The last hundred years or so have seen the introduction first of silent movies, then of sound movies, followed by television and color television. Moving images have great emotional and iconic power, and these technologies have had great cultural and economic impact.
We’re now seeing Internet-based video moving into the mainsteam. Netflix, for example, offers portions of their library for instant viewing, either on a PC or on a TV set (with adapter offered by several manufacturers.) Ventures, such as Snag Films (Ted Leonsis, Steve Case, and friends), have arisen to focus on Internet distribution of particular forms of content. (Documentaries, in Snag’s case.) Other ventures are focusing on enablement of Internet video for mobile devices. Improvement in wireline and wireless bandwiths makes it all feasible and affordable, and devices such as the iPad will make it increasingly convenient.
I’d like to discuss the emergence of Internet video from the standpoints of: Its impact on the structure of various industries, the investment opportunities and risks that it may create, and most of all its potential effects on culture and on the political environment. For starters, a few hypotheses: