The Hash-Tag War

I’ve been cynically amused over the past couple of weeks at how efficiently the Laptoperati and Twitter-fixated media Powers That Be have swung to “Russia Bad-Ukraine Brave & Noble!!! Eleventy!!” since the Russian invasion-attempted-occupation-re-occupation of the place began in a big way nearly two weeks ago. How can it now be World War III already, when we still have our Covid-19 decorations still up? Watching practically every media outlet swing into action in being all sympathies for Ukraine and all-hate on Russia is … astonishing. All the parties who would have been lighting candles, holding vigils for peace, and lecturing us about how war is not good for children and other living things, and no blood for oil have changed tune without missing a beat, hardly. Suddenly Vladimir Putin is the enemy of all that is good and decent, and everyone is rushing to declare sympathy with and support of the Ukraine, declare anything Russian to be double-plus-ungood, and throwing Russian cats out of cat shows, Anna Netrebko out of the Met, and vodka with a Russian-origin brand-name down the drain. Celebrity fools with pretensions to adequacy issue hysterical demands that Russia be thrown out of NATO, or that NATO enforce a no-fly zone over the Ukraine – never mind that Russia wasn’t a member of that organization and instituting a no-fly zone would almost instantly involve the United States. The turn-around is purely astonishing to behold; a hashtag/social media war on steroids.

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The Bodyguard of Lies

It’s screamingly obvious to anyone save perhaps the most gullible in a present-day university history program, that attempting to research the events and conduct of a war – and figuring out what is happening while the war is still ongoing is an impossibility. Were the defenders of Snake Island all killed in a Russian barrage … or are they alive, and prisoners of war? Is the Russian advance going as clockwork towards their goals … or are they being turned back? Have Ukrainian fighter aircraft shot down a Russian transport aircraft? Successfully ambushed a Russian column on an unspecified mission here or there in the conflict zone? Who is coming out ahead, dead or alive, on the ground or in the struggle for the eyeballs and sympathies of the outside world, watching with unswerving attention? What are we being told, and what is there to gain from us believing it?
The grim truth is – really, we can’t really believe much of what we see or hear about the war in the Ukraine at present. No armchair generals at this group blog, merely a collection of somewhat well-informed amateur (and perhaps a sprinkling of professional) analysists trying to make sense of what we can see, dimly through the fog. Truth is a nugget of pure gold somewhere in that fog and dirt; finding it may be more a matter of pure luck.

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The Odessa Steps

The early Soviet propaganda movie, The Battleship Potemkin, culminates in a prolonged and shocking sequence of local citizens – men, women and children – gunned down by remorseless Czarist soldiers on Odessa’s famed harbor-to-town staircase. The sequence remains a shocker. (And is still studied in film schools, apparently, for being ground-breaking effective and technologically ahead of the time.) Historically, there was never such a massacre on the Steps, but the sequence served as a kind of cinematic shorthand for State brutality aimed at essentially harmless, unarmed, unthreatening civilians in a public place; civilians who were seen to be defying the authority of the State. And so the armed minions of the State acted – because even the mildest defiance of Authority on the part of ordinary workers and their families is a stab at the heart of those Authorities. They cannot brook defiance, and so out come the armed police, just as they have this week in the streets of Ottawa with regard to the truckers protesting vaccine mandates. All the forces of the law, with the cheerful approval of the Canadian established media, the intellectual and ruling class – it’s really rather breathtaking, this concentrated venom and enthusiasm for breaking heads and bones, all aimed at the workers participating in a civil and well-organized street protest. (It would seem that as far as the RCMP are concerned, Dudley Do-Right and Constable Benton Fraser both have left the building – so much for Canadian ‘polite.’)

What will happen now that the ordinary working stiffs of Canada have been so casually abused by their native ruling class; threatened with having bank accounts frozen, their means of earning a living confiscated, themselves arrested, while their pets and children given over to the tender care of animal shelters and the child “protection” authorities? How far will this protest go now, bouncing down the Odessa Steps like a runaway baby carriage? It could be that Canadians, with the ethos of being polite, courteous, and truthful, may be truly shocked, shocked to the point of open rebellion over being consistently lied about and bullied by their ruling elite. In America, our own flyover country residents are perfectly accustomed to being abused as stupid, red-necked rubes by our own elite class. It’s what we have come to expect of NPR, the political ruling class, the New York/Hollywood cultural axis and the inside-the-Beltway-Washington DC denizens; what we have come to expect of them anyway. It may be a new and shocking development to ordinary, working-class Canadians, this contempt for the working class, though. Comment as you wish.

Wagging the Dog

I actually do recollect seeing the movie of that name – and a mildly amusing venture it was, into speculative political fiction; a whole war generated out of thin air by an unholy cabal of scheming bureaucrats, a conniving segment of the entertainment industry and a tame media, eager to be spoon-fed an appealing story if it would goose ratings by a point or so … and all in the cause of burying a political scandal involving a US president by setting up a war, with a hero and a theme song and cheering crowds and all. The movie was based on a book by Larry Beinart – weirdly enough, I also have a copy of it on my shelves. The book is much, much darker than the movie, but the premise is just as improbable; the national news media and the Industrial Entertainment complex going all in to generate and publicize a war with the aim of re-electing a Republican president at the bidding of and through dark money provided by a Republican eminence grise? Talk about the suspension of belief necessary to find that concept credible; not even with a bucket truck and one of those enormous construction cranes used for high-rise projects …

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The Way We Watch Now

The Hollywood-based entertainment industry appears to have written off most of America in Flyoverlandia (according to this post) as hopelessly unwoke, racist and dumber than dirt, in their untiring efforts to embody the soul of Woke in their various offerings. Apparently, they believe in an audience just waiting uncritically out here; An audience intellectually gape-mouthed like baby birds just waiting to swallow whatever gets dropped into them. In pursuit of that goal, according to the same article, they have made their own professional hellscape, what with the growing fear that one wrong word, tweet or visual will make them the unemployable target of their peers, in the grand scramble for achieving ultimate wokery by scapegoating each other. Couldn’t happen to a nicer lot of vicious, vacuous, jerks, hypocrites, and pedophiles … even as the audience for movies released in theaters drops through the floor, and the most-watched continuing streaming video drama is one which has done so practically unnoticed by the mainstream news and entertainment media.

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