I posted here last week about how doomsayers always get it wrong. It seems that Livescience beat me to it by a day.
Worth a read. Interesting stuff.
(Hat tip to Glenn.)
Some Chicago Boyz know each other from student days at the University of Chicago. Others are Chicago boys in spirit. The blog name is also intended as a good-humored gesture of admiration for distinguished Chicago School economists and fellow travelers.
I posted here last week about how doomsayers always get it wrong. It seems that Livescience beat me to it by a day.
Worth a read. Interesting stuff.
(Hat tip to Glenn.)
See also my own Liberty Memorial slideshow.
Amazon search on “revolution 1848“: 17,292 results
Amazon search on “revolution 1989“: 7,972 results
The very first episode of the “I Love Lucy” show established a template for all of the sitcoms to follow. The episode, titled, “Lucy Thinks Ricky Is Trying to Murder Her” has the archetypal sitcom plot:
Lucy is absorbed in her mystery/suspense novel…Later on, Lucy over hears a conversation Ricky is having with his agent and misunderstands the phone call, as she is only able to hear Ricky’s end of the line. She then comes to the mistaken conclusion that Ricky is going to kill her, based on the novel’s plot and Ethel’s card reading. [emp added]
Much wackiness ensues. The device is as old as comedy itself. See Shakespeare and the Greek comedies. Character A misunderstands something Character B did or said and then takes action based on that misunderstanding, with comedic consequences. Most importantly, the resolution of the plot occurs when the misunderstanding is cleared up by explicit and honest communication. Everyone hugs and all is forgiven.
A lot of observers are having trouble figuring out the philosophical underpinnings of Barack Obama’s foreign policy. How does the president see America’s place in the world? How will he use American power? How much does he care about such things?
I think Obama et al believe that all of life’s problems are ultimately just the result of miscommunications and misunderstandings like those that drive a sitcom plot. Obama views himself in the role of the wise character in the sitcom who puzzles out the misunderstanding and brings all of the characters together for hugs at the end.
Let’s call this the “Wacky Sitcom Mixup” school of foreign policy.