In my post Technology in 1925, I mentioned the Bartlane process for transmitting news photographs via undersea cable. The way that this process works is so..so…the words ‘elegant’ and ‘baroque’ both come to mind..that I thought it deserved its own post.
Transatlantic cables had been around since the 1860s, originally handling transmissions in Morse Code or its cable variant. By 1925, teleprinter transmission thru the cables was increasingly common. Bandwidths had increased but were still quite limited–a maximum of 25 to 40 characters per second, usually multiplexed into multiple slower subchannels. These cables were strictly for telegraphy: voice telephony under the Atlantic was still many years away. News stories could be transmitted under the ocean almost instantaneously, but the accompanying photos would take a week or more: obviously there would be commercial value if the photos could be transmitted by cable as well.
So how was telegraphy married with photography?
The Bartlane process (Bartlane comes from the names of co-inventors Maynard McFarlane and Harry Bartholomew) starts with analog-to-digital conversion of the filmed image (although neither ‘analog’ nor ‘digital’ were terms in common use at the time)..varying shades of gray at particular points in the negative (‘pixels’, in our terminology) are captured as combinations of holes punched into a paper tape. The completed tape is sent to the cable office where it is transmitted using standard cable transmission equipment..simultaneously punching a duplicate tape at the other end of the cable. The received tape is then run through a device which recreates the original picture…with quality limited by the density of pixels and the number of shades of gray that the equipment can handle.
In its original 1924 released form, the Bartlane system contained no electronic components at all–it was strictly mechanical, electrical, and optical. How did that work?
Like this…