Rodeo Songs

Earlier this month, I linked some coal mining songs.   Another prolific source of American music has been the rodeo.   Here are a few songs on that theme that I like.

Bucking Horse Moon, Tom Russell

All This Way for the Short Ride, Tom Russell

Everything That Glitters is Not Gold,   Dan Seals

Someday Soon, Suzy Bogguss

Also Someday Soon, Ian Tyson

Saddle Bronc Girl, Ian Tyson

And this one isn’t about the rodeo, but about a young cowboy and his first cattle drive:

Banks of the Musselshell, Tom Russell

…and the same song by Ian Tyson

Others?

What Happened in 2012?

From cdrsalamander at Twitter, based on an analysis of Monitoring the Future survey data by Jean Twenge.

Thoughts?

Retrotech: Making a Tunic, 1700 Years Ago

The tunic was found in the Norwegian mountains.   Textile historians recreated it using the technologies current when it was made–pulling the wool naturally rather than shearing, spinning it into thread (with no spinning wheel), and weaving it into cloth. The labor required was estimated by having skilled people do a sample amount of each task required and extrapolating to the complete garment.

Total labor requirement was 780 hours.   The linked post estimates the cost at almost $38000, apparently assuming Norwegian labor rates.

I don’t think anyone would produce such garments using such expensive labor, though (unless it was for some very affluent niche market) but would use cheaper Asian or South American or even American labor.   Maybe a reasonable number including overhead and supervision would be something like $5/hour. Which still gives a cost of $3800.

And if someone made it for their own use, or that of someone in their family, that 780 hours would represent a pretty large piece of their work capacity for the entire year.

As Paul Graham noted, clothing was very expensive right up to the Industrial Revolution.

Worth Pondering

Like all intelligent men who are not in any way creative, Sir Robert Peel was dangerously sympathetic towards the creations of others. Incapable of formulating a system, he threw himself voraciously on those he came across, and applied them more vigorously than would their inventors.

–Andre Maurois

I don’t know enough about Sir Robert to have an opinion about whether this was a fair assessment of him, but I think it’s a valid and important point in general.   “Intelligent but not creative” describes a high percentage of people in academia, ‘nonprofits’, and the media (as long as you don’t set bar for ‘intelligent’ too high, especially in the case of the media)…and I think this has a lot to do with their eager adoption of theoretical frameworks such as critical race theory, cultural Marxism, and various types of gender theorizing…and the special and often weird vocabularies that tend to go with such things.

The need to conform, the desire to promote oneself and to feel superior, and the search for meaning also play a part, of course.

See Lead and Gold, which is why I discovered the Maurois quote in the first place. As LG notes, the voracious-framework-adoption phenomenon is also found in business, though at a somewhat lesser level than in academia, media, and nonprofits, I think, due to the exigencies of competition and the need to deal with reality sufficiently well to actually produce products and services.

See also my post Professors and the Pornography of Power, which cites Jonathan Haidt on what he calls the single-lens approach.

Previous Worth Pondering post.

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