabo and Forest Yeo-Thomas…before their departures and they all left indelible impressions on him. His memoir is a very emotional book: frequently heartbreaking, sometimes very funny. There is a lot about the technical aspects of cryptography, but these sections can be skipped or skimmed by those who are primarily interested in the powerful human story. Poetry, much of it written by Marks himself, played an important part in SOE’s cryptographic operations and hence plays an important role in this book.

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Seizing the Opportunity to Destroy Western Civilization

A fable agreed upon
A fable agreed upon

Nassim Nicholas Taleb defines black swans as events that:

  1. Are totally unpredictable by mortal minds.
  2. Have a disproportionately large impact.
  3. Have retroactive predictability imposed on them through the foresight of 20/20 hindsight.

Taleb frequently points to the outbreak of World War I as an example of a black swan. He scoffs at historical accounts that present the outbreak as the result of trends that built up over the preceding decades, dismissing them as manifestations of the narrative fallacy:

Narrative fallacy: our need to fit a story or pattern to a series of connected or disconnected facts.

As evidence of the narrative fallacy in histories of World War I, Taleb cites Niall Ferguson’s The Pity Of War on the failure of bond investors to price the possibility of war into their trades right before the war broke out. Ferguson now returns the favor in Complexity and Collapse, citing Taleb in his excoriation of historians who peddle epic theories of social collapse likeGiambattista Vico, Georg Wilhelm Friedrich Hegel, Karl Marx, Oswald Spengler, Arnold Toynbee, Paul Kennedy, and Jared Diamond. After any major historical event, Ferguson complains:

…historians arrive on the scene. They are the scholars who specialize in the study of “fat tail” events—the low-frequency, high-impact moments that inhabit the tails of probability distributions, such as wars, revolutions, financial crashes, and imperial collapses. But historians often misunderstand complexity in decoding these events. They are trained to explain calamity in terms of long-term causes, often dating back decades. This is what Nassim Taleb rightly condemned in The Black Swan as “the narrative fallacy”: the construction of psychologically satisfying stories on the principle of post hoc, ergo propter hoc.

Drawing casual inferences about causation is an age-old habit. Take World War I. A huge war breaks out in the summer of 1914, to the great surprise of nearly everyone. Before long, historians have devised a story line commensurate with the disaster: a treaty governing the neutrality of Belgium that was signed in 1839, the waning of Ottoman power in the Balkans dating back to the 1870s, and malevolent Germans and the navy they began building in 1897. A contemporary version of this fallacy traces the 9/11 attacks back to the Egyptian government’s 1966 execution of Sayyid Qutb, the Islamist writer who inspired the Muslim Brotherhood. Most recently, the financial crisis that began in 2007 has been attributed to measures of financial deregulation taken in the United States in the 1980s.

Ferguson proclaims that the real truth is found in the opposite direction:

In reality, the proximate triggers of a crisis are often sufficient to explain the sudden shift from a good equilibrium to a bad mess. Thus, World War I was actually caused by a series of diplomatic miscalculations in the summer of 1914, the real origins of 9/11 lie in the politics of Saudi Arabia in the 1990s, and the financial crisis was principally due to errors in monetary policy by the U.S. Federal Reserve and to China’s rapid accumulation of dollar reserves after 2001. Most of the fat-tail phenomena that historians study are not the climaxes of prolonged and deterministic story lines; instead, they represent perturbations, and sometimes the complete breakdowns, of complex systems.

I’m going to quibble with the Laurence A. Tisch Professor of History here.

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