Public Art and Freedom of Speech…

… such as they are, in these distressing days. It’s come to be a standout exception in the last half-century when a piece of public art is actually attractive, engaging, relatable to the place and the audience, and exhibits moderate to advanced skills and aesthetic sense on the part of the artist. Noted in Tom Wolfe’s book-long evisceration of modern architecture, altogether too many post-WWII public buildings got finished off with installing a barren plaza in front, a plaza featuring a water feature with an enormous concrete turd dropped into it. There are exceptions to this bleak and ugly trend, of course but the monumental MLK/Coretta Scott King statue unveiled last weekend in Boston is, alas, not one of them.

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And So It Begins…

As anyone with the slightest bit of Cassandra-talent would have predicted… there has recently developed a lack of patience and good sportsmanship upon being robbed and looted by a violently inclined and repeater criminal class punk, let off by an increasingly social-justice addled judiciary, and allowing said punk to go forth and do … well, more of what we have tiresomely become accustomed to expect of that demographic. Over the last decade or so, it has been suggested in various threads and blogposts that such a reaction is almost inevitable. So not a real surprise to me that a punk that decided to rob patrons of a taco restaurant in Houston got a fatal caliber response.

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Quote of the Day

“E.g it would help America/Britain far more to close 99% of ‘conservative’ think tank activity in DC/London and put the energy and money into expanding school choice and breaking the state’s grip on education by creating new institutions, given how much of politics is downstream of education and how ineffectual most conservative thinking/activity is.”

Dominic Cummings

Why I’m Not Pledging

The local public radio station here in concert with all the other public radio stations across this blessed land of ours is having their fall pledge drive this week. And I am defiantly not pledging to support. I am willfully and maliciously denying them my dollars and support, in spite of all their blandishments and incessant, unrelenting guilt trips. This, in spite of the fact that I worked part-time for the classical music side of that enterprise some decades past, before all the part-time announcers were let go. I thought for weeks that it was only me, that my announcing work was unsat. Honestly, I wouldn’t have been surprised if that was the reason, as I had gone very rote and mechanical over announcing the name of the piece of music up next, the composer and performing orchestra or soloist, and throwing in a bit of relevant information about the piece. No, it wasn’t me, as I later found out; they left all the other part-time shift announcers go the girl who worked during the week at an animal shelter, the woman who was a mainstay of the local little theater group, the guy who was a full-time writer for various little local publications. All of us were served notice; a kind of Friday Night employment massacre.

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Isn’t It Simpler to Speak of Bourgeois Norms?

Or perhaps, where people from different backgrounds find themselves in more frequent interactions with each other, to have concepts such as diplomacy (for the leadership classes) or simple good manners?

A political scientist called Eric Kaufmann coined the expression “whiteshift” to refer to the current evolution of those norms, when the modal ancestry of the polity is shifting.  It’s not enough to sell a book of that title, his “How Can We Manage the Process of Western ‘Whiteshift’?” is for Quillette subscribers only.  Fair enough, an academician has to earn a living too.

I have the book, and it’s in the stack of stuff to read and review, if perhaps in the “this is not off to a compelling start and I’m not obligated to stay current with stuff that makes me sleepy” part of the stack.

Michael Barone read, or at least skimmed, the book, in order to see if there’s any punditry to do.

Kaufmann, a Canadian who teaches in Britain and is of Jewish, Chinese, and Latino ancestry. His most recent book is called Whiteshift, which he defines as “the mixture of many non-whites into the white group through voluntary assimilation.”

As he points out, something like this has happened before. A hundred years ago, Catholic, Orthodox, and Jewish immigrants pouring into Ellis Island were considered to be of different “races” by white Anglo-Saxon Protestant elites.

Half a century ago, their descendants were regarded as still culturally and politically distinctive in Nathan Glazer and Daniel Patrick Moynihan’s description of New York ethnics groups, Beyond the Melting Pot. A “balanced” ticket in those days had to include Irish, Italian, and Jewish candidates.

Today, all these groups are lumped together as “whites,” even though there are still perceptible, though muted, differences in political attitudes and perspectives between those with different ancestries.

I vaguely recall some of that writing about “unmeltable ethnics” during my adolescence in Milwaukee. Although Americans All was a rallying cry during Woodrow Wilson’s war, the existence of a Croatian soccer collective different from the Serbian soccer collective still meant someone not conversant with the past millennium of feudin’ and fussin’ in the Balkans ought be circumspect.

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