Career Choice, Popular Culture, Design, and Manufacturing

Kathleen Fasanella, who runs the interesting blog Fashion Incubator, observes that the tv program “Project Runway” has led many people to pursue careers as designers–and that this is not the first time that such a phenomenon has occurred:

I’m troubled by the consequences of the fashion school bubble -350 designers at NY Fashion Week being but one sign of it- the blame for which we mostly attribute to Project Runway. A similar thing happened with the TV show LA Law, law schools were inundated with applicants and our legal system is burgeoning with excessive lawsuits as the logical consequence of lawyers needing to make their student loan payments. Simplistically speaking, these are trend careers.

Indeed, for young people who are making career choices there is a shortage of solid information about what various careers are really like and what they require in the way of preparation. Television tends to focus on a few specific fields–lawyers, doctors, nurses, cops, criminals–with occasional excursions into other areas like fashion design–but rarely provides any realistic sense of what day-to-day life in these jobs ight be like. This is understandable–screenwriter Robert Avrech oberved that movies are like real life, except that the boring parts are deleted–but means that these shows aren’t exactly reliable guides to career choice. High school guidance counselors rarely have any broad exposure to the world of actual work. College professors, even with the best will in the world, will tend to sell and perhaps oversell their own fields to talented students. Parents may or may not be useful sources of career information, depending on their own backgrounds and current situations; many will also have strong prejudices for or against certain fields.

Kathleen also observes that in her industry there is a real gap between the numbers of people who want to design the product and the numbers of people who want to have something to do with turning it into physical reality:

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Excellent Book, So-So Movie

Several days ago, Michael Kennedy mentioned Nevil Shute’s end-of-the-world novel On the Beach. There were, of course, a considerable number of nuclear-war-related novels published during the Cold War era…one of the last representatives of this genre is Trinity’s Child, written by William Prochnau and published in 1983.

The central character, Moreau, is a B-52 copilot. Her decision to pursue a career in the Strategic Air Command was greatly influenced by her love and admiration for her father, a SAC general known as “the coldest of the cold warriors.” When Moreau was 10, her father took her to the Trinity atomic test site. She told him that all her friends expected to die in a nuclear war, and he explained to her the logic of nuclear deterrence:

“I’m sorry your friends are afraid…I don’t know if you can understand this yet, but fear is my job. It’s my job to keep everyone so afraid no one will ever use these bombs again.”

“How long do you have to do it, Dad?” she asked, eyes down, her small, fine hand picking at the old bomb crate.

“Forever, honey. Eternal vigilance, President Kennedy said. After me, someone else and then someone else and then someone else. Forever, into infinity.”

To which Moreau responded:

“After you…I’ll do it, Dad.”

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The Tree of Life

Warning: spoilers, I guess, though with a film like this it’s hard to give anything away so as to really detract from the experience. Maybe a few autobiographical spoilers of my own.

Having only seen it once so far, I am aware of having gotten at most glimpses of its full intent. I cannot easily describe Terrence Malick’s oeuvre except in superficial ways: mostly out-of-doors, with nature as a significant element; spectacular cinematography; more or less nonlinear storyline; voice-over narrations. I have not seen Badlands but have seen everything from Days of Heaven on.

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Hardly A Surprise

TV and the movies push a Liberal agenda, with the creative minds behind popular entertainment deliberately maneuvering to influence public opinion. Blatant propaganda in the service of a bankrupt ideology.

So what else is new?

Author Ben Shapiro claims to have the smoking gun. Taped interviews of some of the most influential and prominent names in entertainment, all of whom openly admit their bias, bigotry, and hatred of any political philosophy which opposes their own.

I know what you guys are doing right now. You are all shrugging your shoulders, blearily blinking at the screen, waiting for me to say something that you don’t already know. Or, at least, to say it in a clever and witty fashion.

Sorry to disappoint.

I would like to leave you with one final thought, though. This is yet again an example of Liberals babbling away about Soviet levels of groupthink without the whisper of unease. How could anyone with even half a brain believe that engaging in a massive mind control exercise is the least bit acceptable? And yet these movers and shakers in the entertainment industry are perfectly comfortable in discussing something that would literally have them advocating murder if anyone on the Right started to do it.

I think the people with Leftist political convictions need to get out more.

The Vestigial: It Seems Past – But Remains & Misleads

I’d like to note some minor irritations. Few lead as voyeuristic a life as I do, often using pop culture as a gauge to my reality. I know that betokens superficiality. Well, so be it. I’ve wasted much life in front of television sets and reading murder mysteries. And Humphrey Bogart’s image moved through that life.

So I followed ALDaily’s link to an LRB review of Stefan Kanfer’s Tough Without a Gun: The Life and Extraordinary Afterlife of Humphrey Bogart. Apparently, for Jenny Diski, as for many of us, Humphrey Bogart was bigger than life. He died before I became a teen, but his old movies reran constantly on fifties’ television; when I started college, French directors, as Diski notes, led us back to him. I watched many yet again at Chicago’s Clark in the late sixties. Bogart merged with the heroes of hard boiled thrillers and then Camus as we started to take our intellectual lives more seriously.

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