Or so Laurence Olivier is supposed to have said to Dustin Hoffman, during the filming of The Marathon Man, when Hoffman got a little too deeply immersed in his role.
It’s acting convincingly pretending to be a person you are not; experiencing events and emotions on the stage or screen that the actor might or might not have really experienced. It’s pretending, in the service of storytelling. In our current over-the-top state of extreme wokery, any kind of illogical insanity seems to rule; in this latest example, an American soprano singer, one Angela Blue, has made a great show out of quitting an opera performance, because of her objections to another opera performance and singer in the same venue. Angela Blue objected vociferously to Russian soprano Anna Netrebko singing in the title role of Aida, while made-up to appear as … gasp … Ethiopian. (A production design originated by the late Franco Zeffirelli, as an aside.) Angela Blue, who is African-American, terms it as ‘blackface’, although comparing serious grand opera to the buffoonery of vaudeville minstrel shows of a century ago is considerable of a stretch. What adds an interesting twist to this, is that the opera performance which Angela Blue walked away from was La Traviata, and her role as Violetta a French courtesan, and in the original concept, a woman not of any color save lily-white.